[Absolute Beginners] has a glossy immediacy, and you can feel the flash and determination that went into it. What you don't feel is the tormented romanticism that made English adolescents in the 70s swear by the novel the way American kids had earlier sworn by The Catcher in the Rye. -
Pauline Kael [more inside]
posted by Trurl
on Dec 12, 2011 -
15 comments
As a historical document the book is exhaustive and valuable. But I did not come away feeling that I knew or understood Hüsker Dü — the musicians themselves, their music, or any of the people around them — any more intimately than I already did. Earles’ writing is at once densely opinionated and emotionless. He expertly follows the chronology of the band’s tours and releases, but he never makes it understandable why some of us look back on this band so reverently, or why it would be worth somebody’s time to discover Hüsker Dü today. (previously)
posted by Trurl
on Dec 3, 2011 -
52 comments
After 25 years I revisited To Live and Die In L.A. (1985), William Friedkin's cynical, fatalistic, hardboiled and high-energy crime noir about corruption and survival in the city of no angels. The script is literate, the characters are believable, the performances are brutally honest, the unpredictable twists keep coming, the action never stops, and the car chase is shot for real without any fake process. (spoilers)
posted by Trurl
on Nov 4, 2011 -
60 comments
Skinemax is
Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It's long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind. A nostalgic look back at a half remembered childhood growing up in the 80s and early 90s,
Skinemax takes a close look at the culture of that era. The images that motivated, delighted, and terrified us on the silver screen, set to propulsive modern music that pines for a simpler time.
posted by naju
on Nov 2, 2011 -
78 comments
Alex Cox:
REPO MAN was made as a "negative pickup" by Universal at the time when Bob Rehme was head of the studio. At the time, the big deal over there was STREETS OF FIRE, and nobody really noticed our film [8 MB PDF] at all. Which was lucky for us, since Bob Rehme had "green-lighted" a film which was quite unusual by studio standards. (previously)
posted by Trurl
on Oct 31, 2011 -
92 comments
The French romantic thriller “Diva” dashes along with a pellmell gracefulness, and it doesn’t take long to see that the images and visual gags and homages all fit together and reverberate back and forth. It’s a glittering toy of a movie... This one is by a new director, Jean-Jacques Beineix... who understands the pleasures to be had from a picture that doesn’t take itself very seriously. Every shot seems designed to delight the audience. - Pauline Kael, 1982
[more inside]
posted by Trurl
on Sep 16, 2011 -
33 comments
Ana Lee's fashion blog is in Russian but with its insane number of HQ photographs
[don't forget to click the "далее"], you won't care. For example, her two posts about
Carol Alt almost certainly comprise the greatest documentation of that model's career to be found anywhere in the world.
posted by Trurl
on Aug 28, 2011 -
6 comments
The House Next Door has kicked off this year's installment of the "Summer of..." series, where they look back at the summer movies from 25 years ago. For the next few months they'll be revisiting the
summer movies from 1986, and you can check out the previous installments to relive the glories of
1985 (
Weird Science,
Mad Max Beyond Thunderdome,
St. Elmo's Fire),
and 1984 (including the magical day
Gremlins,
Ghostbusters, and
Top Secret! opened simultaneously).
posted by Horace Rumpole
on May 5, 2011 -
10 comments
An Ode to Paul Simon's Graceland, now 25. "Here is Simon proving that he could be divorced and soft in the middle and still make an album that put him back on the playing field, and as a center forward. This, too, is why I think the album has been such a mainstay of so many station wagons since the late 80s: It said to those rear ends planted in those drivers’ seats, “Our idols have aged and proven human. They have turned into yuppies like us who smoke weed only occasionally and in comfortable living rooms with Persian rugs and who have kids who play soccer, and that’s okay." Don't miss the covers and rare editions at the the end of the article. Unfortunately they miss
Tangoterje's amazing "Diamonds on the Soles of Her Shoes" dub edit. Obligatory,
the Zimbabwe concert.
posted by geoff.
on Apr 12, 2011 -
198 comments
Threads (1984).
(1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13) Testament (1983).
(1, 2, 3, 4, 5, 6, 7) [more inside]
posted by Joe Beese
on Feb 25, 2011 -
66 comments
The Osborne 1 was the first commercially successful portable microcomputer, released in April 1981 by Osborne Computer Corporation. It weighed 23.5 pounds, cost $1,795, and ran the then-popular CP/M 2.2 operating system. The computer shipped with a large bundle of software that was almost equivalent in value to the machine itself. [more inside]
posted by Joe Beese
on Oct 1, 2010 -
33 comments
A band of the 80's and 90's, that you've very probably listened to, is touring again. If you listened to the radio in 1986, you heard
this. In 1991, you probably heard
this. If you are a superfan, you've probably got a copy of their
live farewell show in Sydney, 1996. If you're a zealot, you probably watched them
live on the Jimmy Fallon Show last night. In my humble opinion, one of the most underrated composers and underrated bands around, still.
posted by legweak
on Jul 21, 2010 -
100 comments
