"I was going to write up a little essay about the way Hamilton incorporates Brechtian performance techniques and whether Brecht still packs any punch in the twenty-first century. But then for some reason it became a rap battle instead."
"Oh, show us the way, to the next whiskey-bar. Oh, don't ask why, oh, don't ask why." And so opens the Alabama Song (Google books preview) by Bertholt Brecht and Brecht's close collaborator, Elisabeth Hauptmann (Gbp), first published in 1927. Brecht set it to music and performed it on stages all over Berlin, but the better known version was scored by classical composer Kurt Weill, who was impressed with Brecht’s poetry and wanted to break away from the constraints of his previous work. It was this version, first performed by Lotte Lenya, that was made famous by The Doors and their use of a Marxophone (Wikipedia). [more inside]