A Piece of Monologue is a treasure trove of modern, contemporary, and avant-garde expression in literature, philosophy, art, design, painting, music, theater, and more.
A smattering of insides:
Flannery O'Connor on Ayn Rand.
An online guide to the life and work of Samuel Beckett.
Twin Peaks Behind the Scenes Photographs.
Rare photographs of John Coltrane.
posted by whimsicalnymph
on Jul 10, 2014 -
, the French filmmaker who helped introduce literary modernism to the movies and became an international art-house star with nonlinear narrative films like “Hiroshima Mon Amour” and “Last Year at Marienbad,” died on [March 1] in Paris. He was 91. NYTimes Obit [more inside]
posted by chavenet
on Jun 6, 2014 -
- "Referencing the utopian visions of 1960’s architecture practice Archigram, Walking City is a slowly evolving video sculpture. The language of materials and patterns seen in radical architecture transform as the nomadic city walks endlessly, adapting to the environments she encounters.
posted by codacorolla
on Feb 9, 2014 -
is a severely autistic thirteen year old artist whose prolific drawn art, animation, films, photographs and clay sculptures
all share a distinctly colorful, vibrant and upbeat style. Her mother maintains an online gallery of her work, as well as sharing her story as it develops on the site and in a blog
. She has also notably used Rickrolling
as inspiration to create beautiful art
. [more inside]
posted by byanyothername
on Dec 9, 2013 -
Opening Day of The Guggenheim Museum
, 3:34 of color film shot on October 21, 1959 in NYC.
“Buildings & Crowd” captures the their excitement as lines formed down Fifth Avenue. The end of the film highlights the inaugural exhibition within the rotunda. With works by Jean Arp, Constantin Brancusi, Marc Chagall, Stuart David, Max Ernst, Paul Klee, and Vasily Kandinsky.
posted by R. Mutt
on Oct 21, 2013 -
A boy makes a violent pact with a wolf in Jeff Le Bars's bloody and beautiful animated short Carn
posted by Brandon Blatcher
on Sep 20, 2013 -
For the duration of the Toronto International Film Festival, TIFF has posted the short films they're screening this year on Youtube. You can watch them all
, but if you only watch one, check out Noah
, which is not safe for work and which I thought was pretty great.
posted by dobbs
on Sep 11, 2013 -
Painters on Painting
- 1972 documentary on the New York Art Scene 1940-1970, directed by Emile de Antonio. It spans American art movements from abstract expressionism to pop art via conversations with artists in their studios. Including Willem de Kooning, Jasper Johns, Andy Warhol, Robert Rauschenberg, Helen Frankenthaler, Frank Stella, Hans Hofmann, Robert Motherwell and others. (via Bibliokept) [more inside]
posted by madamjujujive
on Sep 2, 2013 -
"One day I dreamed that my parents, my brothers and I went to visit three islands and I jumped into the water without protection,
" she wrote in her diary. "I felt like I could be in the water and not drown. I was curious and I swam into the deep water and then I saw my skeleton with my name written on it.
" Roger Omar collects children's dreams
, and asks artists to illustrate them
. [more inside]
posted by taz
on Jun 9, 2013 -
The problem is that cinema, as I define it and as something that inspired me, is under assault by the studios and, from what I can tell, with the full support of the audience. The reasons for this, in my opinion, are more economic than philosophical, but when you add an ample amount of fear and lack of vision and a lack of leadership you’ve got a trajectory that is pretty difficult to reverse.
- "Retired" director Steven Soderbergh
speaks to the San Francisco International Film Festival about the state of cinema
, full audio at bottom of page 2
posted by Artw
on Apr 29, 2013 -
Mondo picks it's alternative movie posters of the year: 1
posted by Artw
on Jan 4, 2013 -
Between Peter Jackson’s penchant for cartoonish unserious gore and Bob McCarron’s off-screen makeup effects manipulations,
Braindead achieves something that approaches inspired genius in the heretofore unknown artform of human carnage. The film is filled with moments of joyous slapstick tableaux... And then there is that moment where
Braindead finally breaks through to achieve a transcendentally surreal glory of excess where Tim Balme wades into battle against the zombies armed with a lawnmower, drenching an entire room in showers of blood. (
Braindead holds the record for the greatest amount of artificial blood ever used in a film). The film is a work of perverse genius.
- Richard Scheib
posted by Egg Shen
on Dec 8, 2012 -
During the Golden Age of Hollywood and until 1967, mainstream movie studios were banned by the Production Code
from depicting taboo topics like drug addiction, explicit murder and venereal disease, or even showing explicit nudity. But in the 1930's and 1940's, films marketed as "educational" could and did fly under the radar, and three of the best known 'educational' propaganda exploitation films are: Sex Madness
(1935), Reefer Madness
(1936) and The Cocaine Fiends
(1938). [more inside]
posted by zarq
on Oct 15, 2012 -
I EXPLAIN CYBERPUNK TO THE MASSES by writer/film critic Anne Billson
"Believe it or not, there was a time when people didn't know what "cyberpunk" was, and indeed had probably never even heard the word before this three-minute clip, in which I explain it to them. Sort of. Don't blame me if I got it wrong - you're looking at this with the benefit of hindsight, while I was making it up as I went along..." [Via: Multiglom - The Anne Billson Blog]
posted by Fizz
on Oct 5, 2012 -
[all links may contain SPOILERS] Antonioni's unique style works beautifully in
The Passenger. The dream-like long takes, especially the final seven minute one where the dusty town square is seen through the barred window of Locke's hotel room—evokes a world that he is barred from. There is nothing romantic or sentimental about the space that we see, but it conveys a sense of an ongoing life that Locke has chosen to retreat from. There is also Antonioni's eye for aesthetic detail-for whitewashed walls of buildings, and vividly colored backgrounds like yellow doors and red car seats. He is a director of great formal rigor and beauty, whose style effortlessly suits his vision. The slow rhythm of the film may put off some viewers, but it forces them to be more observant, and understand there is nothing accidental in the images that Antonioni constructs.
- Leonard Quart [more inside]
posted by Egg Shen
on Sep 9, 2012 -