They would ask me what actors I saw in the roles. I would tell them, and they’d say “Oh that’s interesting.” And that would be the end of it. --Elmore Leonard, in 2000, on the extent of his input for Hollywood's adaptation of his novels For authorial input on film adaptation, try My Book The Movie, by Marshall Zeringue, also of The Campaign for the American Reader, the page 69 test (previously), and the page 99 test. [more inside]
"During his days as Harvard’s influential president, Dr. Charles W. Eliot made a frequent assertion: If you were to spend just 15 minutes a day reading the right books, a quantity that could fit on a five-foot shelf, you could give yourself a proper liberal education. Publisher P. F. Collier and Son loved the idea and asked Eliot to compile and edit the right collection of works. The result: a 51-volume series of classic works from world literature published in 1909 called Dr. Eliot’s Five Foot Shelf, which would later be called The Harvard Classics." (Via) [more inside]
The Biographical Dictionary of Literary Failure: poignant tales of the justly obscure. The entry on Hans Kafka is a good starting point.
War Dances: “I wanted to call my father and tell him that a white man thought my brain was beautiful”. Sherman Alexie doing his thing in The New Yorker, excerpted from his upcoming book (early review; interview 1, 2.)
Marguerite Young - whom Kurt Vonnegut called "unquestionably a genius" - first achieved success with a study of the utopian commune at New Harmony, Indiana called Angel in the Forest. She then spent 18 years writing Miss Macintosh, My Darling - a 1,198 page novel that William Goyen praised in The New York Times Book Review as "a masterwork". She spent the last 30 years of her life writing an unfinished biography of Eugene V. Debs that was posthumously published, in heavily edited form, as Harp Song for a Radical. [more inside]