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15 posts tagged with 1980s and film. (View popular tags)
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WALK
.. is a trippy 1983 journey from one part of Minneapolis to another. It begins with a guy who can hardly move. He slowly gains stuttered motion and utters basic letter sounds, then begins a real and imaginary walk. His journey is from his view - floating. At the end of this walk, he meets a friend. Walk's film surface is hand worked and street noise is composed as music-concrete. 16mm B/W SLYT
posted by louche mustachio
on Jan 7, 2012 -
13 comments
[Absolute Beginners] has a glossy immediacy, and you can feel the flash and determination that went into it. What you don't feel is the tormented romanticism that made English adolescents in the 70s swear by the novel the way American kids had earlier sworn by The Catcher in the Rye. -
Pauline Kael [more inside]
posted by Trurl
on Dec 12, 2011 -
15 comments
After 25 years I revisited To Live and Die In L.A. (1985), William Friedkin's cynical, fatalistic, hardboiled and high-energy crime noir about corruption and survival in the city of no angels. The script is literate, the characters are believable, the performances are brutally honest, the unpredictable twists keep coming, the action never stops, and the car chase is shot for real without any fake process. (spoilers)
posted by Trurl
on Nov 4, 2011 -
60 comments
Alex Cox:
REPO MAN was made as a "negative pickup" by Universal at the time when Bob Rehme was head of the studio. At the time, the big deal over there was STREETS OF FIRE, and nobody really noticed our film [8 MB PDF] at all. Which was lucky for us, since Bob Rehme had "green-lighted" a film which was quite unusual by studio standards. (previously)
posted by Trurl
on Oct 31, 2011 -
92 comments
The French romantic thriller “Diva” dashes along with a pellmell gracefulness, and it doesn’t take long to see that the images and visual gags and homages all fit together and reverberate back and forth. It’s a glittering toy of a movie... This one is by a new director, Jean-Jacques Beineix... who understands the pleasures to be had from a picture that doesn’t take itself very seriously. Every shot seems designed to delight the audience. - Pauline Kael, 1982
[more inside]
posted by Trurl
on Sep 16, 2011 -
33 comments
Threads (1984).
(1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13) Testament (1983).
(1, 2, 3, 4, 5, 6, 7) [more inside]
posted by Joe Beese
on Feb 25, 2011 -
66 comments
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