One of the more famous suppressed films of recent years is Superstar: The Karen Carpenter Story, an early work by writer/director Todd Haynes (Safe, Velvet Goldmine, Far from Heaven). Filmed in 1987, the short film -- which relates the rise and fall of Karen Carpenter with a cast of Barbie dolls -- barely got a year's worth of festival time in 1989 before the twin iron boots of A&M Records and Richard Carpenter came down on Haynes.* [more inside]
posted by Trurl
on Dec 31, 2011 -
Wagner, the repulsive giant
If, on one hand, you ever wanted to know what a swine Richard Wagner was, this is the book to tell you
. It does so at length, in reliable detail, calmly, without prurience, perfectly backed with documentation, and in a translation whose only fault is in giving no Translator’s Notes for in-house German references. Joachim Köhler sustains his story with new ideas, revises other interpretations and modestly deconstructs Cosima née Liszt’s creation of “Richard Wagner Enterprises Inc”. (This she developed so far as to keep Parsifal exclusive to Bayreuth, prompting George Bernard Shaw to remark in 1889 that it “would almost reconcile me to the custom of suttee
posted by matteo
on Sep 3, 2005 -
Shakey: Neil Young's Biography. . .
Any big Neil Young fan, and I have to admit to being one, also spends a lot of time hating a lot of his artistic output (i. e. the cringe-enducing Let's Roll
, as well as his all-over-the-map politics.
In the LATimes book review
Hal Epsen mentions that the reliably perverse Young has been a staunch Reagan supporter and proponent of the death penalty, as well as a devoted husband and a stalwart parent to three kids, two of whom were born with cerebral palsy
. He also asserts that Young appeals almost wholly to male listeners.
Young has been discussed here before but not, I believe his biography, which, as has been Neil Young's M. O. from the get-go, is a dictionary-perfect example of a "mixed bag."
posted by Danf
on May 16, 2002 -
The Filth and The Fury.
I went to see this film last night and it has to be one of the best music documentary (or, if you will, rockumentary) films I've seen. It charts the Sex Pistols rise and fall and is surprisingly funny and touching. It even manages to capture Seventies Britain in all its revolting glory. I think I shall now go and put a safety pin through my website.
posted by dodgygeezer
on Jun 23, 2000 -