A preview version of a 20-minute film following Damon Albarn as he and other western musicians (including Franz Ferdinand and Fatboy Slim) travel to Mali, Nigeria and Congo as part of the Africa Express, a sprawling musical collective collaboration between Africans (including Toumani Diabate, Baaba Maal and Tony Allen) Americans and Europeans. The film includes a visit and concert at The Shrine for last year's Felabration. [more inside]
posted by criticalbill on Jun 19, 2009 - 4 comments

Pieter Hugo photographs the Nigerian film industry, where a digital camera, 2 lights, nine days and $20k translates into a feature film. NSFW. [more inside]
posted by Brandon Blatcher on Aug 12, 2008 - 20 comments

Ousmane Sembene, Senegalese writer and filmmaker, has died.
posted by RogerB on Jun 11, 2007 - 16 comments

Assia Djebar the Algerian novelist and filmmaker was elected to fill the only vacancy at the Académie Française, the august French institution that watches over the French language. Ms. Djebar, 68, is the first North African to join the 40-member academy. Most interesting in light of recent discussions here on Dutch/Muslim relations. Comments from those who've read her books or know her from her work at LSU or elsewhere would no doubt be appreciated
posted by IndigoJones on Jun 17, 2005 - 12 comments

Ghosts of Rwanda
10 years later, FRONTLINE delivers one of the most powerful episodes in their excellent series of reports. Also covered in The Economist last week, and a couple years ago in The Atlantic in a sublime article: "Bystanders to Genocide". When you first heard about the tragedy did you wish you could have done something, if you had only known more?
posted by specialk420 on Apr 1, 2004 - 40 comments

Hollywood? Old. Bollywood? That's soooo 2003. Make room for Nollywood, Nigeria's own film industry which is growing by leaps and bounds every year, and is currently worth about $45 million dollars. About 400 Nollywood films are produced every year many on a budget of around $15000 and are distributed almost entirely by VHS and VCD. The stories are very much simplistic and pulpy (check out 419 Stalk Exchange. Yes, 419 as in the email scam) but are much preferred by local residents and emigre's than the usual arthouse fair one often thinks of when talking about African cinema. Now if you'll excuse me there's a bucket of popcorn and a copy of GSM Connection waiting for me in the living room.
posted by PenDevil on Jan 19, 2004 - 13 comments