On May 15, 1981, at The Ritz in New York City, Public Image Ltd. performed as a last-minute replacement for Bow Wow Wow. It didn't end well. (previously) [more inside]
"A great ballclub, a beautiful demonstration of what talent can do when assembled with planning and guided by intelligence." - Bill James, on the 1986 New York Mets [more inside]
WET: The Magazine of Gourmet Bathing covered a range of cultural issues and was widely known for its innovative use of graphic art. Started as a simple one-man operation that included artwork and text solicited from friends and acquaintances, the production, team, and circulation of the magazine would grow over the years. Its content also evolved to cover a wider expanse of stories that captured a smart and artsy Los Angeles attitude that was emerging at the same time as punk, but with its own distinct aesthetic. The magazine’s energetic creativity and flair for the absurd would remain a constant. As design problems arose, solutions were often improvised on the spot, creating a quirky and prescient editorial sensibility that remains one of WET's most enduring legacies. Its layout and design helped to catalyze the graphic styles (NSFW) later known as New Wave and Postmodern.
Roger Spottiswoode looks back on his 1983 film Under Fire.
25 years ago today, the professional wrestling boom sparked by the Captain Lou Albano/Cyndi Lauper "Rock 'n' Wrestling Connection" reached its zenith with WrestleMania III - whose attendance record of 93,173 for a live indoor "sporting" event in North America stood until 2010. The match between "Macho Man" Randy Savage and Ricky "The Dragon" Steamboat is prized by aficionados as one of the greatest in wrestling history. Look into the videoscope! [more inside]
Michael Mann's "Thief" is a film of style, substance, and violently felt emotion, all wrapped up in one of the most intelligent thrillers I've seen. - Roger Ebert [more inside]
I catch a lot of flak over my description of the years 1974 to 1983 as the Golden Age of roleplaying games, much of it based on a misunderstanding of my original point, namely that, after this period, tabletop RPGs would never again command the same degree of broad cultural significance that they did during this time. A good illustration of my point is this odd product, from wargames publisher SPI: Dallas: The Television Role-Playing Game. Published in 1980, the same year as the company's more well known foray into roleplaying, DragonQuest, Dallas was designed by none other than James F. Dunnigan, famous as (among many things) the designer of the classic wargames Jutland and PanzerBlitz. [more inside]
[Absolute Beginners] has a glossy immediacy, and you can feel the flash and determination that went into it. What you don't feel is the tormented romanticism that made English adolescents in the 70s swear by the novel the way American kids had earlier sworn by The Catcher in the Rye. - Pauline Kael [more inside]
As a historical document the book is exhaustive and valuable. But I did not come away feeling that I knew or understood Hüsker Dü — the musicians themselves, their music, or any of the people around them — any more intimately than I already did. Earles’ writing is at once densely opinionated and emotionless. He expertly follows the chronology of the band’s tours and releases, but he never makes it understandable why some of us look back on this band so reverently, or why it would be worth somebody’s time to discover Hüsker Dü today. (previously)
In 1986,[Vladimir] Horowitz announced that he would return to the Soviet Union for the first time since 1925 to give recitals in Moscow and Leningrad. In the new atmosphere of communication and understanding between the USSR and the USA, these concerts were seen as events of political, as well as musical, significance. [more inside]
After 25 years I revisited To Live and Die In L.A. (1985), William Friedkin's cynical, fatalistic, hardboiled and high-energy crime noir about corruption and survival in the city of no angels. The script is literate, the characters are believable, the performances are brutally honest, the unpredictable twists keep coming, the action never stops, and the car chase is shot for real without any fake process. (spoilers)
Alex Cox: REPO MAN was made as a "negative pickup" by Universal at the time when Bob Rehme was head of the studio. At the time, the big deal over there was STREETS OF FIRE, and nobody really noticed our film [8 MB PDF] at all. Which was lucky for us, since Bob Rehme had "green-lighted" a film which was quite unusual by studio standards. (previously)
Under the stewardship of Israeli cousins Menahem Golan and Yoram Globus, Cannon Films was responsible for many of the worst - and a few of the best - movies of the 1980s. Along the way it won an Academy Award and enriched the language. (previously) [more inside]
On March 15, 1993, The Truth Commission for El Salvador published its report From Madness to Hope: the 12-year war in El Salvador. The Commission attributed the assassination of Archbishop Óscar Romero to the death squads, as well as the deaths of the victims of the El Mozote Massacre. ... Five days after the commission issued its report, the Legislative Assembly of El Salvador approved an amnesty law covering all the violent events of the war.
The French romantic thriller “Diva” dashes along with a pellmell gracefulness, and it doesn’t take long to see that the images and visual gags and homages all fit together and reverberate back and forth. It’s a glittering toy of a movie... This one is by a new director, Jean-Jacques Beineix... who understands the pleasures to be had from a picture that doesn’t take itself very seriously. Every shot seems designed to delight the audience. - Pauline Kael, 1982 [more inside]
Ana Lee's fashion blog is in Russian but with its insane number of HQ photographs [don't forget to click the "далее"], you won't care. For example, her two posts about Carol Alt almost certainly comprise the greatest documentation of that model's career to be found anywhere in the world.
It’s about time people started rendering unto Liquid Sky. Its long lipstick trace is smudged through much of indie cinema. [more inside]