NickCaveFilter: Fifty years ago this very day,
Nicholas Edward Cave [
previously] crawled from the womb and started to plot. At 16 he formed his first band which evolved quickly into the
Boys Next Door [
Shivers]. This in turn mutated into
the Birthday Party (1980) who terrorised the post-punk soundscape in Australia and the UK [
Release the Bats |
Nick the Stripper]. The
Birthday Party relocated to England and in 1984 the band imploded in an orgy of drugs and booze. Shortly after
Nick Cave and the Bad Seeds were born [The Ship Song -
video &
solo live | The Mercy Seat -
video &
live |
Where the Wild Roses Grow], and 23 years and 11 studio albums later (not to mention a
best selling book, a
great screenplay,
some acting and several soundtrack projects) he is still going strong. But, instead of sitting on his musical laurels he decided to get back to basics and, in 2006,
grew a huge moustache and formed
Grinderman – a four piece with a primeval hybrid Birthday Party/Bad Seeds sound [
No Pussy Blues |
Honey Bee]. Fellow Mefites, I ask you to raise a glass to
Mr. Cave… And, especially if you are not familiar to his work, don’t forget to “look inside” for my primer on the enigma that is Nick Cave, one of the
finest song-writers on the face of this miserable planet.
[more inside]
posted by the_very_hungry_caterpillar
on Sep 22, 2007 -
98 comments
Christs, Communists, & Rock 'n' Roll is an excellent introduction to a tradition of anti-rock writings and recordings by the Religious Right. In the 1960s, there was
David Noebel who wrote
Communism, Hypnotism, & the Beatles and
The Marxist Minstrels. In the early 1970s,
Reverend Riblett constructs a seven-foot cross out of rock music records and sets it aflame with gasoline. Michael Mills finds
hidden Satanic messages in Bow Wow Wow and the Grateful Dead, while Bob Larson valiantly
debates Mandy, a 13-year-old fan of the Cure. The motherlode is probably the
cassettes of John Todd, who traveled the fundamentalist circuit in the 1970s claiming to be a former witch and a member of the Illuminati, but that's just the tip of the iceberg. (more inside)
posted by jonp72
on Aug 20, 2007 -
31 comments
One of the great virtues of the internet is the manifold ways in which it has revolutionised the arts. The postmodern works of contemporary artists
Pomme & Kelly (Google Video), when viewed together in context, form a striking example of a well-placed critique of popular culture, and modern living at large. The zeitgeisty meta-irony of their seemingly content-free interpretations of popular songs are only enhanced by the fact that, in a clever keeping with style,
they blog about it as well.
posted by goodnewsfortheinsane
on Feb 28, 2006 -
30 comments
Harry Partch: "
iconoclastic American composer, musical theorist, philosophic instrument builder, raconteur, hobo, artist -- presents unique challenges and aesthetics." A huge influence on the weirder work of
Tom Waits and a great
craftsman, his work is still being performed
today, albeit with some difficulty.
And, of course, there's always
controversy.
posted by PinkStainlessTail
on Jul 30, 2002 -
4 comments
