Albert Omoss is an artist who uses computers to explore bodies as rubbery, entangled forms (all likely NSFW) and to make ads and data visualizations. Among other tools, he uses Processing to make hypnotic animations.
Envisioning the American Dream is "a visual remix of the American Dream as pictured in Mid-Century media" that discusses topics such as Man and Machines, Vintage Advice for Cheaters, and Suburbia for Sale, amongst many others.
Seventy-five year old Brian Sanders, classic illustrator, was tapped by Matt Weiner for the Mad Men Season Six Poster. Sanders and Weiner evidently used an illustration Sanders created in 1964 for inspiration.
"At the time, Groening was best known as the artist of the comic Life in Hell, as The Simpsons has not yet premiered. The brochure was titled, 'Who Needs a Computer Anyway' and interspersed Groening’s Life in Hell style illustrations with standard information on Apple’s Mac computers." Apple once hired Matt Groening to do some illustrations for them.
Brandalism, a mixture of vandalism, graffit and art,i is a form of guerrilla art which recently involved 26 artists from 5 countries transforming billboards in the UK. Original post here on Dangerous Minds.
American illustrator Coles Phillips became famous in 1908 for his "Fade-Away Girl" magazine covers, which caught the eye and saved money on color printing. He was a leader in creating "more modern, active and athletic images of women" after the prim poise of the Gibson Girl era. His later work became more overtly sexual, making him one of the first artists whose beautifully designed ads were "torn out of magazines and swiped out of store windows to become pin-ups on college dormitory walls." Some were considered scandalous. He died in 1927. Two long pages of Coles Phillips images. Six pages. Bio. Tumblr tag. More ads.
Ultra Swank - Retro Living and Design from the 50s, 60s and 70s.
Most people know that Venice has long been threatened by chronic flooding, but in recent years the Queen of the Adriatic has faced a rising tide of a different sort: advertising. From the Doge's Palace to St. Mark's Square to the bittersweet Bridge of Sighs -- named for the grief its splendid views once inspired in crossing death row prisoners -- immense billboards lit late into the night now mar the city's most treasured places. Allegedly built to cover the cost of restoration work in the face of government cutbacks, the ads have brought in around $600,000 per year since 2008 -- a fraction of the shortfall -- and show no sign of going away any time soon. Their presence prompted a consortium of the world's leading cultural experts led by the Venice in Peril Fund to air an open letter demanding the city government put a stop to the placards that "hit you in the eye and ruin your experience of one of the most beautiful creations of humankind." Mayor Giorgio Orsoni, for one, was not moved, saying last year "If people want to see the building they should go home and look at a picture of it in a book."
Most of the prints in the exhibit "Beauty, Virtue and Vice: Images of Women in Nineteenth-Century American Prints" were designed simply to please the eye, but they are also useful to historians who would like to understand how nineteenth-century Americans thought about the world in which they lived. Although prints are often works of imagination (even when they are grounded in fact), they still have much to tell us about the time and place in which they were created. [more inside]
In a two minute-and-forty-two-second advertisment against advertising, Microsoft explains why you should use their product instead of that of their competitor [via]
Vintage Turkish-Russian advertising posters and graphics | unusual matches and match head sculptures |marbling on grafikerler.net, a Turkish graphic design site worth exploring.
Vincent Lexington Harper compiled the world's largest collection of digitally restored pinups from the 1920s and 30s in the Old Orient Museum. [more inside]
View examples of the Art of the Japanese Postcard (1, 2, 3) or browse the Leonard A. Lauder collection of them at Boston's Museum of Fine Arts website.
Times Square > Art Square: "a very complex project with a simple goal: to turn all advertising on Times Square into art."
Juan Cabral, the commercial maker behind the Sony Bravia bouncing ball ad has completed a new piece: this time, he and collaborators, including Múm, Richard Fearless (of Death In Vegas) and the people behind Sigur Rós' live concerts, transformed the Icelandic town of Sey∂isfjör∂ur into an ambient sound installation, placing speakers throughout the town, playing music (from folk to electronica to ambient orchestral) and filming the reactions of the locals as they went about their lives. [more inside]
Beautifully designed, quirky, colorful late 19th-century "artistic" and "gaslight" printing at Dick Sheaff's ephemera pages. [via, via] [more inside]
"The way all of these objects interact and just miss each other in the same environment, it's kind of building a machine out of organic movements." A timesculpture is part music video, part performance art, part kinetic sculpture, and part innovative use of computer and video technology. Its first application? Advertising, of course. [more inside]
1. Photograph billboard.
2. Replace head with bloody stump.
3. Affix stump to original billboard.
4. Repeat as necessary.
2. Replace head with bloody stump.
3. Affix stump to original billboard.
4. Repeat as necessary.
Gun for the whole family. A Scanning Around With Gene article about historic gun ads. More fun with Gene Gable: Cigarettes, diving, winter fonts, red white and blue, and so much more.
