Ayman Rostom had a penchant for nostalgic productions in his music, which isn't surprising given how he studied his brother's tapes of Yo! MTV Raps back in the day, which lead to his career as Dr. Zygote and his own Boot Records label (Bandcamp). More recently, he's taken the handle The Maghreban and embraced stripped-down house-type beats that he releases on his Zoot Records label, though in his new video for Now Easy, the focus is on his love of oldschool drum'n'bass. [more inside]
If you enjoy laid back/ hazy/ chilled/ lo-fi hip-hop type beats, you may well enjoy the sounds of the Saikei Collective, which is based in the Philippines but includes a fluid roster of like-minded cats* from around the world, making original beats and remixing some tracks you may recognize. Since April 2015, the collective has posted nine releases on Bandcamp, consisting of five compilations, one collection of "two-player" collaborations, and three solo releases. [more inside]
Free music Friday! Organic Audio - Back to my Roots As part of their ongoing 20th anniversary celebration Tummy Touch are offering 'dubbed out disco beats and dirty global grooves WAY before they were fashionable'. [more inside]
The White Negro, Norman Mailer, 1957.
It is on this bleak scene that a phenomenon has appeared: the American existentialist—the hipster, the man who knows that if our collective condition is to live with instant death by atomic war, relatively quick death by the State as l’univers concentrationnaire, or with a slow death by conformity with every creative and rebellious instinct stifled (at what damage to the mind and the heart and the liver and the nerves no research foundation for cancer will discover in a hurry) , if the fate of twentieth century man is to live with death from adolescence to premature senescence, why then the only life-giving answer is to accept the terms of death, to live with death as immediate danger, to divorce oneself from society, to exist without roots, to set out on that uncharted journey into the rebellious imperatives of the self.[more inside]
Lorn has never been one to shy away from the darkness in his music. However, where as his previous release, Ask the Dust (Grooveshark) was bleak and mechanical in it's struggle with its demons, The Maze to Nowhere (Bandcamp) is melodic, fuzzy and at times even warm. If you've listened to Lorn's previous releases, 'warm' is generally not a word associated with his tunes. Whereas his previous effort worked with the bleakness of empty space, we find him filling in those cracks on this album with static, fuzz and ambient effects. The resulting product is a much more organic sounding beast, and man, does it sound great.From the Sputnik Music review of Lorn's first of ? parts in The Maze to Nowhere series of pay-what-you-want EPs on Bandcamp, which now includes Part 2 and Part 3, still with no end in sight. [more inside]
Samplestitch maps hip-hop samples (from J. Dilla, 9th Wonder and Kanye West) to keyboard buttons.
"It was the greatest piece of writing I ever saw, better'n anybody in America, or at least enough to make Melville, Twain, Dreiser, Wolfe, I dunno who, spin in their graves." After reading Neal Cassady's 16,000 word letter, Jack Kerouac threw out his draft of On the Road and started over, in the style he's now famous for. Ginsberg took the letter and lost it. Kerouac thought it had fallen over the side of a house boat. But now the Joan Anderson letter has been found. [more inside]
Is Sampling Tom Petty Like Plagiarizing from Moby-Dick? [SLYT] Mini-documentary on 'sampling' circa 1989.
New York’s golden era had hip-hop luminaries digging in the crates at the legendary Roosevelt Hotel Record Convention. Record dealer John Carraro reflects on introducing old music to the likes of Pete Rock, Q-Tip, Busta Rhymes, Large Professor, Buckwild, Diamond D, Prince Be, Mr. Walt, and DJ Clark Kent, among others.
Tim Cook beats a new path. Apple management are reported to be finalising a deal with Beats Electronics to purchase the entire company for $3bn+ [more inside]
Lil Ugly Mane. What do we know about this person? Take a trip on through to the other side... [more inside]
For younger fans of electronic music, the Essential Mix archive* is a time capsule that allows them to listen to sets that took place before they were born; for others, it’s a treasure chest of musical memories that allows them to re-visit the glory days. And what better way to celebrate 20 years than with a party? Rather than the usual broadcast from Tong’s studio, fans had the opportunity to join in on the fun at the Manchester Warehouse Project, with an absolutely stellar line-up pitting veterans of the scene back-to-back with rising stars. [more inside]
Colin Wilson has passed away at the age of 82. He rose to fame in the 50s with The Outsider, which made him a figure amongst Britain's Beat movement and Angry Young Men. His writing has spanned the fiction and non-fiction, with an interest in the paranormal and the occult, his thoughts on which he blended with HP Lovecraft's Cthulhu Mythos to produce The Mind Parasites. A TV series based on his The Space Vampires, also the basis for the movie Lifeforce (previously), is currently planned. Wikipedia page, 2004 Guardian interview, Times Obituary (subs only).
