Unique Pieces -- Sculpture materials: metal (copper, bronze, brass, steel, stainless steel), wood. Assembly: welding, rivets, screws. Metal shapping: hammering, rolling, cold rolling.
posted by Brandon Blatcher
on Aug 18, 2013 -
Syd Mead's Stanford Torus
Illustrations for National Geographic got him the job, 40 years later, of designing Elysium for Neill Blomkamp. Mead calls the unique visual effect of these interior drawings, in which the horizon wraps up and over the viewpoint, 'inverse perspective
'. This effect, and others like it, have been explored in the concept art for large, rotating, space habitats at least since the early 1960s. [more inside]
posted by sevensixfive
on Aug 16, 2013 -
Occasionally, an artist will paint something, but neglect to include monkeys and/or robots. When he can, John Lytle Wilson fixes that.
In addition to correcting the paintings of others, Mr. Wilson also paints original pieces.
Most of which include monkeys and/or robots. And unicorns. There are some unicorns in there too.
posted by Cookiebastard
on Aug 14, 2013 -
acrylic painting over photocopies combines figurative, domestic scenes with the cacophony of globalism and traditional decorative motifs.
posted by klangklangston
on Aug 12, 2013 -
While we've discussed it before
, the link was removed but YouTube's new content guidelines have allowed it to be re-uploaded. In 2001, photographer and filmmaker David LaChapelle
directed a video to be shown before Heatherette's first runway show and MAC cosmetics in-store video. Starring Amanda Lepore, the 6 minute video is a bizarre gunshot of pink lipstick, gay cowboys, 80s pop music, and constant full frontal nudity. YouTube
(sign-in required) Vimeo
posted by The Whelk
on Aug 11, 2013 -
"This series of images
are mostly landscapes, seascapes and cityscapes, and they are a single composite made from sequences that span 2-4 hours ... The basic structure of a landscape is present in every piece. But each panel or concentric layer shows a different slice of time..."
posted by griphus
on Aug 9, 2013 -
"Two years ago I set out on a journey inside my head to document the local fauna there. These photographs are what I've come back with so far, thirty three life forms that comprise the core essence of a much larger family that keeps growing everyday." Illustrations by Juan
posted by homunculus
on Aug 7, 2013 -
It is doubtless tempting to exclaim against the ignorant bourgeois; yet it should not be forgotten, it is he who is to pay us, and that (surely on the face of it) for services that he shall desire to have performed. Here also, if properly considered, there is a question of transcendental honesty. To give the public what they do not want, and yet expect to be supported: we have there a strange pretension, and yet not uncommon, above all with painters. The first duty in this world is for a man to pay his way; when that is quite accomplished, he may plunge into what eccentricity he likes; but emphatically not till then. Till then, he must pay assiduous court to the bourgeois who carries the purse. Robert Louis Stevenson on art as a career
posted by shivohum
on Aug 1, 2013 -
in 1912 as a farm colony of Brooklyn State Hospital, the Creedmoor Psychiatric Center in Queens [New York] became, by mid-century, a world unto itself. At its peak, it housed some 7,000 patients. They tended gardens and raised livestock on the hospital’s grounds. The hospital contained gymnasiums, a swimming pool, a theater, a television studio, and giant kitchens and laundries where patients were put to work. Today, Creedmoor, still run by the New York State Office of Mental Health, has only a few hundred patients" and houses The Living Museum
, an 'art asylum within an asylum
' where patients can create and exhibit
their art. But what is life like inside the institution itself? In 2010, Katherine B. Olsen spent weeks interviewing staff and patients. Her essay, published this week, 'Something More Wrong'
takes us inside Creedmoor's women's ward. [more inside]
posted by zarq
on Jul 29, 2013 -
Isaac Cordal makes little figures out of concrete, painting some, while leaving others their native grey color
. He then places them in various places and situations around Europe, and has set them up in gallery shows. You might find them in the street, sitting on rooftops, precariously balanced on a pipe, standing up to their waists in water with a life preserver, or standing in the snow. The figures are made in clay, then a silicone mold is made in which the concrete is cast. Street Art London has an interview with Cordal
. [Cordal, previously
posted by filthy light thief
on Jul 24, 2013 -