Ektoplazm is now the world’s largest distributor of free (and legal) psytrance music specializing in high-quality Creative Commons-licensed content from netlabels and independent artists, all released in MP3 and lossless CD-quality FLAC and WAV formats.
posted by Trurl
on May 23, 2012 -
47 comments
Shock of the New is a 1980 documentary television series by Robert Hughes produced by the BBC in association with Time-Life Films and RM Productions. ... It addressed the development of modern art since the Impressionists and was accompanied by a book of the same name; its combination of insight, wit and accessibility are still widely praised. -
Wikipedia [more inside]
posted by Trurl
on May 22, 2012 -
17 comments
Wendy Carlos is best known for
Switched-On Bach, the best-selling album that popularized the Moog synthesizer, and the soundtracks for
A Clockwork Orange and
Tron. But what she calls her "most important album" is the 1986 recording
Beauty in the Beast, whose experiments with instrumentation, tonality, and scaling are described in
these two PDF reproductions of contemporary articles from
Keyboard magazine.
[more inside]
posted by Trurl
on May 21, 2012 -
30 comments
And so I descend once more into the mysterious depths of 3 Women, a film that was imagined in a dream. Robert Altman's 1977 masterpiece tells the story of three women whose identities blur, shift and merge until finally, in an enigmatic last scene, they have formed a family, or perhaps have become one person. I have seen it many times, been through it twice in shot-by-shot analysis, and yet it always seems to be happening as I watch it. -
Roger Ebert [more inside]
posted by Trurl
on May 20, 2012 -
21 comments
simply read
Finnegans Wake. Since it is said to make more sense when recited aloud, you could start with
this recording of James Joyce performing a passage from the "Anna Livia Plurabelle" section - which has been described as "one of the most beautiful prose-poems in English".
[more inside]
posted by Trurl
on May 18, 2012 -
40 comments
When
Captain America throws his mighty shield, all those who chose to oppose his shield must yield. Doc Bruce Banner, pelted by gamma rays, turns into
The Hulk; ain't he unglamorous?
Tony Stark makes you feel; he's a cool exec with a heart of steel. Cross the Rainbow Bridge of Asgard, where the booming heavens roar, you'll behold in breathless wonder the god of Thunder, mighty
Thor. Stronger than a whale,
he can swim anywhere; he can breathe underwater and go flying through the air.
[more inside]
posted by Trurl
on May 17, 2012 -
61 comments
Many films are called “classic,” but few qualify as turning points in the evolution of cinematic language, films that opened the way to a more mature art form. Michelangelo Antonioni’s L’Avventura is such a work. It divided film history into that which came before and that which was possible after its epochal appearance. It expanded our knowledge of what a film could be and do. It is more than a classic, it’s an historical milestone. ... Antonioni’s great achievement was to put the burden of narration almost entirely on the image itself, that is, on the characters’ actions and on the visual surface of their environment. He uses natural or manmade settings to evoke his characters’ state of mind, their emotions, their life circumstances. We learn more about them by watching what they do than by hearing what they say. We follow the story more by reading images than we do by listening to dialogue. The settings are not symbolic or metaphoric—they are extensions, manifestations, of the characters’ psyches. Physical landscape and mental landscape become one. -
Gene Youngblood
posted by Trurl
on Apr 29, 2012 -
20 comments
What you see here is a prime example of what happens to film that is neglected and improperly stored.
This is an original reel from It's a Mad, Mad, Mad, Mad World that is now untouchable. The film has turned acidic, sporting the strongest and most foul vinegar-like odor I have ever smelled. In fact,
Robert Harris told me a story of how his contact lenses were singed by the fumes the film produced, causing temporary retinal damage to his eye. [more inside]
posted by Trurl
on Apr 27, 2012 -
37 comments
On January 13 and 14, 1972,
Aretha Franklin sang during services at the Reverend James Cleveland's New Temple Missionary Baptist Church in the Watts neighborhood of Los Angeles. The audio recordings released as
Amazing Grace remain the largest-selling gospel album in history. However, of the 20 hours of 16mm film footage by Sydney Pollack - intended as a concert movie for tandem release -
only a few snippets have ever been seen.
