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16 posts tagged with 80s and film. (View popular tags)
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SSS is a 1988 experimental film featuring rapid-fire clips of dancers on the streets and junkyards of New York's East Village, "painstaking synched" to improvised music by Tom Cora (cello), Christian Marclay (turntables), and Zeena Parkins (harp). It's by filmmaker Henry Hills, whose official site is
here. More collage films
here, including
Radio Adios, the quick cut-up
KINO DA!,
Money ("
a manic collage film from the mid-80s when it still seemed that Reaganism of the soul could be defeated," with appearances by John Zorn, Fred Frith, Arto Lindsay, Ron Silliman among others), and
Gotham, one of three films Hills made for Zorn's Naked City project.
posted by mediareport
on May 25, 2012 -
11 comments
[Absolute Beginners] has a glossy immediacy, and you can feel the flash and determination that went into it. What you don't feel is the tormented romanticism that made English adolescents in the 70s swear by the novel the way American kids had earlier sworn by The Catcher in the Rye. -
Pauline Kael [more inside]
posted by Trurl
on Dec 12, 2011 -
15 comments
After 25 years I revisited To Live and Die In L.A. (1985), William Friedkin's cynical, fatalistic, hardboiled and high-energy crime noir about corruption and survival in the city of no angels. The script is literate, the characters are believable, the performances are brutally honest, the unpredictable twists keep coming, the action never stops, and the car chase is shot for real without any fake process. (spoilers)
posted by Trurl
on Nov 4, 2011 -
60 comments
Alex Cox:
REPO MAN was made as a "negative pickup" by Universal at the time when Bob Rehme was head of the studio. At the time, the big deal over there was STREETS OF FIRE, and nobody really noticed our film [8 MB PDF] at all. Which was lucky for us, since Bob Rehme had "green-lighted" a film which was quite unusual by studio standards. (previously)
posted by Trurl
on Oct 31, 2011 -
92 comments
The French romantic thriller “Diva” dashes along with a pellmell gracefulness, and it doesn’t take long to see that the images and visual gags and homages all fit together and reverberate back and forth. It’s a glittering toy of a movie... This one is by a new director, Jean-Jacques Beineix... who understands the pleasures to be had from a picture that doesn’t take itself very seriously. Every shot seems designed to delight the audience. - Pauline Kael, 1982
[more inside]
posted by Trurl
on Sep 16, 2011 -
33 comments
Threads (1984).
(1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13) Testament (1983).
(1, 2, 3, 4, 5, 6, 7) [more inside]
posted by Joe Beese
on Feb 25, 2011 -
66 comments
It was the 80's. We were younger then, and anything seemed possible. So it all seemed part of Destiny when my very first screenplay was bought and produced; fame and fortune was surely just around the corner. HA! Fat chance.- The making of
Forever Evil.
posted by Artw
on Oct 4, 2008 -
6 comments
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