A lengthy interview with Alan Moore on the Gollywog ("a strong, likeable and positive figure"), his film Act of Faith and sexual violence, and the "herpes-like persistence" of Grant Morrison.
Who owns Marvelman? Part I and part II - the concluding chapters of Padraig O Mealoid's epic 16 part history of one of comic's most disputed characters. meanwhile another hole in comics history is about to be filled in as Grant Morrison and Steve Yeowell's Zenith finally gets collected in full.
Hellblazer, the DC/Vertigo comic starring Alan Moore created occult investigator John Constantine, is being cancelled at issue #300 to make way for a new comic set in DC's New 52 universe. Hellblazer was DC's longest running continuously numbered comic and it's cancelation marks the last of the DC Comics characters with Vertigo titles being taken back into the mainstream DC universe (previously). Vertigo was originally an imprint for mature readers occult themed titles and creator owned work, though it has changed over the years with an adaptation of The Girl with the Dragon Tattoo becoming the first Vertigo to receive TV advertising.
Decompressed is a podcast in which comics writer and former Rock Paper Shotgun journalist Kieron Gillen (X-Men, Thor, Phonogram) talks to artists and writers about the process involved in writing a single issue of a comic. Decompressed 6 broke format and is instead a discussion with Mark Waid and Matt Fraction about scripting comics using the "Marvel Method", or "plot first" - in which the artist draws the comic from a story outline and dialogue is added later, rather than the writer supplying a panel by panel script. For a while out of favour even at Marvel, the method is seeing a resurgance. The podcast page contains visual aids, and embedded version of the podcast, the script of DEFENDERS #9 complete with B&W art and additional links, including links to Warren Ellis’ 3-part tutorial on writing comics (1, 2, 3). Jamie McKelvie and a vultue put in guest appearances. Further example comicbook scripts are available at the Comic Book Script Archive (previously).
Four Micro-Essays on League of Extraordinary Gentlemen: 2009 (contains spoilers), a look at the concluding part of Alan Moore and Kevin O'Neill's 3 part LoEG: Century series in which the league face off against a headline grabbing villain (extreme spoiler warning) and which spookily presaged some of last nights Olympic opening. Previous Moore and O'Neill. Obligatory annotations from Jess Nevins.
In 2010, DC Comics offered Alan Moore the rights back to Watchmen. This is a factually accurate account of what happened. (SLYT)
So The Avengers is a very successful movie. This has lead many comics fans to express their concern over the treatment of original creators in the industry, specifically of Jack Kirby. Creators' Rights controversy is nothing new, and there remains to this day ample reason to question the business dealings of The Big Two when it comes to how they compensate the men and women who work for/with them. Alan Moore has been and continues to be the victim of numerous shady deals at the hands of DC comics. But no one, with the possible exception of Seigel and Shuster, has suffered more than Jack "King" Kirby. [more inside]
"iZombie will be the last time I’ll ever write for DC... I decided quite some time ago, but waited until after the cancellation of my book was announced to discuss it. The short version is, I don’t agree with the way they treat other creators and their general business practices." writer Chris Roberson ends his relationship with DC Comics, pointing at a post by David Brothers as a summation of his ethical concerns. Roberson's work at DC has included turning around Superman after J. Michael Straczynski left mid-story, iZombie and a spin-offs from Vertigo's Fables featuring Cinderella as a super spy. He is currently working on the creator owned Memorial, published by IDW.
Transcript of a recent 90-minute interview with Alan Moore: page 1, page 2, page 3, page 4, page 5, page 6, page 7
Alan Moore and David Lloyd designed it 30 years ago. The V for Vendetta mask appropriated by Occupy protesters the world over. The Guardian recently asked Alan what he thought about the masks. Now Channel 4 news takes him into Occupy territory to face that face. But who is the true anarchist?
On the heels of the newest volume of The League of Extraordinary Gentlemen (and the recent completion of the controversial Neonomicon, which Moore suggests may be his last non-League comics work), Alan Moore (previously) gives Wired a lengthy interview that includes his thoughts on DC Comics' upcoming reboot (also previously) and the dilemma of the fan-turned-writer.
"Alan Moore is a writer and magician from Northhampton. He's a stranger to hairdressers and worships his very own god in his very own way, blurring the lines between religious belief, magic, and the power of the creative imagination. If you film him from strange angles, you can make him look very sinister." It is his fifty-eighth birthday. The beard is pushing 40. [more inside]
I smell expensive perfume... I'm standing on some sort of fur rug. There's music... I must be in the Playboy Mansion!
