New music service We Are Hunted aims to create charts of emerging music tracks. They aggregate the buzz from social networks, forums, music blogs, torrents, P2P networks and Twitter. In the artists section you can comment about what you're hearing.
posted by netbros on Apr 17, 2009 - 15 comments

DeweyMusic makes browsing archive.org's Live Music Archive super easy.
posted by Korou on Feb 6, 2009 - 17 comments

All-Art.org provides an extensive image library, essays and information on art history, organized by date and movement, up to the 20th century, including photography, design and classical music with audio samples. A small selection of the encyclopedic range offered: Erotica in Art l Paintings that changed the world l The Origins of Typography and Graphic design l Russian Silver Age l Japanese Prints l African l Posters l A Brief History of Western Literature l An illustrated dictionary of art and artists. [more inside]
posted by nickyskye on Oct 4, 2008 - 7 comments

60 Concert Posters From Ten Amazing Artists. Warning! All 60 images are on the one page so this page might take a while to load.
posted by Effigy2000 on Sep 28, 2008 - 30 comments

Hello, MUDDA. "The relationship of artist to the business has most often been one of contract and servitude. We believe the way forward must be a partnership in which the artist can take a much bigger role in how their creations are sold, but also have the chance to stand at the front of the queue when payments are made instead of the traditional position of being paid long after everyone else." - Peter Gabriel
posted by eustacescrubb on Aug 11, 2004 - 8 comments

gigposters -- a collection of posters created by artists and musicians to advertise their shows and events.
posted by lilboo on Mar 27, 2003 - 4 comments

Yesterday's post about Buddy Holly, spurred me to look deeper into the pop charts back when American Pie was in the top 40. I was fairly amazed at the list of songs charting that week. We've got Horse With No Name, Heart of Gold, Mother and Child Reunion with artists like Harry Chapin, Roberta Flack and Nilsson. Sure, there's some pop pabulum, but I was blown away at the litany of performers whose very personal songs, and not very pop themes, were all be charting together. When compared to today's chart, it makes you wonder - what happened to the pop performer as an artist? Is there room for a unique artistic voice in today's pop?
posted by pejamo on Feb 4, 2003 - 36 comments

What DOESN'T this guy do? He writes novels, screenplays, and old school radio dramas. In his spare time he records sci-fi inspired avant-garde electronica, trippy ambient stuff, and produces albums for other bands. He meshes spoken word and noise-pop , and with his old band, the unapologetic New Romantics Oo Oo Wa, produced an absolute wanker masterpiece, and ended up getting signed by the same guy who gave the Smashing Pumpkins their first record deal. Of late, he just turned up on Electric Lash: A Tribute to The Church. Creative genius, or too damned much Starbucks?
posted by timsteil on Nov 5, 2002 - 8 comments

Record Labels' Answer to Napster Still Has Artists Feeling Bypassed (NY Times). Well, it seems the shoe's on the other foot now. Some artists are learning that the industry alternative (Pressplay, MusicNet) to free music downloading services isn't paying quite the dividends they'd expected.

"Last December, the major record labels responded with two Internet services of their own where fans pay monthly fees to download songs. Under this arrangement, however, the performers still don't get a dime: for each song downloaded, they stand to get only a fraction of a cent, according to the calculations of disgruntled managers and lawyers. And, artists and their managers say, the labels, like Napster, aren't putting the music online with proper permission either.

Can't say I have a lot of sympathy for any of the principals involved. What is especially amusing (but not surprising) is the apparent duplicity of the labels: "in comments not for attribution, several executives at labels and their subscription services did not dispute the accusations regarding the payment plan. They said their first priority was to make the services attractive to consumers and that the details of compensation could be worked out afterward."
posted by topolino on Feb 18, 2002 - 14 comments

O Superman I went to the Laurie Anderson show last night in Toronto. I seriously didn't want to and was praying for a cancelled show. I ended up enjoying it fully. Art really can heal. She began the show by dedicating the music to "everyone who died Tuesday, freedom and sanity." Strangely, many of her songs make reference to airplanes and fire. Spookiest moment of the night: during her signature song "O Superman," the lines "Here come the planes. They're American planes, made by Americans." Read the lyrics - the song is loaded with eerie references.
posted by davebush on Sep 14, 2001 - 10 comments

"If I don't do this, who can?" Courtney Love, a unionist? She may be the only one to put the Music Industry to task, and challenge practices that enslave struggling artists, turning shining stars into short-lived comets. That is, provided she doesn't just settle out of court. D'ya think she can do it? Or is this just more smoke & mirrors?
posted by ZachsMind on Jun 8, 2001 - 22 comments

You'd have to be a Rock Star for service like this! It's Nutter butter cookies & Unscented Kleenex for MATCHBOX 20... And better be certain there's no hair in the food for the artist formerly known as Puff Daddy, and for The artist known again as Prince, who likes to shoot up before going onstage, make sure everything is rapped in plastic! and if Mariah should stop by, please provide some crystal champagne glasses & bendy straws.. Rock stars & their backstage requirements, from the The Smoking Gun What would you ask for? (besides bendy straws of course)
posted by danger on May 28, 2001 - 16 comments

ASCAP & BMI -- Protectors of Artists or Shadowy Thieves? Read interested in the internal machinations of the music industry may be interested to read this essay describing how ASCAP works, who it targets, and who it benefit.
posted by faisal on May 2, 2001 - 2 comments

"MP3.com Bands Dis Disclosure" So they're telling the world how much bread artists make . . . can someone come up with anything resembling a rational reason for this?
"'MP3.com is creating a New Music Economy. We want to illustrate the viability of this new music economy by showing the world that artists can make money via Internet distribution of music,' the company's 'Artist Support Team' wrote to complaining bands."
Sounds as if they just got out of a "power-lunch" with the boys in Redmond or something . . . .
posted by mrpalomar on May 3, 2000 - 4 comments