The gray Cherkassian cow lived alone in a shed attached to a railroad attendant's tiny house on the vast Soviet grasslands. The cow had a calf, and the railroad attendant's son liked the calf very much. Then the calf was taken away and the cow became very melancholy. She never had a chance to tell her story.
This is her story. (Contains Russian animation.)
[more inside]
posted by Nomyte
on Jan 17, 2012 -
6 comments
Nants ingonyama bagithi baba! It's been nearly two decades since that glorious savanna sunrise, and once again
The Lion King is
at the top of the box office. It's a good chance to revisit what made the original the capstone of the
Disney Renaissance, starting with the music. Not the gaudy show tunes or the Elton John ballads, but the soaring, elegiac score by Hans Zimmer which, despite winning an Oscar, never saw a full release outside of
an unofficial bootleg.
Luckily, it's unabridged and high-quality, allowing one to lay Zimmer's
haunting,
pulse-pounding,
joyful tracks
alongside the original video (
part 2,
3,
4), revealing the subtle leitmotifs and careful matching of music and action.
In addition, South African collaborator
Lebo M wove traditional Zulu chorals into the score, providing
veiled commentary on
scenes like this; his work was later
expanded into
a full album,
the Broadway stage show, and
projects closer to his heart. Speaking of expanded works, there were inevitable sequels -- all of which you can experience with
The Lion King: Full Circle (
download guide), a fan-made, three-hour supercut of the original film and its two follow-ups.
Want more? Look...
harder... [more inside]
posted by Rhaomi
on Oct 1, 2011 -
22 comments
Two and a half years ago, we explored
the early history of Cartoon Network... but it wasn't the only player in the youth television game.
As a matter of fact,
Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's
truly venerable forerunner:
Nickelodeon.
Founded as Pinwheel, a six-hour block on Warner Cable's innovative
QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire.
Much has changed since then, from the mascots and game shows to
the versatile orange "splat." But starting tonight in response to popular demand, the network is
looking back with
a summer programming block dedicated to the greatest hits of the 1990s, including
Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and
All That.
To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon.
(warning: monster post inside) [more inside]
posted by Rhaomi
on Jul 25, 2011 -
116 comments
The Academy of Motion Picture Arts and Sciences’ Margaret Herrick Library today launched its latest online research tool, the Production Art Database. The database contains records for more than 5,300 items from the library’s collection, including motion picture costume and production design drawings, animation art, storyboards and paintings. Nearly half of the records include images, making this an invaluable online resource for researchers interested in motion picture design.
posted by Trurl
on Jul 2, 2011 -
7 comments
"The first Gallery dedicated to artists lying behind cinema, comics, video games masterpieces… and who creat [sic], to entertain, the most significant icons of our time." The gallery has previously featured exhibitions from
webcomic artist
Scott Campbell,
H.R. Giger,
propaganda-style Futurama posters, Superman penciller
Tim Sale,
sketches from
Star Wars: The Clone Wars, and
filmmaker Sylvain Chomet.
[more inside]
posted by kagredon
on Apr 30, 2011 -
5 comments
Stephen Biesty is an award-winning British illustrator famous for his bestselling "Incredible" series of engineering art books:
Incredible Cross-Sections,
Incredible Explosions,
Incredible Body, and
many more. A master draftsman, Biesty
does not use computers or even rulers in composing his intricate and imaginative drawings, relying on nothing more than pen and ink, watercolor, and a steady hand. Over the years, he's adapted his work to many other mediums, including
pop-up books,
educational games (
video),
interactive history sites, and
animation. You can view much of his work in
the zoomable galleries on his professional page, or click inside for a full listing of direct links to high-resolution, desktop-quality copies from his and other sites, including several with written commentary from collaborator
Richard Platt [site, .mp3 chat].
