MetaFilter posts tagged with Blues and Jazz

Ahmet Ertegun profiled by George W. S. Trow in 1978

Kattullus — Mon, 17 Aug 2009 18:42:39 -0800

Ahmet Ertegun was profiled by George W. S. Trow in The New Yorker in a classic piece back in 1978. Ertegun was the son of the Turkish ambassador to the US and he remained behind in D.C. studying medieval philosophy at Georgetown. Instead of devoting himself to his studies he founded Atlantic Records with his friend Herb Abramson. Trow charted how Ertegun moved from tramping through muddy, Louisiana fields in search of hot new sounds to the whirl of Studio 54. Below the cut are links to the songs mentioned in the article, as best as I could find, in the order in which they appear. Hugues Panassié, Le Jazz Hot (performed by Julie Andrews). I couldn't find any online versions of Dirty Mother for You but here's Roosevelt Sykes rippin' it up on Swedish TV in 1972. Couldn't find Ruth Brown singing A - You're Adorable, so here's the Sesame Street version. Ivory Joe Hunter, Since I Met You Baby. I couldn't find any footage or recordings of Bob Howard and His Rhythm, who recorded Button Up Your Overcoat and Memories of You for Atlantic Records, but here's Ruth Etting's 1929 version of the former and Sinatra's 1956 take on the latter. Here's a performance by Boyd Raeburn and His Orchestra who recorded The Lady is a Tramp and How High the Moon for Atlantic, here's Jaye P. Morgan doing the former and Les Paul and Mary Ford the latter. Sticks McGhee and His Buddies, Drinkin’ Wine Spo-Dee-O-Dee. Couldn't find Clovers' version of Skylark, so here's Bette Midler. I couldn't find a version of Don't You Know I Love You online. Joe Turner, Chains of Love. Ruth Brown, Mama, He Treats Your Daughter Mean. Joe Turner, Shake, Rattle and Roll. Clyde McPhatter and The Drifters, Money Honey. The Coasters, Searchin'/Young Blood. I couldn't find Chuck Willis' Hang Up My Rock n' Roll Shoes, but here's Bruce Springsteen covering the song and another song by Chuck Willis, What You Gonna Do When Your Baby Leaves You. Bobby Darin, Splish Splash. Ray Charles, What'd I Say? and I Got a Woman. The Rolling Stones, Street Fighting Man, Satisfaction and Love in Vain. Stevie Wonder, Happy Birthday and Uptight/Satisfaction (with The Rolling Stones). Muddy Waters, Hoochie Coochie Man. Aretha Franklin, I Never Loved a Man the Way I Love You. Professor Longhair, Tipitina (with The Meters). I can't figure out what that Trammps song is that's referenced, but here they're performing Shout. It's impossible to know what Johnny Dodds song Ahmet Ertegun is da da dooing along with, so here's some random Johnny Dodds. I couldn't find Brown Skin Man by Lovie Austin and Her Blues Serenaders, but here's Charleston Mad (Priscilla Steward singing). Jelly Roll Morton and King Oliver's Creole Jazz Band, King Porter. Tampa Red and Georgia Tom, You Can't Get That Stuff No More. Fred Astaire, Puttin' on the Ritz. I didn't find The Jealous Kind online. If I missed anything, please add a link.

クレイジーケンバンド!

ardgedee — Mon, 25 May 2009 09:25:56 -0800

The Crazy Ken Band! Cool and Hot! Swinging horns! Groovy chicks! Fast cars! Danger! Crazy! CRAZY! Respect! Otosan A fan's Apple iTunes commercial parody, plus a cat jumping out of an orange For a dozen years they've been mining rich veins of rockabilly, jumping jive, Henry Mancini's jazz soundtracks, Detroit muscle cars and trad Japanese music. But nevermind that right now. Even their product endorsements are cool: Hallelujah Xmas! Hemi Hemi Dodge Cruising! Crazy Ken even digs hip-hop: m-flo loves Nomiya Maki & Crazy Ken Band Cosmic Night Run! (and again, live!) Apologies for my not knowing the slightest bit of Japanese. Hover over the links for whatever info I could make up.

Delicate Things

beelzbubba — Fri, 05 Sep 2008 12:05:19 -0800

Who you are is what you listen to: Prof. Adrian North of Edinburgh's Heriot-Watt University recently published results of what the Beeb calls "the largest study of its kind" linking music listening habits to personality characteristics. His breakthrough conclusions? Heavy metal listeners, contrary to public perception, are not a "suicidally depressed" or a "danger to themselves and society in general. But they are quite delicate things." Ok, the personality descriptions read like a newspaper daily horoscope personality profile, but while I'm a jazz fan (outgoing, creative, high self-esteem), you Indie fans are "Low self-esteem, creative, not hard working, not gentle" and in other news, "drivers who listen to blues music in their cars are the most likely to be caught speeding." And from the MeFi archives, Wanna come up to my place & see my record collection? Apparently, Professor North thinks this will help the Music Industry figure out how to market to us based on our personalities to stem declining CD sales. Good luck with that.