The Ad Generator is a generative artwork that explores how advertising uses and manipulates language. What it actually does is that it randomizes words and structures from real advertising slogans and pairs them with related images from Flickr, generating fake ads on the fly.
Dick Detzner's Corporate Sacrilege is a series of paintings substituting advertising icons for religious ones.
Cigar Box Labels are among the finest works of commercial art ever produced. Package designs proliferated during the 1800s, thanks to the development of the stone lithography technique. "Each label could involve a dozen highly skilled specialists,, take a month to create, and cost upwards of $6000.00 (in 1900 dollars) to produce." Images range from racy to rustic to romantic to racist, offering a glimpse into the changing popular fascinations of the 19th and 20th centuries.
Ben Frost is a painter, performance artist and illustrator who currently lives in Australia. His work explores themes of alienation, dispossession, and perversity that exists behind the facade of contemporary western society. By subverting mainstream iconography from the advertising, entertainment and political spectrum he creates a visual and conceptual framework that is bold, confronting and often contraversial.
Plan59's Demoinc Tots and Deeply Disturbing Cusine: Plan59 has a bunch of overdone goodness (in a white bread sort of way) but this is the best. Link to their main page
Using fine-art images to promote movies: "But it was Mr. Kessell's "Florilegium" (or "collection of floral images") daguerrotypes that caught Mr. Palen's eye: each image is close-up of a surgical instrument, so poetically rendered that it seems almost organic. Some of the macabre implements resemble exotic flowers. One, from a distance, could be mistaken for the horns of a gazelle. "We were sort of blocked, and all the pieces fell into place once I saw that image," Mr. Palen explained. A deal was made to use that daguerreotype [to promote the upcoming Tarantino-produced film "Hostel"], which actually shows a surgical clamp. [The poster] now appears in theaters and on widespread promotions. [Side: direct WMV link of Tarantino spazing out while introducing "Hostel's" director Eli Roth at a festival.]
The world's most expensive photocopy. An untitled cowboy photograph by Richard Prince set a record last night for the most expensive photograph sold at auction, with a price of $1,248,000. The catch? It's a re-photograph of pre-existing Marlboro ad.
" Jim's ghost was in my ear, and I felt terrible". Like all top classic-rock franchises, The Doors can exploit a lucrative afterlife in television commercials. Offers keep coming in, such as the $15 million dangled by Cadillac last year to lease the song "Break On Through (to the Other Side)" to hawk its luxury SUVs. To the surprise of the corporation and the chagrin of his former bandmates, drummer John Densmore vetoed the idea. He said he did the same when Apple Computer called with a $4-million offer, and every time "some deodorant company wants to use 'Light My Fire.' "
No logos project. Delete!, fettered capitalism in Vienna.
Post No Bills. At the intersection of life and advertising one may unexpectedly find art, or at least humor. Henry Ho shines a light on it. (42 pages. Or view all thumbnails together)
Page after page of late 50s/early 60s pop posters, advertisements and more, designed by the studio of Lefor-Openo, which consisted of Marie-Claire Lefort and Marie-Francine Oppeneau. Via Papel Continuo
The Japanese Gallery of Psychiatric Art. Images from Japanese psychiatric medication advertisements: 1956-2003 (via Absent without leave)
The Database of Corporate Commands. A project of the Institute for Extremely Small Things, part of the ikatun collective of artists and technologists. [via languagelog]
The Viral Chart tracks British viral marketing videos.
SA VIGNAC. Welcome to the world of Raymond Savignac, the greatest poster artist of all time, and inventor of the little Bic man. Joyous, naughty, simple, elegant, and beautiful.
Human Beans Fictional Products. The Karmaphone, the Live Cigarettes and more
Retrolounge is a compendium of the next new thing in design, art, architecture and fashion. I kid! Truly, go-go boots make me swoon.
The American Gallery of Psychiatric Art. 'Sanity For Sale: 1960-2000'. Magazine advertisements for psychiatric medications in the latter half of the twentieth century.
British Television Advertising Awards [Flash, QuickTime]
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