Richard Amsel was a Philadelphian artist who created original and iconic illustrations and paintings found on posters for several popular 1970s and 80s American movies, including Mad Max: Beyond the Thunderdome, The Dark Crystal, Raiders of the Lost Ark, and The Sting. He also created unique artwork for TV Guide covers, as well as album cover art for Bette Midler and others. His Time cover featuring Lily Tomlin was added to the permanent collection of the Smithsonian Institution.
posted by Blazecock Pileon on Jan 6, 2011 - 10 comments

"Men working on the river would move in time to the beat of the music. It was everywhere: on the street, in the church. In the tonks and barrelhouses where people went to be together. Like the beating of a big heart. It gave everyone a good feeling." The Cradle is Rocking is a delightful 12-minute film that, though somewhat damaged (Folkstreams has found what may be the only surviving print), is highly recommended viewing for anyone interested in American roots music: in this case, New Orleans jazz. The film's thoughtful and affable narrator is trumpeter George "Kid Sheik" Cola, who can be heard along with Captain John Handy serving up some fine old-school Dixieland jazz here and here.
posted by flapjax at midnite on Dec 9, 2009 - 13 comments

In defense of suburbs: "Revolutionary Road," based on Richard Yates's 1961 novel of the same name, is the latest entry in a long stream of art that portrays the American suburbs as the physical correlative to spiritual and mental death.
posted by kliuless on Dec 29, 2008 - 172 comments

Folkstreams.net has two goals. One is to build a national preserve of hard-to-find documentary films about American folk or roots cultures. The other is to give them renewed life by streaming them on the internet. The films were produced by independent filmmakers in a golden age that began in the 1960s and was made possible by the development first of portable cameras and then capacity for synch sound. Their films focus on the culture, struggles, and arts of unnoticed Americans from many different regions and communities. The filmmakers were driven more by sheer engagement with the people and their traditions than by commercial hopes. Their films have unusual subjects, odd lengths, and talkers who do not speak "broadcast English." Although they won prizes at film festivals, were used in college classes, and occasionally were shown on PBS, they found few outlets in venues like theaters, video shops or commercial television. But they have permanent value...

folkstreams.net Currently streaming are the films The Land Where the Blues Began , Cajun Country , Jazz Parades: Feet Don't Fail Me Now , Talking Feet: Solo Southern Dance: Buck, Flatfoot and Tap , Ray Lum: Mule Trader and Pizza Pizza Daddy-O , among many others.
posted by y2karl on Oct 6, 2006 - 14 comments