Contrary to a lot of idle criticism, Bungie's Halo series of video games has a surprisingly rich backstory -- a universe complex enough to support seven bestselling novels, a wiki with over 7,000 articles, and one of the most successful ARGs in history (including a full-fledged radio drama). The series has also turned out sweeping audiovisual work, from the games' cinematic cutscenes and epic music (lots of free previews) to top-shelf anime and the Hollywood-quality short films -- ODST, Believe, Deliver Hope, Landfall -- that were made to promote the games (the latter of which, produced by Neil Blomkamp, inspired District 9). And that's apart from all the material produced by Bungie's dedicated fan base: genuinely hilarious machinima from Red vs. Blue, professional-level graphic novels (table of contents at the top), gorgeous artwork, hours of recorded dialogue, complete transcripts of hidden apocrypha, and more factual analysis, story speculation, and casual discussion than you can shake an energy sword at. But most of these pale in comparison to the latest and greatest exercise in Halo beanplating: the Svmma Canonica, a 40-page, 17,000-word formal treatise on the nature of canon in the world that Bungie built, and how it will fare once Bungie moves on and the franchise is managed by 343 Industries. Discussion over at Bungie's official site, or at decade-old fan forum Halo.Bungie.Org.
Fede Alvarez, a Uruguayan filmmaker, posted a short live action/CG video on YouTube back in early November (prev). The short, which features mysterious robots destroying Montevideo and cost approximately $300 to make, received interest from Hollywood days after being online. By the end of November, news spread that Alvarez signed a deal with Ghost House Pictures, reportedly worth $30 million. For now, Alvarez has a six-figure holding deal to wait while Ghost House hires a high-end scribe to turn the idea into a feature. The six-figure deal will be applied against a seven-figure fee if Ghost House makes the film, though Sam Raimi and Rob Tapert are already set up to produce the film. (via) [more inside]
Welcome to District 9. Director Neill Blomkamp turns his sci-fi short "Alive in Joburg" into a full-length feature film - examining xenophobia in an allegory of Apartheid, set in a slum recalling District 6 of Cape Town in South Africa.
Tempbot (QuickTime) is a new short by Neill Blomkamp. This piece combines the ultra-realistic robot CGI seen in Tetra Vaal and Alive in Joburg (QT) with a softer story of everyday alienation very reminiscent to Greg Pak's Robot Stories.