Stan Lee has not yet been told about ... GRIT! FEATURING -- Dourdevil, the man without a sense of humor (different presentations of the same comic). The year was 1983, and Alan Moore was spoofing the style of Frank Miller (bibliography), towards the end of Frank Miller's run with Daredevil. Moore thought highly of Miller, if one believes what Moore wrote in "The Importance of Being Frank" (linked therein as a .cbz file), which was published in the same comics magazine run as Grit! [more inside]
The early days of british comics fanzines, by Dez Skinn, one time head of Marvel UK and founder of Warrior.
Breaking the Fourth Panel: Neonomicon and the Comic Book Frame (1, 2) Alan Moore’s recent Lovecraftian comic dissected. (MLYT, Possibly NSFW language and SAN loss)
DC Comics has scraped an upcoming Swamp Thing series by acclaimed writer China Miéville (previously), apparently so that Swamp Thing and other Vertigo characters such as Black Orchid and Shade The Changing Man can be reintegrated into the DC Universe. Vertigo started out as a darker, edgier imprint of comics, largely modeled on Alan Moore's run on Swamp Thing, that absorbed many of DCs supernatural characters and largely took them out of DC's more superhero orientated universe, something that this would reverse. There is no word on whether John Constantine, star of Vertigos longest running comic Hellblazer would be affected.>
Alan Moore, the Northampton Wizard, as you've never seen him before - SLYT, Spanish with subtitles.
Kevin O'Neil, classic 2000ad artist, co-creator of Marshall Law, frequent colaborator with Alan Moore and the only artist ever to be outright banned by the Comics code Authority ("there’s nothing you can change — the style is unsuitable!”) talks at length in an epic interview at the comics journal: Part one, part two, part three, part four, part five.
“Well, it seems to be happening a lot sooner than I thought. I understand now that this [is] considered a pet project of Dan DiDio, SVP-Executive Editor. That he is determined to impress new bosses by building on DC’s biggest selling comic book of all time with multiple prequel comic miniseries and spinoff ongoing projects.” [more inside]
When the Jessamine* County Public Library acquired a copy of Alan Moore and Kevin O'Neill's The League of Extraordinary Gentlemen: Black Dossier, two library workers conspired to keep it out of the patrons' hands, checking it out for an entire year. After an eleven-year-old girl put a hold on the book, they removed the hold; upon discovering this, the library director fired them. [more inside]
Newsarama posts a massive six part interview with Alan Moore looking at The League of Extraordinary Gentlemen Century: 1910 - part 1, part 2, part 3, part 4, part 5, part 6.
Artist Stephen R. Bissette dissects the making of Saga of the Swamp Thing #20, the first American comics appearance of writer Alan Moore (um...previously), in a series of blog posts that feature much original artwork (by Bissette and others), as well as a sampling of Moore's apparently absolutely ginormous script for the issue. (Warning: Parts of Bissette's site are NSFW.) Part 1, Part 2, Part 3, Part 4, Part 5, Part 6.
Leo Baxendale, Hunt Emerson Neil Gaiman, Melinda Gebbie, Brendan McCarthy, Pat Mills, Alan Moore, Grant Morrison, Posy Simmonds, Bryan Talbot - Paul Gravett's Heroes of UK Comics
Who watches the Watchmen? The New Frontiersman for one. A neat viral site for the upcoming movie. [more inside]
You guys! Psyched about that whole Watchmen movie thing (previously, we've touched on Watchmen briefly, like, once or twice?), kinda wanna read the book, but you just can't see fitting a 400-page comic into your busy, busy schedule? Fortunately for you, there's The Condensed Version. (Via the often NSFW Journalista.)
Original character designs for Watchmen, including a (dropped) full body suit for Rorschach, by Dave Gibbons. (Also it looks like the movie version will have a different ending, so fears of a non-sucky Alan Moore film can be put to rest.)
Who watches The Watchmen? Kevin Smith has, Dave Gibbons has, Alan Moore won't (Gibbons hopes he'll watch the DVD), and if Fox has its way maybe YOU won't either.
Co-creator of Spider-Man, Steve Ditko is famous for weird, distinctive art, his 1966 departure from Marvel Comics, and granting very few interviews in the course of his decades-spanning career, preferring to let creations such as The Creeper, the Objectivism-inspired Mr. A, and Squirrel Girl speak for him. Okay, Squirrel Girl not so much. Jonathan Ross turns the spotlight on the artist in the BBC4 documentary, In Search of Steve Ditko. Did they find him? Well, that's The Question, isn't it?
Comics creator and Alan Moore collaborator Eddie Campbell is blogging. He joins fellow UK artists Sean Phillips, Chris Weston, Colin Wilson, Frazer Irving, and Dave Taylor in offering glimpses behind the creative process.
"...I don't know who you are. Or whether you're a man or a woman. I may never see you or cry with you or get drunk with you. But I love you. I hope that you escape this place. I hope that the world turns and that things get better, and that one day people have roses again. I wish I could kiss you."