Your Paintings a joint initiative between the BBC, the Public Catalogue Foundation and participating collections and museums from across the UK, is a website which aims to show the entire UK national collection of oil paintings, the stories behind the paintings, and where to see them for real. It is made up of paintings from thousands of museums and other public institutions around the country. Currently the archive contains 63,000 of the approximately 200,000 publically-owned artworks that make up the national collection.
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posted by dng
on Jul 10, 2011 -
12 comments
Stephen Biesty is an award-winning British illustrator famous for his bestselling "Incredible" series of engineering art books:
Incredible Cross-Sections,
Incredible Explosions,
Incredible Body, and
many more. A master draftsman, Biesty
does not use computers or even rulers in composing his intricate and imaginative drawings, relying on nothing more than pen and ink, watercolor, and a steady hand. Over the years, he's adapted his work to many other mediums, including
pop-up books,
educational games (
video),
interactive history sites, and
animation. You can view much of his work in
the zoomable galleries on his professional page, or click inside for a full listing of direct links to high-resolution, desktop-quality copies from his and other sites, including several with written commentary from collaborator
Richard Platt [site, .mp3 chat].
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posted by Rhaomi
on Feb 4, 2011 -
24 comments
Nearly three decades ago, folklorist
Alvin Schwartz published
Scary Stories to Tell in the Dark, the first of three horror anthologies that would go on to become
the single most challenged book series of the 1990s. But most of the
backlash was against not the stories themselves (which were fairly tame), but rather the illustrations of artist
Stephen Gammell. His bizarre, grotesque, nightmarish black-and-white inkscapes suffused every page with an eerie, unsettling menace. Sadly, the series has since been
re-issued with
new illustrations by Brett Helquist, of
A Series of Unfortunate Events fame. Luckily for fans of Gammell's dark vision, copies of the old artwork abound online, including in these three image galleries:
Scary Stories to Tell in the Dark, More Scary Stories to Tell in the Dark, Scary Stories 3: More Tales to Chill Your Bones. Interested in revisiting the stories themselves? Then don't miss
the virtual re-enactments of YouTube user MoonRaven09, or
the dramatic readings of fellow YouTuber daMeatHook.
posted by Rhaomi
on Oct 29, 2010 -
48 comments
Corey Arcangel is perhaps the internet's most
infamous hack,
masher-upper,
digi/net artist.
His work stands for a
growing culture of artists who
run wildly through
animated GIF landscapes populated with corrupted
data-compressed bunny rabbits and tinny, MIDI
renditions of Savage Garden ballads. As the
Lisson Gallery, London, opens its archives to Arcangel's curatorial eye, could digi/net
art be set to
infect the real,
fleshy world, like a rampant
Conficker Worm? Has
YouTube become the truest reflection of our
anthropological selves? Are we destined to roam the int3erw£bs like the
mythic beasts of yore, hoping,
in time, that
digi art can free us from the confines of this fleshy void?
[...
previously]
posted by 0bvious
on Dec 8, 2009 -
20 comments
Blackboards were wiped after use: they were meant for immediate communication, not for record. Even as they were being used, their messages were continuously revised, erased and renewed. But when Einstein came to Oxford in 1931, he was already an international celebrity. After one of his lectures a blackboard was preserved and has become a kind of relic. It is the most famous object in this Museum.
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posted by Fizz
on Jun 12, 2008 -
50 comments
Walking is a crazy animation of a character walking around the walls of an art gallery, where each frame of the animation was painted on the walls & then wiped clean for the next frame.
Via.
posted by jonson
on Jul 6, 2007 -
30 comments
Cover Art: The Time Collection [Flash] "In 1978
Time Magazine gave to the
National Portrait Gallery some 800 works of original art that had at one time or another appeared on its covers." The gallery has created an online-only exhibition of the covers (the museum is closed for renovation until July 4, 2006). "And while one may normally imagine ornately framed oils of distinguished luminaries when thinking of the NPG, the Time covers offer a much closer to 'street level' survey of the prominent figures of any specific period."
[via CSM]
posted by clgregor
on Dec 14, 2005 -
7 comments
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