WET: The Magazine of Gourmet Bathing covered a range of cultural issues and was widely known for its innovative use of graphic art. Started as a simple one-man operation that included artwork and text solicited from friends and acquaintances, the production, team, and circulation of the magazine would grow over the years. Its content also evolved to cover a wider expanse of stories that captured a smart and artsy Los Angeles attitude that was emerging at the same time as punk, but with its own distinctaesthetic. The magazine’s energetic creativity and flair for the absurd would remain a constant. As design problems arose, solutions were often improvised on the spot, creating a quirky and prescient editorial sensibility that remains one of WET's most enduring legacies. Its layout and design helped to catalyze the graphic styles (NSFW) later known as New Wave and Postmodern.
posted by Trurl
on May 4, 2012 -
Not all groups with synthesizers in the 1970s and 1980s were lame Top 40 acts with keytars. Some groups of the era used synths for spastic keyboard bleeps, herky-jerky tempos, and angst-ridden aggression in a style now classified by record collector geeks as synthpunk, minimal synth, or minimal wave. Several famous New Wave acts dabbled in the style before providing soundtracks for Molly Ringwald movies (OMD, Electricty) or singing about waitresses in cocktail bars (the Human League, Being Boiled), but vintage videos from synth punk acts all over the world can be found all over YouTube. [more inside]
posted by jonp72
on Mar 14, 2009 -