You might have heard at one time or another a 60s band called Canned Heat, who made a wee bit of a splash way back when with a little number called
Going Up the Country. The song featured a simple but very catchy little flute riff between verses. If you ever wondered where that riff came from (not to mention the melodic contour of the tune itself) you need look no further than a 1928 recording by Henry Thomas, who played the flute melody on his quills, or, panpipes. The song was called
Bull Doze Blues.
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posted by flapjax at midnite
on May 24, 2013 -
32 comments
Oh yeah. There he is, Mr.
RL Burnside, in the year of nineteen and seventy eight, Independence, Mississippi, porch fulla kids, singin' about
when his first wife left him, million-dollar smile on his face. And there he is again, with his guitar and amp, out by the barb wire fence, a
poor boy a long way from home. These two little gems just added to the
Alan Lomax Archive YouTube channel, where you'll also find some wonderful newly-uploaded clips (filmed in 1983) from
fretless banjo plucker Tommy Jarrell, the toast of Toast, North Carolina.
posted by flapjax at midnite
on Mar 15, 2012 -
9 comments
Within that small and very specific sub-genre of musical Americana identifiable as the
train imitation, there is one amazing performance, from 1926, that set the standard:
Pan-American Blues. The man who recorded it did a fine and fanciful job of evoking the sounds of a
fox chase as well, and his rhythmically compelling solo rendition of
John Henry stands as testament to the potential for musical greatness achievable by one man and a humble harmonica. He was an African-American who was a founding member of the Grand Ole Opry, a musical institution that we rarely (as in,
never) today associate with black people, and his touching and tragic story, documented
here, is one that will be of interest to those concerned with the racial, economic and socio-cultural history of American popular music. He stands at one of its more unexpected intersections: his name is
DeFord Bailey.
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posted by flapjax at midnite
on Dec 30, 2010 -
15 comments
Born in Big Sandy, Texas in 1874,
Henry Thomas was one of the oldest black musician who ever recorded for the phonograph companies of the 1920′s and his music represents a rare opportunity to hear what American black folk music must have sounded like in the last decade of the 19th century.
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posted by flapjax at midnite
on May 11, 2010 -
21 comments
Bobby Charles 1938-2010. Songwriter, musician's musician and cultural treasure, he died on last Thursday in Abbeville,Lousiana. In the 1950s, he wrote Fats Domino's
Walking to New Orleans, Bill Haley and the Comet's
See You Later, Alligator and recorded for Chess records. His
eponymous Bearsville album recorded in Woodstock in 1972 has been described as the best Band album released under another name.(Check out
Small Town Talk there.) He appeared as well in the Band's farewell concert filmed as The
Last Waltz. He made an enormous contribution to American popular music.
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posted by y2karl
on Jan 19, 2010 -
25 comments
Mike Seeger, folk musician and folklorist, passed away on
August 7, 2009. Half-brother to Pete Seeger, Mike Seeger was self-taught at banjo, fiddle, guitar, autoharp, and dulcimer, among other instruments. Additionally, Seeger spent decades traveling the country to collect and document American folk musicians, many of whom would have been forgotten were it not for his efforts. In the late 50's, Seeger, Tom Paley, and John Cohen founded the old-time string band
The New Lost City Ramblers. The Ramblers countered the rising tide of bluegrass music with a return to old-time traditionals and were a significant influence on the mid-century folk revival. Seeger's death coincides with the upcoming release of an
Arhoolie Foundation documentary about the Ramblers (warning: the documentary link contains an embedded video). On Youtube:
1,
2,
3,
4,
5.
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posted by signalandnoise
on Aug 11, 2009 -
20 comments
The
foot bone connected to the ankle bone, the
ankle bone connected to the leg bone, the
leg bone connected to the knee bone, the
knee bone connected to the thigh bone, the
thigh bone connected to the hip bone, the
hip bone connected to the back bone, the
back bone connected to the shoulder bone, the
shoulder bone connected to the neck bone, the
neck bone connected to the head bone, now
hear the word of the lord...
and be sure to check the hover-overs for link details on all this bony business,
posted by flapjax at midnite
on May 2, 2009 -
24 comments
Desperate Man Blues Edward Gillen's documentary about Joe Bussard, renowned collector of 25,000+ blues, folk and gospel 78rpm records from the 20s and 30s. It's about the hunt and the hunter, as much as what he found. One week only on Pitchfork TV
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posted by msalt
on Jan 31, 2009 -
15 comments
And here we have a couple of YouTube productions, screensaverish animations of photos and lyrics to the original recordings:
Robert Petway - Catfish Blues and
Tommy McClennan - It's Hard To Be Lonesome. This is mostly about Petway and
Catfish Blues but you can't mention Petway without mentioning McClennan, as they ran together in their time and as both did versions of
Catfish, a song canonical in Delta Blues, recorded and performed by nearly everyone--
Muddy Waters - Rolling Stone, for example. Petway just happens to be the first person to record
Catfish, and quite possibly the person who wrote it and certainly. to my mind, at least, the person who nailed it... in the uptempo version at the very least.