Combining the voices of many struggles, peoples and nations, from LA to Chicago, Detroit to New Brunswick, Germany to Palestine, Phoenix to Greece, Nəxʷsƛ̕áy̕əm̕ , Tsalagi and Six Nations, to Anishinaabe and Mi’kmaq, and everywhere in between, the #NationHood Mixtape brings together an amazing array of hip-hop, spoken word, beats, ideas and sounds from artists across the world. [more inside]
The 1991 CBs made-for-TV movie adaptation of Shadow Of A Doubt and the 1943 Alfred Hitchcock version are based on the same source material and contain many of the same lines, beats, and scenes. So why is one considered a classic film noir and the other a flop? The Dissolve puts the two movies next to each other and tries to find out.
If you follow music chart news in Australia at all, you might have heard of a young chap who goes by Flume, born Harley Streten in November '91. Now a mere 21 years old, Flume's self-titled debut knocked One Direction off the #1 spot last November (though the boy band ended up out-ranking the homegrown talent in following charts) and earlier this month bumped Bieber down a notch on the Aussie charts, too. But what is the sound of this Australian chart-topper? There's plenty of the "spectral beats ... 21st-century, post-glitchpop" on his Soundcloud page, including the complete album, or as individual tracks on Grooveshark. [more inside]
William Benjamin Bensussen is a DJ and producer who started DJing in San Diego's Gaslamp Quarter, where his weird, heavy sound was generally a dancefloor killer, earning him the name The Gaslamp Killer But he kept at it, and found a home in Los Angeles, performing with the Low End Theory crew. On December 1, 2012, Gaslamp Killer joined an ever-growing list of notable DJs and appeared on BBC Radio 1 with an Essential Mix "This runs the gamut, freak flag and spliff waving in the air. 2 brutal and beautiful hours of raw beats, boom bap, and Birdman. There is psych-rock, there is juke, there is Spaghetti Western. Exclusives from Lotus, HudMo, and Dilla." If you like what you hear, there's even more below the break. [more inside]
Real-time MRI study of human beatboxing, with lots of videos. See what snares, kick drum effects, cymbals and more look and sound like as they happen inside the head. Here's a BBC radio segment on the project.
Allen Ginsberg's four box set "Holy Soul Jelly Roll: Poems & Songs 1949-1993" is a collection of released and unreleased recordings. Eight poems are free on Soundcloud. More Ginsberg, including Howl, "What Would You Do If You Lost It?" and with Paul McCartney. Previously
If you've browsed some of the many year-end Best Album Lists, you might have seen AraabMUZIK's Electronic Dream rank highly. If his name means nothing to you, check an interview with the then 19 year old Hispanic kid from Rhode Island, who had recently graduated high school and connected with Dipset, or the 20 year old drummer-turned-producer whose performance was copied by Kanye (and other information on his life and times). Or maybe you follow producers, and knew he made the beat for Cam'ron's track I Used To Get It In Ohio, or cuts on the Dipset Trance Party mixes (DatPiff has volume 1, 2, and 3). If you want to know more, you can check a mini AraabMUZIK documentary (6:38 on YouTube), or just watch him work the MPC. [more inside]
George Whitman, founder of the Parisian landmark bookstore Shakespeare And Company, has died at the age of 98
"Hello friends, my name is Tino. Do you like the drums? Great man! I love them!" As CEO and principal artist, Tino launched [Tino Corp] the label with a series of instructional albums called Tino's Breaks, which teach a new style of drumming with each installment. Straight from their factory to you, six volumes of breaks, from mambo (YT) and dub (YT), to hallowe'en music (YT) and Christmas dubs (Grooveshark). [more inside]
"Born Shigeyoshi Murao in 1926, he was universally known as Shig. His playful demeanor—not to mention his signature beard, Pendleton shirts, Royal Air Force exercise vest, horn-rimmed glasses, and bowler—rendered him unforgettable. But that did not make him easy to know. Shig, who died in 1999, is largely remembered for an event that occurred on June 3, 1957, when two undercover agents from the San Francisco Police Juvenile Squad showed up at City Lights to buy a seventy-five-cent book of poetry." [more inside]
The name Clams Casino has been floating around for a while, whose production was likened to a castle floating in the clouds by the BasedGod himself, Lil B [prev]. But recently, 24 year old Mike Volpe has shot up from relative obscurity to being dubbed a "visionary beatmaker" in Rolling Stone. You can hear the start of the north Jersey bedroom producer's ethereal sound in his 2006 remix of Mobb Deep's "Get Twisted", which has carried forward into tracks for Squadda Bambino, Lil B, Havoc (of Mobb Deep), and Soulja Boy. Clams Casino has since released a free mixtape of his instrumental production (streaming) to glowing reviews. [more inside]
"I've been studying the planets and learning the personalities of each planet." Dr. Dre is considering a hip-hop instrumental answer to Gustav Holst.
