Dr. Frances W. Pritchett, Professor of Modern Indic Languages at Columbia University, New York, has created a superb online collection of resources, all about India and South Asia, its art, history, literature, architecture and culture. Her Indian Routes section (the Index page) is a particularly rich resource. Her vast, colorful and informative site also has many great images. Check out her "scrapbook pages" on the Princes l the Ghaznavids l British Rule l Women's Spaces l Perspectives on Hinduism. [more inside]
posted by nickyskye on Jun 9, 2009 - 14 comments

The Memory of The Netherlands is an extensive digital collection of illustrations, photographs, texts, film and audio fragments from a large variety of Dutch cultural institutions. There are about 50 collections (in english).
posted by peacay on Feb 19, 2006 - 7 comments

Himmapan.com features illustrations and photos of artistic depictions of the creatures of the legendary Himmapan (or Himapan/Himaphan) Forest of the Himalayas. Fantastic chimeras of Asian mythology.
posted by Gator on Feb 16, 2006 - 7 comments

And suddenly, in my memory, everything turns real: the summer breeze of Izu, the lazy sun of an early afternoon, the stale smell of water standing in the rice fields. For a moment it is that day in 1956, 37 years ago, and I am standing there, 33 years old myself. See—just to the left of the camera, just out of range. Here comes Mifune running, and there stands my younger ghost, right of that pillar, just off screen... And the summer sun beats down and the fresh breeze of Izu bathes my face, and then the story continues and the film ends and the lights go up and the students open their notebooks and I stand up and began talking about the influence of the Noh.
Donald Richie (previous post), the worldwide authority on Japanese film, shares his movie memories.
posted by matteo on Feb 1, 2006 - 9 comments

These are the cures. These are the illnesses. Guaranteed to cure what ails you. A look at the fantastic science of medicine, and the fantastic art of bodies afflicted.
posted by klangklangston on Sep 23, 2005 - 4 comments

A Tale of Two Chinas, by photographer James Whitlow Delano. Whole swaths of cities have vanished, to be transformed with developments that have quickly made them look more like Houston, Qatar, or Singapore than the ancient China of our mind's eye. The old hutong, or alleyways, of Beijing that once formed a mosaic of passageways and the siheyuan, or walled courtyard houses, have been largely razed. The old brick rowhouses of Shanghai, are now being leveled and replaced by modern high-rises. Traditional marketplaces, residential neighborhoods, streets where medicine shops or bookstores bunched together, are now either gone or have been rouged up as tourist destinations, part of a new synthetic, virtual version of China's incredible past. The energy fueling this transformation bespeaks a powerful but often blind, unquestioning faith in an inchoate idea of progress that takes one's breath away, often literally. (Unrestrained growth has left China with the dubious honor of having 9 of the 10 most polluted cities in the world). Delano's new book is "Empire: Impressions from China". More inside.
posted by matteo on Feb 17, 2005 - 23 comments

I envy the Japanese for the enormous clarity that pervades their work. It is never dull and never seems to have been made in haste. Their work is as simple as breathing and they draw a figure with a few well chosen lines with the same ease, as effortless as buttoning up one's waistcoat.....
--Vincent van Gogh to Theo van Gogh, 24 September, 1888
The term "Japonisme" came up in France in the seventies of the 19th century to describe the craze for Japanese culture and art. Van Gogh, like so many other Impressionist and Post-Impressionist artists, was one of the admirers (and collectors) of Japanese art. He defined himself as “a simple worshipper of the eternal Buddha”, and the most peculiar among his many self-portraits is "Self-Portrait as Buddhist Monk" (see a comparison here and here), painted in 1888 and dedicated to Paul Gauguin. More inside.
posted by matteo on Jan 17, 2005 - 10 comments

Memories of a Dog . Moriyama Daido's pictures are taken in the streets of Japan's major cities. Made with a small, hand-held camera, they reveal the speed with which they were snapped. Often the frame is tilted vertiginously, the grain pronounced, and the contrast emphasized. Among his city images are those shot in underlit bars, strip clubs, on the streets or in alleyways, with the movement of the subject creating a blurred suggestion of a form (warning: NSFW images if you scroll down the page) rather than a distinct figure. His best known picture, Stray Dog, (1971) is taken on the run, in the midst of bustling street activity. It is an essential reflection of Moriyama's presence as an alert outsider in his own culture. Moriyama is also a toy-camera enthusiast (his favorite is the Polga) . He has worked in the US, too: "N.Y. 71". (more inside)
posted by matteo on Sep 27, 2004 - 6 comments

The trade in stolen Asian relics is booming. TIME reports on how cultural sites are being looted and precious artifacts smuggled overseas. Sometimes they're returned, but much of Asia's cultural heritage is being lost.
posted by homunculus on Oct 26, 2003 - 9 comments