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posted by y2karl
on Feb 28, 2008 -
8 comments
Each of the following
MySpace Music pages features bios and/or photos and/or videos and/or miscellaneous related materials and/or up to four songs by each of the following Old Time, Traditional, Appalachian folk (and related) artists:
Lowe Stokes,
Clarence Ashley,
Charlie Poole,
Gid Tanner and the
Skillet Lickers,
Roanoke Jug Band,
Roscoe Holcomb,
Hobart Smith,
The Weems String Band,
Burnet & Rutherford,
Bascom Lamar Lunsford,
John Masters,
Dock Boggs,
Tampa Joe & Macon Ed,
William Stepp,
Buddy Thomas,
Buell Kazee,
Isidore Soucy,
John Salyer,
Cousin Emmy,
Luther Strong,
Elizabeth Cotten,
Fred Cockerham,
G.B. Grayson,
Melvin Wine,
Lewis Brothers,
Uncle Dave Macon,
George Lee Hawkins and
Wilmer Watts. And here's some general Old Time (etc.) pages, featuring various artists:
Dust To Digital,
Traditional Music of Beech Mountain and
North Carolina Folklife Institute.
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posted by flapjax at midnite
on Oct 24, 2007 -
17 comments
John Fahey - Fare Forward Voyagers
John Fahey - Dance Of The Inhabitants Of The Palace Of King Phillip XIVClips from a 2 hour performance at
the Euphoria Tavern in Portland, Oregon from 1976. Among the cognoscenti at
FaheyGuitarPlayers, the consensus is that these clips display Fahey in rare form on a very good night.
Apart from Fahey,
Bohemia Visual Music aka Mike Nastra, the contributor of these clips, provides an interesting assortment of way too hip YouTubery offerings including, among others, Spike Jones, Dimandas Galas, Gene Krupa, Tuxedo Moon, Sun Ra, Pere Ubu and the Holy Modal Rounders.
posted by y2karl
on Oct 16, 2007 -
9 comments
Here is Uncle John Scruggs singing and playing
Little Log Cabin Round the Lane in RealAudio
Dial Up and
DSL format. The dancing is great and I do like the walk-on kitten part, myself.
That's from the
Center For Southern African-American Music Video Link Page. Their
audio link page is a wonder, too with individual artists galore. But, for the real deal, check out the
Various Artist compilation album pages. Those may be 20 second of so mp3 clips but, still, those Yazoo, Document and Folkways albums are the bomb and there you get a taste of what they offer. And anywhere you can hear, for example, even a few bars of Blind Alfred Reed's
How Can A Poor Man Stand Such Times And Live ? or Estil C. Ball and Lacey Richardson's
Trials, Troubles, Tribulations rules in my world.
posted by y2karl
on Jun 29, 2007 -
9 comments
Folkstreams.net has two goals. One is to build a national preserve of hard-to-find documentary films about American folk or roots cultures. The other is to give them renewed life by streaming them on the internet. The films were produced by independent filmmakers in a golden age that began in the 1960s and was made possible by the development first of portable cameras and then capacity for synch sound. Their films focus on the culture, struggles, and arts of unnoticed Americans from many different regions and communities. The filmmakers were driven more by sheer engagement with the people and their traditions than by commercial hopes. Their films have unusual subjects, odd lengths, and talkers who do not speak "broadcast English." Although they won prizes at film festivals, were used in college classes, and occasionally were shown on PBS, they found few outlets in venues like theaters, video shops or commercial television. But they have permanent value...
folkstreams.net Currently streaming are the films
The Land Where the Blues Began ,
Cajun Country ,
Jazz Parades: Feet Don't Fail Me Now ,
Talking Feet: Solo Southern Dance: Buck, Flatfoot and Tap ,
Ray Lum: Mule Trader and
Pizza Pizza Daddy-O , among
many others.
