The Memorial. "People talk a lot about the "healing process." Well, this is New York. In the aftermath of a tragedy of monumental proportions, the healing process has been noisy and rude, with elbows out, redolent of greed, power, and the darker forces that drive human existence. And most of the shouting has been about how to make a fitting monument to what happened here. But in a hundred years, all the shouting and all the politics will be forgotten. What will be remembered is what is built here, now, on these sixteen acres." [more inside]
"Three days after the September 11 attacks, reporters at The New York Times, armed with stacks of homemade missing-persons fliers, began interviewing friends and relatives of the missing and writing brief portraits of their lives to create “Portraits of Grief.” Not meant to be obituaries in any traditional sense, they were informal and impressionistic, often centered on a single story or idiosyncratic detail." As we near the tenth anniversary of 9/11, the Times has revisited some of the people they interviewed back then, for Profiles Redrawn. [more inside]
Studio 60 on the Sunset Strip ends tonight, and Aaron Sorkin will be leaving television production for a while. His current project is Charlie Wilson's War, a movie starring Tom Hanks, Julia Roberts and Philip Seymour Hoffman, based on the late George Crile's excellent, funny nonfic book of the same name. The movie will trace "party animal" Congressman Charles "Good Time Charlie" Wilson's (D, TX) rise from a scandal (he was caught in "a hot tub tryst with two cocaine-sniffing showgirls in Las Vegas",) to his role in the 1980's covertly funding Afghanistan guerrillas so they could expand their war with the Soviet Union. Wilson's actions would eventually help collapse the Afghan PDPA government, a power vacuum which would be filled by the Taliban. Who would have thought ending the Cold War would be so easy?