(previously: 1, 2)
posted by Trurl
on Apr 22, 2012 -
8 comments
Eric Dolphy [auto-music] was a true original with his own distinctive styles on alto, flute, and bass clarinet. His music fell into the "avant-garde" category yet he did not discard chordal improvisation altogether (although the relationship of his notes to the chords was often pretty abstract). While most of the other "free jazz" players sounded very serious in their playing, Dolphy's solos often came across as ecstatic and exuberant. His improvisations utilized very wide intervals, a variety of nonmusical speechlike sounds, and its own logic. Although the alto was his main axe, Dolphy was the first flutist to move beyond bop (influencing James Newton) and he largely introduced the bass clarinet to jazz as a solo instrument. He was also one of the first (after Coleman Hawkins) to record unaccompanied horn solos, preceding Anthony Braxton by five years. -
AllMusic (previously: 1, 2)
posted by Trurl
on Apr 21, 2012 -
18 comments
We shrugged when friends told us Prince's Sign "O" the Times was the greatest rock concert movie ever. There are limits to how great a rock concert movie can be, and we figured Jonathan Demme's--and Talking Heads'--Stop Making Sense had stretched them as far as they were liable to go. But even though Sign "O" the Times was directed by the artiste, whose previous cinematic exploits haven't exactly put him in Demme's class, Prince has come up with a contender. Where Demme goes for a sinuous, almost elegant clarity, Prince's movie is all murk, scuzz, steam, and, oh yeah, sex. With all due respect, which one sounds more like a real rock concert to you? -
Robert Christgau [more inside]
posted by Trurl
on Apr 20, 2012 -
31 comments
"The Threat to Proust" by Roger Shattuck:
When Proust’s novel fell into the public domain in 1987, three Paris publishing houses were ready with new editions that had been in preparation for several years. They all carry the same basic 3,000-page text with few variations. The differences lie in packaging and presentation. Laffont-Bouquins chose to publish three fat volumes prefaced by elaborate historical and biographical materials. Garnier-Flammarion produced ten pocket-sized volumes competently edited by Jean Milly. The new Pléiade edition, published by the original copyright holder, Gallimard, made the boldest, most ambitious, and most expensive bid to claim the market. In a combination of editorial, literary, and commercial decisions, Gallimard proposed to influence the way we read Proust and, to some degree, the way we approach all great literary works. [more inside]
posted by Trurl
on Apr 19, 2012 -
32 comments
In the seven years since its
last appearance in the blue,
Encyclopaedia Metallum has more than quadrupled in size - now containing 84,000+ bands and 65,000+ reviews of 30,000+ albums.
posted by Trurl
on Apr 17, 2012 -
35 comments
Those Americans who are familiar with the name Claude Lanzmann most likely know him as the director of “Shoah,” his monumental 1985 documentary about the extermination of the European Jews in the Nazi gas chambers. As it turns out, though, the story of Lanzmann’s eventful life would have been well worth telling even if he had never come to direct “Shoah.” In addition to film director, Lanzmann’s roles have included those of journalist, editor, public intellectual, member of the French Resistance, long-term lover of Simone de Beauvoir and close friend of Jean-Paul Sartre, world traveler, political activist, ghostwriter for Jacques Cousteau — I could go on, but it’s a good deal more entertaining to hear Lanzmann himself go on, and thanks to the publication in English of his memoir, “The Patagonian Hare,” we now have the opportunity to do so. (previously)
posted by Trurl
on Apr 16, 2012 -
6 comments
As brutally stylish as it is when the fists and baseball bats are flying, the underlying themes of family and perseverance are what make The Warriors stand out from the rest of the "grim future" epics of the period. -
Celluloid Dreams
posted by Trurl
on Apr 10, 2012 -
49 comments
Observations, stories and photographs by and of art model, sometime dancer,
Alex B. (
1,
2,
3,
4,
5)
(NSFW)
posted by Trurl
on Apr 8, 2012 -
7 comments
The Big Sleep is a film I have found a very intense love for. The rotating cast of shadowy crooks and deceptive dames coupled with the roller-coaster plotting makes this classic movie endlessly entertaining. Bogart and Bacall are electrifying together and the supporting cast is equally captivating. Considering it’s over 60 years old, The Big Sleep
still works in a big bad way and feels fantastically modern. It’s as if the film is simply too fast and too entertaining to age. It was crafted by the hands of some of Hollywood’s finest artists at the time and oozes quality as a result. Most of all though, this movie is just pulpy, fearless, fun and really, really cool. -
Pictures and Noise [more inside]
posted by Trurl
on Apr 7, 2012 -
56 comments
In December 1974, there was a memorial service at St. James Episcopal Church on Madison Avenue for Louise Fitzhugh, author and illustrator of Harriet the Spy, the groundbreaking children's novel that has sold 2.5 million copies since its publication in 1964. [more inside]
posted by Trurl
on Mar 26, 2012 -
45 comments
You may have heard that they made a movie of the
The Hunger Games. While others discuss its dystopian vision of a barbaric future America, we will concern ourselves with something more important:
the clothes.