posted by y2karl
on Oct 6, 2006 -
14 comments
Jump Jim Crow, through the hoops of one Robert Christgau's erudition as he surveys the literature extant in
In Search of Jim Crow: Why Postmodern Minstrelsy Studies Matter, through multiple readings of
Raising Cain: Blackface Performance from Jim Crow to Hip Hop,
Demons of Disorder: Early Blackface Minstrels and Their World and and
Love and Theft: Blackface Minstrelsy and the American Working Class. Consider, too,
The Minstrel Cycle from
Reading The Commitments and other various and sundry attempts to peek
inside the minstrel mask—all multiple readings reading blackface minstrels from the
pejorative to the
explorative, subversive to oppressive, past to future, unfolding tesseractly, if not exactly, with singing, dancing
and extraordinary elocutions. Buy your tickets and step within for
The Meller Drammer of Minstrelsy in
The Minstrel Show 2.0…
posted by y2karl
on Mar 31, 2005 -
17 comments
My Back Pages--Interesting in his own right
Eyolf Østrem still maintains the fan's fan tab, chords and music site, the standard by which all others are judged. I just revisited it the other night, while trying to recall how that little run in Dylan's version of
Delia went, and dang, if it didn't have the
back story of that ballad. I love this kind of stuff. The source of that account, John Garst, is the folklorist king of such research--he puts
John Henry at a railroad tunnel near Leeds, Alabama, just east of Birmingham on September 20, 1887, for example. Murder and heroic death ballad back stories are of extreme interest to me, so I decided to post a few more here:
Frankie and Albert,
Frankie and Johnny,
Casey Jones and
Stagger Lee. Did I say I love this kind of stuff?
posted by y2karl
on Sep 23, 2004 -
10 comments
Labors Of LoveHere are some handmade pages, personal and corporate, on American Vernacular Music and more:
First, here's
Long Time Coming, with three separate shrines to
Dock Boggs,
Pretty Boy Floyd and
Gus Cannon's Jug Stompers, worthy subjects all. I have no idea what the
Eyeneer Records revenue model is or was but their
American Music Archive,
(Latest Update - August 20, 1999), albeit spotty, is still a must stop and see with pages on
Charley Patton,
Sleepy John Estes and
Lucille Bogan, for example, and that's just the blues section. It's a very promising sounding site--and it's too bad they never finished it, but, on the other hand, thank god,they have not yet pulled the plug.
Lea Gilmore's It's A Girl Thang's Historical Profiles has it goin' on with
Sister Rosetta Tharpe,
Big Maybelle and
Georgia White for examples. Catherine Yronwode, of course, is a name well known here, as is her wondrous
Lucky Mojo, cornucopica that it is. There, among much riches, is the extensive and authoritative
Blues Lyrics and Hoodoo --but that's Not All ! »→ »→ »→
posted by y2karl
on Feb 12, 2003 -
21 comments
Folk Music. Stefan Wirz and Hideki Watanabe pay homage to their favorites. Check out Hideki's
Muscle Shoals page for another slice of his Americana
pie. Or click on a name--
Eric Von Schmidt, say--on Stefan's completist, slow loading page and wallow in pictures and stories... Then there's the
Richard & Mimi Fariña website. Jan Hoiberg's
Band site is another.
I love labors of love. And don't forget
the Bauls of Bengal or
the secrets of John Wesley Harding revealed! And note, newsfilterians, you can now order Mickey Jone's
home movies from the '66 tour, too. I'm going to see the Bobster tomorrow, so I've been thinking of these things.
posted by y2karl
on Oct 3, 2002 -
18 comments
The Minstrel Show The Minstrel Show presents us with a strange, fascinating and awful phenomenon. Minstrel shows emerged from preindustrial European traditions of masking and carnival. But in the US they began in the 1830s, with working class white men dressing up as plantation slaves. These men imitated black musical and dance forms, combining savage parody of black Americans with genuine fondness for African American cultural forms. By the Civil War the minstrel show had become world famous and respectable. Late in his life Mark Twain fondly remembered the "old time nigger show" with its colorful comic darkies and its rousing songs and dances. By the 1840s, the minstrel show had become one of the central events in the culture of the Democratic party..
The image of white men in blackface, miming black song, dance and speech is considered the last word in racist bigotry for some. And yet, standing at the crossroads of race, class and high and low culture, blackface minstrelsy is one fascinating topic in academic circles. It’s history is intertwined with the rise of abolitionism, the works of Mark Twain and the histories of
vaudeville,
American vernacular music, radio, television,
movies, in fact all of what is called popular culture. Details within.
posted by y2karl
on Mar 13, 2002 -
26 comments
Amazing collection of information on Folklife in Florida between 1937-1942. Audio files are stunning. They were originally recorded (with a portable acetate cutter!) by Zora Neal Hurston and Stetson Kennedy, working for the WPA. Does anyone else have other favorite Library of Congress sites?
first heard about on
npr last week.
posted by anathema
on Mar 7, 2002 -
12 comments
