"The Whitney museum says, 'Isn't it wonderful – we have 30% women in the new collection!'" says the activist known as Frida Kahlo. "And we're saying, why is that something to be happy about – 30%? Where is the other 20?" The Guerrilla Girls: 30 years of punking art world sexism (Emma Brockes, The Guardian); previously on MetaFilter.
South African artist and activist Gabrielle Le Roux is in San Francisco for the first time to show the "Proudly African & Transgender" portrait and story series she co-created with trans* activists from Zimbabwe, Namibia, South Africa, Botswana, Burundi, Uganda and Kenya in 2008, together with a selection of portraits from the "Proudly Trans* in Turkey" collaboration with eighteen trans* activists from across Turkey. The portraits and stories will show at the SF LGBT Center at the invitation of the Queer Cultural Center and SFSU Sociology Dept. Galería de La Raza will be showing the 18 part video installation of the Proudly Trans* in Turkey exhibition, through which trans* activists from across Turkey explore the issues they want to discuss on film. [more inside]
WYNC's Manoush Zomorodi investigates the gender gap in tech and computer science, and finds a number of people working towards bridging that gap, from childhood to university: completely restructuring a required computer science course to make it more welcoming to female university students, celebrating women in computing history (and recognizing that computer science wasn't so male-dominated, and making children's books and toys (even dollhouses!) for kids to explore programming concepts on their own. She also noticed that the majority of female computer science students in the US had grown up overseas - possibly because computer science isn't a common subject in American high schools. This is slated to change: a new AP Computer Science subject is in the works, with efforts to get 10,000 highly-trained computer science teachers in 10,000 high schools across the US. If you want to join Mindy Kaling in supporting young girls entering computer science, tech, and coding, there's a lot [more inside]
For over 17 years Furtherfield gallery, London, has been working in practices that bridge arts, technology, and social change. As its physical and online territories expand to include a new 'Commons' lab space curator, director and critic Marc Garrett reflects on the gallery's rich history, arguing that art from beyond the mainstream exhibits an ever burgeoning oppositional agency. [prev-iously]
On The Tamms Poetry Committee: "One of the artists' initiatives was "photo requests from solitary." Prisoners on solitary would request photos and professional photographers would then shoot the request and send the photo back. The gallery of prisoners requests is surprising and poignant."
The Trans 100 is a list curated by We Happy Trans based on nominations of 100 key trans people breaking ground in American culture, arts, social justice, and politics. [more inside]
Immortal Technique is an American rapper of Afro-Peruvian descent as well as an urban activist. Most of his lyrics focus on controversial issues in global politics. The views expressed in his lyrics are largely commentary on issues such as class struggle, poverty, religion, government and institutional racism.
Sue Coe, one of the most committed activist artists in America, has during her thirty-five-year career charted an idiosyncratic course through an environment that is at best ambivalent toward art with overt socio-political content.
Graphic Intervention: 25 Years of International AIDS Awareness Posters 1985–2010... (possibly NSFW) [more inside]
Eileen Myles on ACT UP-New York in Artforum Myles' review of an ACT UP NY art retrospective at Harvard's Carpenter Center is a thoughtful essay in its own right. A more straight(?)-forward review of that exhibition from Frieze Magazine. And, for good measure, "The ACT UP Oral History Project is a collection of interviews with surviving members of the AIDS Coalition to Unleash Power, New York." The Oral History Project is on special display at the Carpenter Center.
Amelia's Magazine: A sprawling and slightly garish collaborative London-based blog, which grew out of the now defunct high-end print magazine of the same name. An eccentric mix of art, fashion, photography, design, illustration, underground music and eco-activism.
"The Billboard Liberation Front today announced a major new advertising improvement campaign executed on behalf of clients AT&T and the National Security Agency. Focusing on billboards in the San Francisco area, this improvement action is designed to promote and celebrate the innovative collaboration of these two global communications giants." [Via Threat Level.]
This morning in Vancouver, volunteers handed out hundreds of disposable cameras, available free to any low-income resident of the city's Downtown Eastside (DTES) neighbourhood. Pictures in the returned cameras will be entered in this year's "Hope in Shadows" competition, with winners getting prizes and one of 12 spots in next year's calendar. (It will be sold by specially-trained low-income folks, who keep half their profits.) Run by Pivot, a local legal activism group, "Hope in Shadows" is a succesful and "innovative empowerment through art" project and a chance for the residents of the DTES to define their community -- one most often defined by its poverty, addictions, violence and disease.
Previous winners: 2004, 2005  , 2006
Previous winners: 2004, 2005  , 2006
INTERVOICE (International Network for Training, Education and Research into Hearing Voices) "offers information, publications, research, and good practice on hearing voices and other key issues." Voice hearing is surprisingly common, even normal. Many people find it a pleasurable and positive experience. Find everything from stencil graffiti to a recent New York Times magazine article on the work of the Hearing Voices Movement. (w i k i s)
The Center for Tactical Magic: a fusion force summoned from the ways of the artist, the magician, the ninja, and the private investigator.