Building the First Slavery Museum in America - David Amsden, The New York Times
"From their weathered cypress frames, a dusty path, lined with hulking iron kettles that were used by slaves to boil sugar cane, leads to a grassy clearing dominated by a slave jail — an approach designed so that a visitor’s most memorable glimpse of the white shutters and stately columns of the property’s 220-year-old 'Big House' will come through the rusted bars of the squat, rectangular cell. A number of memorials also dot the grounds, including a series of angled granite walls engraved with the names of the 107,000 slaves who spent their lives in Louisiana before 1820. Inspired by Maya Lin’s Vietnam Veterans Memorial in Washington, the memorial lists the names nonalphabetically to mirror the confusion and chaos that defined a slave’s life."[more inside]
One hundred years ago today, W.B. Yeats published one of his best known poems, September 1913, as a letter to the Irish Times. [more inside]
So you’re at a gallery—now what?
The fact is, nobody knows what art is or why people make it. This is blatantly disturbing. Some say the function of art is to generate conversation—an unpleasant thought. I’m not sure we want to put art in the same category as skin disease and Carl Winslow: things to talk about on the internet.[more inside]
This is why so many of us have a bad time at galleries: we try to make art Interesting when we should just let it be weird. Art should never be Interesting.
Girls: Fact + Fiction Gallery (some images MNSFW)
"He did more good in his time than almost any other of his contemporaries" This week marks the 100th anniversary of the death of John Passmore Edwards. Philanthropist, activist, MP, journalist, editor and proprietor, chartist and pacifist, campaigner for peace, for the abolition of capital publishment and flogging and for provision of free libraries. His autobiography. [more inside]
The Art Institute of Chicago's website has been revamped. [T]he goal of this project was to integrate the site with their backend asset management system to allow users to browse the Museum's entire collection online. The changes are pleasing and highly functional. via