The "Bonus Beats" tracks on 12" singles were used by DJ's to either extend the mix of the main track, or sometimes played within a dj mix on their own. One DJ mourns their passing. [more inside]
In the late Seventies and Early Eighties, Dial-a-Poem put out recordings of William S. Burroughs, John Giorno, Sonic Youth, Cabaret Voltaire, Coil, Diamanda Galas, Anne Walderman, Charles Bukowski, Amiri Baraka, Gregory Corso, Phillip Glass, Patti Smith, and many many more. Apparently, the incredibly awesome Ubuweb has streaming mp3s of all twelve Dial-A-Poem releases here. Yay!
45King Perhaps you'll remember his 1-900 song that Ed Lover used to (and still apparently does) shake his ass to. Turns out the guy -- 45 King -- has been producing into the modern age. The interface runs the gamut from "OK" to "barely passes", though doesn't overly interfere with your
download and enjoyment of beats, loops and YES!!! More beats! • Caution: may make noise come out your speakers • please enjoy [with help from the good folks at 32944...]
Robert Creeley, one of the most exquisite and influential poets of our era, died this morning at age 78. I'd link to a story, but it's not in the news yet. This is a note from one of Robert's friends: "American poet Robert Creeley passed away this morning at 6:15 am in Odessa, Texas, where he was fulfilling a Residency at the Lannan Foundation. (Mr. Creeley was a recipient of the Lannan Foundation Lifetime Achievement Award.) His wife of twenty-eight years, Penelope, and son Will and daughter Hannah were at his side. The cause of death was complications from respiratory disease." Though a comrade and muse for Beat Generation writers like Allen Ginsberg and Jack Kerouac, Creeley was much less well-known, and had a style rather unlike theirs, distinguished by extreme economy of words and an understated approach toward emotion. Creeley was often cited as a pioneer by the so-called language poets, and his most creatively generative friendship was with another poet's poet, the late Charles Olson. Creeley's subtlety and balance will be missed.
funky do morro From the ghettos of brazil comes this funky and fun music that recalls the energy and optimism of early 80's hip hop. Think Afrika Bambaataa and Malcolm McLaren. Before rap crossed over to the dark side.
The Human Beatbox (Video). I meant this to be a follow-up to another previous thread about this specific ability, but the search page won't give me my results. At any rate, this guy amuses, entertains and scares the bejeezus out of me all at the same time. Good enough for me!
Yay, after the flash fest that was Royksopp's 'Remind Me', here's anoter retro-pixel music video (and a damn catchy choon), from Junior Senior and it can be distributed freely too. "A Tummy Touch-esque slab of nu-disco breaks. The single The Avalanches forgot to make, slick discoid beats, wonderful smile-inducing vocal & beats to make you throw down the funk." according to breaksworld.com
On The Road... coming to a theater near you (scroll down in link). Francis Ford Coppola is working on a film adaptation of Kerouac's classic (?), starring Brad Pitt. Genius? Heresy? I can see the Barnes & Noble tie-ins now...
Ken Kesey's page, in which: He offers to burn copies of about two hundred minutes of recordings that he made of Neil Cassady, driving the Magic Bus, in 1964. Here's the kicker....no credit cards, no C.O.D.....you order them, they send them, they bill you, you pay them. Trust me, folks, if you're a fan of the Beats, this is amazing stuff. Hearing Kerouac's muse rant into the night while ballin' down the highway is a rare treat indeed.
Break it down. Shockwave grooves and beats.