[more inside]
posted by Rhaomi
on Feb 4, 2011 -
24 comments
Triangulation Blog is done by industrial designer, art director
Emilio Gomariz, and covers photography, art installations, product design, architecture, animation, technological and digital projects. Gomariz also does
Base Times Height Divided By 2, an experimental, scientific and technologic extension of Triangulation Blog.
posted by netbros
on Oct 25, 2010 -
4 comments
"Sintel" is an independently produced short film, initiated by the
Blender Foundation as a means to further improve and validate the free/open source 3D creation suite Blender. With initial funding provided by 1000s of donations via the internet community, it has again proven to be a viable development model for both open 3D technology as for independent animation film.
This 15 minute film has been realized in the studio of the Amsterdam Blender Institute, by an international team of artists and developers. In addition to that, several crucial technical and creative targets have been realized online, by developers and artists and teams all over the world.
[more inside]
posted by Fizz
on Oct 1, 2010 -
15 comments
Toy Story 3 hits theaters today, and it's already winning
universal acclaim as an enchanting and heartbreaking wonderwork, employing
understated 3D and a
"real-time" perspective that
deftly capitalizes on the nostalgia and can't-go-home-again angst of a generation that grew up with the series.
It has a strong pedigree, with 11-year-old predecessor
Toy Story 2 the rare sequel to equal its forebear, 1995's
Toy Story (itself the first CGI feature in history).
And it joins a lofty stable of films: over the last 15 years, Pixar has put out an unbroken chain of
ten commercial and critical successes that have grossed over $5 billion worldwide and collected
24 Academy Awards (including the
second-ever Best Picture nom for animation with
Up), a legacy that
rivals some of the greatest franchises in film history.
But there's rumbling on the horizon. Although the studio has been
hailed for its originality (of the 50 top-grossing movies in history, only nine were original stories -- and
five of them were by Pixar), two of their upcoming projects are
sequels, both of them based some of their least-acclaimed films (
Cars 2 in 2011 and
Monsters, Inc. 2 in 2012). And while 2012 will also bring
The Bear and the Bow Brave, the first Pixar flick to feature a female protagonist
[previously], fellow newcomer
Newt has been
canceled. With
WALL-E/Up/Toy Story 3 guru Andrew Stanton focusing on
his 2012 adaptation of
John Carter of Mars and with
forays into live-action already in development,
does this mark the end of the golden age of Pixar? Or is this latest entry lasting proof that even the toughest case of sequelitis can be raised to the level of masterpiece?
[more inside]
posted by Rhaomi
on Jun 18, 2010 -
227 comments
Five years before
Toy Story proved to the world that pure CGI -- a field long relegated to the role of special effects -- could be an art form in its own right, Odyssey Productions attempted to do the same on a slightly smaller scale. Drawing on the demo reels, commercials, music videos, and feature films of over 300 digital animators, the studio collated dozens of cutting-edge clips into an ambitious 40-minute art film called
The Mind's Eye. Backed by
an eclectic mix of custom-written electronic, classical, oriental, and tribal music, the surreal, dreamlike imagery formed a rough narrative in eight short segments that illustrated the evolution of life, technology, and human society:
Creation -
Civilization Rising -
Heart of the Machine -
Technodance -
Post Modern -
Love Found -
Leaving the Bonds of Earth -
The Temple -
End credits (including names and sources for all clips used). But that was just the beginning...
[more inside]
posted by Rhaomi
on Apr 25, 2010 -
62 comments
Coloring the Kingdom: the story of the all-female “finishing school” of hand-drawn animation that worked behind the scenes to create the first animated full-length Disney feature, Snow White. (
via.)
posted by 1f2frfbf
on Feb 5, 2010 -
8 comments
Jon Klassen is an illustrator and designer, with a
blog and a lovely
website full of artwork, including
The Miser (3:53, 2004, made with
Kyle McQueen and Dan Rodrigues),
An Eye for Annai (5:27, 2005,
previously, also made with Dan Rodrigues,
.MOV video link),
an interpretation of
a Mayan folktale (available in full in
Flight vol 4,
previously),
The Adventures of Ship,
a family art project,
visual development and drawings
for sets and props for the movie adaptation of
Coraline (
a couple previous), amongst other bits and bobs. Illustration Mundo had an
interview with Klassen earlier this year.
posted by filthy light thief
on Sep 4, 2009 -
3 comments
