Established in 1982, the [San Francisco Bay Area Television Archive] preserves 6000 hours of newsfilm, documentaries and other TV footage produced in the Bay Area and Northern California from the Twentieth Century. We are a part of the J. Paul Leonard Library’s Department of Special Collections and oversee material owned by local TV stations KPIX-TV, KRON-TV, KQED and KTVU. All 1,659 items in the collections can be streamed. A few notable inclusions within. [more inside]
"I like making things I feel should exist, like these faux vintage wax pack wrappers."
If you love kung fu and hate Nazis, then today is your lucky day. Kung Fury has been released on Youtube. (Previously, Previously)
"Twenty-five years after its release, The Abyss remains an oddity in director James Cameron's filmography. But the fact that it's an oddity seems like an oddity. The underwater sci-fi epic, about a team of commercial drillers who stumble upon a deep-sea alien civilization, wasn't a flop by any means. It made more money than The Terminator and came very close to matching Aliens at the box office. It holds a higher critical rating than Avatar and Titanic (according to the almighty Rotten Tomatoes, at least). And yet it has utterly failed to reach the same levels of cultural saturation as Cameron’s other works."
Kung Fury is an upcoming action-comedy movie from Swedish director David Sandberg. The trailer, at least, is a pitch-perfect celebration of everything that made 80s action movies ridiculous and wonderful. [more inside]
Return of the Living Dead (NSFW) is one of the greatest zombie movies ever made. Not only does it have loads of great looking zombies in it, it's one of the few zombie movies, besides its sequel, that has a perfect blend of humor and horror.
... Buckaroo Banzai is paradoxically decades ahead of its time and yet completely of its time; it’s profoundly a movie by, for, and of geeks and nerds at a time before geek/nerd culture was mainstreamed, and a movie whose pre-CG special effects and pre-Computer Age production design were an essential part of its good-natured enthusiasm. What at the time was a hip, modern take on classic SF is now, almost thirty years later, almost indistinguishable from the SF cinema that inspired it in terms of the appeal to modern viewers: the charmingly old-fashioned special effects, and the comparatively innocent earnestness of its tone. - Danny Bowes [more inside]
Roger Spottiswoode looks back on his 1983 film Under Fire.
Michael Mann's "Thief" is a film of style, substance, and violently felt emotion, all wrapped up in one of the most intelligent thrillers I've seen. - Roger Ebert [more inside]
AIRBOYD.tv has three Youtube channels: The eponymous AIRBOYD features 2000+ videos for "aviation and aerospace enthusiasts. Then there's the Nuclear Vault: Vintage Military, War and News Videos, with 1200+ full-length documentaries, news reels and other assorted footage, including 200 episodes of "The Big Picture (Army Signal Corps)" and a variety of Atomic and Nuclear energy films. Last but not least is US Auto Industry, an archive of over 450 vintage automobile films, including commercials from Buick, Pontiac, Chevy and Ford. [more inside]
WALK .. is a trippy 1983 journey from one part of Minneapolis to another. It begins with a guy who can hardly move. He slowly gains stuttered motion and utters basic letter sounds, then begins a real and imaginary walk. His journey is from his view - floating. At the end of this walk, he meets a friend. Walk's film surface is hand worked and street noise is composed as music-concrete. 16mm B/W SLYT
[Absolute Beginners] has a glossy immediacy, and you can feel the flash and determination that went into it. What you don't feel is the tormented romanticism that made English adolescents in the 70s swear by the novel the way American kids had earlier sworn by The Catcher in the Rye. - Pauline Kael [more inside]
After 25 years I revisited To Live and Die In L.A. (1985), William Friedkin's cynical, fatalistic, hardboiled and high-energy crime noir about corruption and survival in the city of no angels. The script is literate, the characters are believable, the performances are brutally honest, the unpredictable twists keep coming, the action never stops, and the car chase is shot for real without any fake process. (spoilers)
Alex Cox: REPO MAN was made as a "negative pickup" by Universal at the time when Bob Rehme was head of the studio. At the time, the big deal over there was STREETS OF FIRE, and nobody really noticed our film [8 MB PDF] at all. Which was lucky for us, since Bob Rehme had "green-lighted" a film which was quite unusual by studio standards. (previously)
Under the stewardship of Israeli cousins Menahem Golan and Yoram Globus, Cannon Films was responsible for many of the worst - and a few of the best - movies of the 1980s. Along the way it won an Academy Award and enriched the language. (previously) [more inside]
The French romantic thriller “Diva” dashes along with a pellmell gracefulness, and it doesn’t take long to see that the images and visual gags and homages all fit together and reverberate back and forth. It’s a glittering toy of a movie... This one is by a new director, Jean-Jacques Beineix... who understands the pleasures to be had from a picture that doesn’t take itself very seriously. Every shot seems designed to delight the audience. - Pauline Kael, 1982 [more inside]
SI has written an oral history about the making of the movie "Major League". Charlie Sheen was also interviewed for this piece.
Threads (1984). (1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13) Testament (1983). (1, 2, 3, 4, 5, 6, 7) [more inside]
Son of Rambo (not to be confused with Rambo IV: Holy War/End of Peace) is a Hammer and Tongs film about two kids in the 80s making a home video sequel to First Blood. No teaser or trailer available as of post time, but there is a showcase of illustrations by hand-picked and contributing artists that claim to cover the era, themes and content of the film.