So one of the great musical surprises of the year was Autechre dropping elseq 1-5, an... album, I think? - comprising five parts, FOUR HOURS in total, of uncompromising, intricately programmed algorithmic music. Not to editorialize, but it's really something. A challenge of an album by any measure, but also deeply rewarding and unutterably gorgeous. While they are usually pretty hermetic, Rob and Sean of Autechre have occasionally proven surprisingly open and willing to explain themselves. In 2013 there was an enormous, 1,500 question AMA on the music site WATMM, and on the heels of the new album, there's a long, wide-ranging interview on Resident Advisor covering their entire history, philosophy, method of working, and much more (spoiler: they'd probably work with Kanye if he called). It's fascinating. Dive in! [more inside]
"Polish jazz, which was celebrating its triumphs in the 1950s and 60s, gradually became bogged down under the power of omnipresent and omnipotent institutions" ... "The 1990s saw the birth of a musical trend that wanted nothing less than to turn the established order of things to ash by the most drastic of means. This new trend was called yass." Though the headiest and most experimental days are behind them, "yass" is still used to indicate Polish jazz that's more than traditional jazz, and has been used to describe Skalpel, Jazzpospolita, and Pink Freud, who have performed Autechre live for Boiler Room and RBMA.
In These Hopeful Machines "James Gardner traces a personal path through the evolving world of electronic music – and meets some of the people who made it happen. In six content-rich episodes he looks at over 100 years of recording techniques, electronic instruments and gizmos, and their use in popular music, art music and their position in Western culture." [more inside]
In 1992, the then-young independent British record label Warp Records launched a series entitled Artificial Intelligence. A foray into what the label called “electronic listening music”, the seminal chain of albums forever altered the way electronic music was viewed, written, and heard. At the time, most of the electronic music known to the public was club/rave/dance music. Though this had it’s place, Warp’s founders, Steve Beckett and Rob Mitchell, had a vision of electronic music that could be listened to and enjoyed rather than only dance to.Warp's Artificial Intelligence series revisted.
A bit over a year ago, Warp Record's digital music shop, Bleep.com, presented their guide to recorded* electronic music, spanning from 1930 to 2010 (also as a Facebook timeline, which apparently kicked the whole thing off). The overview of recorded electronic music was presented as a selection of 55 tracks, almost five and a half hours in full. Part of this presentation was a (now expired) promotional deal to purchase the collection of songs as a lot, but you can still read about each piece of music on Bleep and hear 49 of the tracks in a playlist on Grooveshark. There's more to hear and read below the fold. [more inside]
On February 3, 2010, Autechre celebrated the month-early release of their new album Oversteps with a 12-hour netradio broadcast. [more inside]
Get in on the stream while there's space, because Autechre is doing a boomtastic live DJ set full of 80s electronica, mashed up weirdness and god knows what else... more links posted in the thread as I think of them but I have to hit post now because it's time sensitive.
Autechre Radio - Sounds like Autechre will be doing a radio broadcast of experimental sound on Sunday, April 10th from 3 PM EST until late. The feed already connects to some really weird stuff. Stay tuned, should be fun!
autechre's new CD/DVD gantz_graf deserves a larger audience than it will most likely receive. not only a brilliant piece of what can be labeled "idm" music, a stunning confluence of hypermodern audio and video artistry.
Does this design trend remind anyone else of Autechre album cover art circa 1997? See also [ dform ], [ ngin ], and the mother of them all [ vir2l ].