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8 posts tagged with 70s and movies. (View popular tags)
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Robert Altman's "3 Women"

And so I descend once more into the mysterious depths of 3 Women, a film that was imagined in a dream. Robert Altman's 1977 masterpiece tells the story of three women whose identities blur, shift and merge until finally, in an enigmatic last scene, they have formed a family, or perhaps have become one person. I have seen it many times, been through it twice in shot-by-shot analysis, and yet it always seems to be happening as I watch it. - Roger Ebert [more inside]
posted by Trurl on May 20, 2012 - 21 comments

Walter Hill's "The Warriors"

As brutally stylish as it is when the fists and baseball bats are flying, the underlying themes of family and perseverance are what make The Warriors stand out from the rest of the "grim future" epics of the period. - Celluloid Dreams
posted by Trurl on Apr 10, 2012 - 49 comments

Alan J. Pakula's "The Parallax View"

Welcome to the testing room of the Parallax Corporation's Division of Human Engineering. [more inside]
posted by Trurl on Jan 5, 2012 - 29 comments

Werner Herzog's "Aguirre, the Wrath of God"

Despite appearing early in his career, Aguirre, the Wrath of God is for me the quintessential Herzog movie. ... It deals with possibly the most obsessed group of people in history, the Spanish conquistadors, and their desperate hunt for the most magic of all Grails, the elusive golden land of El Dorado – leaving destruction and death to millions in their wake. A few lines in an old chronicle is all that remains of the historical facts, thus leaving plenty of room for Herzog to employ his imagination and re-arrange the facts. In short: an ideal topic for a visionary director, tackled with just the right crew, and on a location guaranteed to make the shooting an ordeal in itself.
posted by Trurl on Nov 24, 2011 - 40 comments

Arthur Penn's "Night Moves"

[Arthur Penn's Night Moves] does belong to a traditional, indeed obsolescent genre, but the distance it keeps from it (not an ironic or critical distance, just a distance) is such that genre-related expectations become irrelevant. Most of the time, the story line seems to meander aimlessly, taking in extraneous material, doubling back, going round in circles (the aimless is deceptive, a smoke screen obfuscating the complex, rigorous organization of an exceptionally well-structured script). The "mystery" aspect of the plot is dealt with in the most peculiar, topsy-turvy manner, withholding not the solution of the problem but the problem itself until the very end, when, in a dazzling visual tour de force, both are conjured up almost simultaneously. - Jean Pierre Coursodon [more inside]
posted by Trurl on Oct 1, 2011 - 19 comments

Logan's Run

Logan's Run is a 1976 science fiction film... It depicts a dystopian future society in which population and the consumption of resources are managed and maintained in equilibrium by the simple expediency of killing everyone who reaches the age of thirty, preventing overpopulation. (related 2004 post worth clicking through for) [more inside]
posted by Trurl on Sep 3, 2011 - 121 comments

Michelangelo Antonioni's "Chung Kuo"

[Michelangelo Antonioni's Chung Kuo] as a documentary film was one which was draped with fascination for both filmmakers as well as an audience, rather than championing anti-whatever sentiments from either side of the world. Not having seen many movies, either features, shorts or documentaries made during the Cultural Revolution era or about that era in question (propaganda included), I think this Antonioni film has more than made its mark as a definitive documentary that anyone curious about the life of the time, would find it a gem to sit through.
posted by Trurl on Jul 11, 2011 - 3 comments

Disaster Movies of the 1970s

Disaster movies are as old as cinema itself. But their golden age began in 1970 with Airport - which, despite being an Academy Award nominee for Best Picture, is now remembered chiefly for the parody it inspired. Earthquake - exhibited in Sensurround - set a record for the number of stunt performers used. But the Master of Disaster was Lost in Space producer Irwin Allen. His The Poseidon Adventure grossed the equivalent of $450 million in today's money. And The Towering Inferno - the filming of which destroyed all but 8 of its 57 sets - is still unsurpassed.
posted by Joe Beese on Feb 24, 2011 - 66 comments

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