[more inside]
posted by Trurl
on Mar 25, 2012 -
84 comments
In the sixty-odd years since their composition, the Four Last Songs have acquired in many people’s minds an unassailable status as simply the most beautiful music known to them, to be listened to in a dimly lit room and a state of rapt meditation, surrendering to the extraordinary spell of profound, other-worldly calm that they cast. This is not surprising. They were, indeed, the last things of any significance that Strauss wrote, between May and September 1948, at the age of eighty-four. (previously) [more inside]
posted by Trurl
on Mar 24, 2012 -
11 comments
Marian McPartland's Piano Jazz is the longest-running cultural program on National Public Radio - having been hosted by Ms. McPartland from June 4, 1978 through November 10, 2011. Her guests included
Eubie Blake,
Carla Bley,
JoAnne Brackeen,
Ray Charles,
Alice Coltrane,
Chick Corea,
Bill Evans,
Herbie Hancock,
Andrew Hill,
Dick Hyman,
Ahmad Jamal,
Keith Jarrett,
Hank Jones,
Oscar Peterson,
Michel Petrucciani,
Marcus Roberts, and
McCoy Tyner.
posted by Trurl
on Feb 19, 2012 -
25 comments
In Praise of Older Women was condemned by some as some as pornography. In spite or perhaps because of that, it was a phenomenal seller. There is nothing pornographic about it. It is a beautiful and tender book, the semi-autobiographical tale of the amorous adventures of a young man who learns much, not only in matters of sex, from older women. It is a primer for men on the threshold of adulthood and a paean of elegant praise for older women. Unlike many male writers who write about women, there is no fear or hatred. In Praise of Older Women is warm and wise.*
posted by Trurl
on Feb 13, 2012 -
34 comments
... it’s no exaggeration to say that LIFEFORCE tosses everything in but the kitchen in an attempt to entertain you. Actually, scratch that, it tosses everything including the kitchen sink. By the time the movie is complete, you may have to watch it again just to verify that you actually saw what you just saw. The movie is a mess of enormous proportions which I absolutely loved.* (previously) [more inside]
posted by Trurl
on Feb 6, 2012 -
59 comments
... [Sarah Orne] Jewett's gifts have always been recognized by a select few, and continue to be. [The Country of the] Pointed Firs
, especially, was immediately recognized as a major achievement. Henry James called it, perfectly, “a beautiful little quantum of achievement.” Willa Cather listed it as one of her three great American novels...
posted by Trurl
on Jan 13, 2012 -
13 comments
Both an ingeniously choreographed crime film and a moral drama influenced by Dostoyevsky’s Crime and Punishment
, Pickpocket
marks the apotheosis of Bresson's stripped-down style. There’s little or no psychological realism or conventional drama at work in Martin La Salle’s portrayal of a master thief who plies his trade at the Gare de Lyon and easily outwits the cops who seek to ensnare him. See it once to appreciate the spare elegance of the pickpocketing scenes, and then a second time to appreciate how subtly Bresson accomplishes the story of a man’s self-willed corruption, his liberation through imprisonment and his redemption through love, all in less than 80 minutes.*
[more inside]
posted by Trurl
on Jan 6, 2012 -
11 comments
