is an arts and culture podcast [iTunes link]
from The Believer Magazine
and the Californian public radio station KCRW
. Each episode is generally a mix of interviews, essays and music. Among the contributors so far have been Nick Offerman, Rachel Kushner, Jonathan Coulton and Matmos. Each podcast begins with a short dramatic monologue, for example episode three
starts with Sarah Silverman talking about her pet owl, in a piece written by Alena Smith (Conan O'Brien has another dramatic monologue in the same episode). There have been six episodes so far
and they are all worth a listen.
posted by Kattullus
on Aug 7, 2013 -
Looking around the room, the producers were thinking the same thing. Belolo grabbed a napkin and jotted down: “Indian, Construction Worker, Leatherman, Cowboy, Cop, Sailor.” Morali walked over to the Indian (Rose was, in fact, Lakota) who’d enticed them into the bar. He wasn’t shy. “Hey you, Indian—you want to be in a group?” (SLTheBeliever) [more inside]
posted by Rustic Etruscan
on Aug 1, 2013 -
"By the time Cathy
began, the sexual revolution had ended, so the strip stands as a perfect artifact of a moment when the cultural understanding of coercion changed completely—a moment when, one could argue, second-wave feminism basically died. With its baby-boomer characters, Cathy
dramatizes the aftermath: the ’60s ended when it became clear that a revolutionary movement toward a just society wasn’t happening; the ’70s ended up being about trying to navigate the wreckage of the ’60s. The ’80s were largely about looking for strategies to accept injustice and inequality, and to construe that acceptance itself as a positive value.
"Cathy takes its place in this cultural progression by drilling in the notion that it doesn’t matter what the law says: you are being coerced not by the state but by your desire to be valued.
posted by Rory Marinich
on May 5, 2013 -
BLVR: This is all a pretty analytical approach to improvisation, where I think a lot of people consider Phish’s music to be just “made up on the spot.”
TA: We’re the most analytical band, in some ways. We’d talk and talk for hours about this stuff. I see improvisation as a craft and as an art. The craft part is important. There’s a lot of preparation and discipline that goes into it just so that, when you’re in the moment, you’re not supposed to be thinking at all.
The Believer - Interview with Trey Anastasio
posted by lemuring
on Jul 2, 2011 -