American art as the production of widely circulating likenesses—to be traced by limners, peddled to clients, collected by the bushel, featured in Home Decorating, tallied at auction, and absorbed by image banks.
Ephemeral New York 'chronicles an ever-changing, constantly reinvented city through photos, newspaper archives, and other scraps and artifacts that have been edged into New York’s collective remainder bin.' [more inside]
Richard Amsel was a Philadelphian artist who created original and iconic illustrations and paintings found on posters for several popular 1970s and 80s American movies, including Mad Max: Beyond the Thunderdome, The Dark Crystal, Raiders of the Lost Ark, and The Sting. He also created unique artwork for TV Guide covers, as well as album cover art for Bette Midler and others. His Time cover featuring Lily Tomlin was added to the permanent collection of the Smithsonian Institution.
In the late 90s EMI's Songbook Series released an album, "Where Were You When The Fun Stopped" with tracks chosen by author Hunter S. Thompson along with detailed liner notes. Since you can't get the cool notes or photos, why not enjoy Hunter's country and folk flavored taste at your July 4th revelry of choice? Ballad of Thunder Road - Robert Mitchum : I Smell A Rat -
Howlin' Wolf Big Momma Thornton : Spirit In The Sky - Norman Greenbaum : The Hula-Hula Boys - Warren Zevon : Maggie May - Rod Stewart : The Wild Side of Life / It Wasn't God Who Made Honky Tonk Angels - Hank Thompson feat. Kitty Wells & Tanya Tucker : Will The Circle Be Unbroken - Nitty Gritty Dirt Band : Mr Tambourine Man - Bob Dylan : Walk On The Wild Side - Lou Reed : If I Had A Boat - Lyle Lovett : Stars On The Water - Rodney Crowell : Carmelita - Flaco Jiminez feat. Dwight Yoakam : Why Don't We Get Drunk - Jimmy Buffett : American Pie - Don McClean : White Rabbit - Jefferson Airplane : The Weight - The Band : Melissa - The Allman Brothers Band : Battle Hymn of the Republic - Herbie Mann (cover) [more inside]
"I am at war with the obvious", photographer William Eggleston once said, explaining his attraction to a ceiling lightbulb engulfed in a shock of red or an old Gulf gasoline sign sprouting like a giant weed against a rural skyline. Attempting to understand that battle, filmmaker Michael Almereyda trailed the photographer in action and in repose over a period of five years. The resulting film is "William Eggleston in the Real World". More inside.,