From the rather common "skate punk into alternative music" origins to a bedroom producer who signed with Ninja Tune, Bonobo, the stage name for Simon Green, has continued to change musically. From the lone musician who made sample-based music, he has expanded into working with field recordings, studio musicians, and live shows where the band took a four bar drum break transformed it into a seven minute epic drum-sax solo battle, to which the crowd tried to clap along. You can see him live tomorrow at the Alexandra Palace in London in a special Boiler Room session, but until then, there's plenty more to see, hear and read. [more inside]
In Boiler Room's Beats Unraveled video series, Binkbeats (previously) performs live versions of electronic music songs that he loves. [more inside]
"The Grey Ones," which premiered at TEDx SoCal in Long Beach in July 2011, is a performance piece by LA-based "illusory performance makers" WIFE and features music by Amon Tobin. Its description: "Inspired by ancient myth, organic matter, decay, and transcendence, The Grey Ones explores the use of projection mapping on moving bodies and statuesque and saintly gestures to tell a story of the beginning of time." More videos can be found at WIFE's Vimeo channel.
In the last decade, no organ of music criticism has wielded as much influence as Pitchfork. It is the only publication, online or print, that can have a decisive effect on a musician or band’s career.... [W]hatever attracts people to Pitchfork, it isn’t the writing. Even writers who admire the site’s reviews almost always feel obliged to describe the prose as “uneven,” and that’s charitable. Pitchfork has a very specific scoring system that grades albums on a scale from 0.0 to 10.0, and that accounts for some of the site’s appeal, but it can’t just be the scores.... How has Pitchfork succeeded where so many other websites and magazines have not? And why is that success depressing? A lengthy history and review of Pitchfork [Media], from an inexpensive online alternative to a music zine, to "indie" music kingmaker, and thoughts on pop music (criticism). [more inside]
Dev Harlan describes himself as a multidisciplinary artist whose hybrid practice combines the physical and the virtual with the use of sculpture, light and projection. In practice, it looks like this: Suffolk Deluxe Electric Bicycle (2:02), Any Colour You Like (Pyramid III) (1:38), Pyramid IV (3:25), Untitled (Pyramid V) (2:20), and Parmenides I (2:41). See also: Nawer and Temporary Space Design, and Amon Tobin live (previously). [more inside]
To support his new album, Amon Tobin and an army of designers have created an ambitious live digital experience that is currently traveling the world. [more inside]
Happy belated 39th birthday, Amon Adonai Santos de Araújo Tobin, or as most folks call you, simply Amon Tobin. The Brazilian-born producer first released music as Cujo, and has since moved on to his own name, with five albums and a slew of EPs and singles released since 1997, plus two video game soundtracks, and a film soundtrack. He also has an EP of collaborations, side projects with Joe "Doubleclick" Chapman as 60hz and Two Fingers. And that's the overview ... (music samples a-plenty inside, or you could skip the chatter and listen to much of Amon Tobin's discography streaming on his website). [more inside]
September 2010 marked 20 years of Ninja Tune, the independent label formed by the duo known as Coldcut. Starting with an album by the duo that they released under a different group name, the small UK label has since spiraled out to include three separate imprints (plus an artist-specific mini-label), with an extensive collection of singles, EPs and albums from an ever-growing list of artists. More history in words, music and video awaiting inside... [more inside]
"Verbal" Amon Tobin throws down some old skool TRON visuals. (Quicktime Required) Amon Tobin not only has come out with a dastardly new album but he's also on tour in the US this next few months; the guy is a master of the sampler and should not be missed. The video rocks hard as well, I'd like to see this one on the big screen. I sound like a frickin' marketing weasel (which I'm not), but this guy deserves all the publicity he can get.