There's Always One More Time

nola — Sun, 06 Jul 2008 18:36:17 -0800

September 14, 1998 "the Tan Canary" passes away. He started out as a gospel singer but went on to perform blues, soul, county, and jazz. In 1968 he covered the country standard "Release Me" and it became a hit. His audience grew, but stardom outside of his home in New Orleans was not to be his. Tom Surowicz pointed out in the Minneapolis Star Tribune, "Adams could sing sophisticated jazz. He could sing sentimental pop, or stirring gospel. He had precious few peers when tackling Southern deep-soul classics. And on the right night, with the right band, he all but owned the blues." I Won't Cry was his first hit 1959, and from the same site Part Of Me His song Hell Yes I Cheated is featured on an interesting compilation called More Dirty Laundry: The Soul of Black Country Myspace

Canadian Brass

Upton O'Good — Thu, 03 Jul 2008 20:12:59 -0800

The brass quintet Canadian Brass is both venerable--it's been around 38 years--and prolific--its discography is as long as your arm. While they often play classical arrangements, they also mix in jazz and blues, along with a complement of showmanship and humor. (Also, they play Flight of the Bumblebee on the tuba.) [Mouseover for titles.]

Do You Like American Music?

Miko — Wed, 02 Apr 2008 07:54:59 -0800

Sounds of America is a new monthly streaming audio program, a collaboration between the National Museum of American History and Smithsonian Global Sound. Up now are 3 episodes: African-American music in New Orleans, Women in American Music, and Freedom Songs of the U.S. Civil Rights Movement.

Wardell Quezergue: The Creole Beethoven

y2karl — Sat, 23 Feb 2008 09:10:43 -0800

Regarding the 'Creole Beethoven' Wardell Quezergue, composer, arranger, big band leader, master of Second Line funk, who brought us Earl King's Trick Bag, the Dixie Cups' Iko Iko and Chapel of Love, King FLoyd's Groove Me, Baby, Jean Knight's Mr. Big Stuff to name but a few--not to mention A Creole Mass--and who, later in life, survived Katrina, to become, among other things of late, according to Home of the Groove's Quezergue Onstage and Behind The Scenes, a street performer in the French Quarter. His is a name that ought not be forgotten. See also The Birth Of A Platinum Seller and Recording: Interviews » King Floyd's "Groove Me" And now a lagniappe of Quezergue arranged and conducted YouTubers: The Dixie Cups - Chapel Of Love Jean Knight - Mr. Big Stuff Live 1972 Jean Knight - Mr. Big Stuff King Floyd - Groove Me The Clarence Gatemouth Brown Big Band - One O'Clock Jump The Clarence Gatemouth Brown Big Band - Caldonia The Clarence Gatemouth Brown Big Band - Take Me Back Baby The Clarence Gatemouth Brown Big Band - Jumpin The Blues

Nick Cave, the Black Crow King, is fifty today

the_very_hungry_caterpillar — Sat, 22 Sep 2007 16:59:54 -0800

NickCaveFilter: Fifty years ago this very day, Nicholas Edward Cave [previously] crawled from the womb and started to plot. At 16 he formed his first band which evolved quickly into the Boys Next Door [Shivers]. This in turn mutated into the Birthday Party (1980) who terrorised the post-punk soundscape in Australia and the UK [Release the Bats | Nick the Stripper]. The Birthday Party relocated to England and in 1984 the band imploded in an orgy of drugs and booze. Shortly after Nick Cave and the Bad Seeds were born [The Ship Song - video & solo live | The Mercy Seat - video & live | Where the Wild Roses Grow], and 23 years and 11 studio albums later (not to mention a best selling book, a great screenplay, some acting and several soundtrack projects) he is still going strong. But, instead of sitting on his musical laurels he decided to get back to basics and, in 2006, grew a huge moustache and formed Grinderman – a four piece with a primeval hybrid Birthday Party/Bad Seeds sound [No Pussy Blues | Honey Bee]. Fellow Mefites, I ask you to raise a glass to Mr. Cave… And, especially if you are not familiar to his work, don’t forget to “look inside” for my primer on the enigma that is Nick Cave, one of the finest song-writers on the face of this miserable planet. The Boys Next Door released a couple of singles and an album, Door, Door (1979) [although the early Birthday Party singles and debut LP were originally credited to the Boys Next Door]. Not much remains except for the LP (re-released on CD), the promo video for the single Shivers, an interview and one decent live recording (1977). The Birthday Party were a tour de force, fuelled primarily by booze and drugs. They made three stunning LPs, the eponymous Birthday Party (later re-released with two singles as Hee-Haw ), Prayers on Fire and Junkyard. The band imploded in 1984 with Mick Harvey leaving the band temporarily. Check out: Junkyard, Sonny’s Burning, Deep in the Woods [discography]. (Mick Harvey gets an honourable mention as he is ever present in Nick Cave’s music, 24 years to date, playing drums, bass, guitar and keys at diferent times. He has also release several critically acclaimed solo LPs.) Cave re-surfaced straight away with Mick Harvey, Barry Adamson and Blixa Bargeld as the Bad Seeds. (Blixa Bargeld of Einsturzende Neubauten also gets an honourable mention, playing guitar with the Bad Seeds from 1984 to 2003.) The Bad Seeds hit hard with From Her to Eternity (1984), taking up the primeval growl where the final Birthday Party EPs left off [ From Her to Eternity | I Put a Spell On You]. They also released a cover of In the Ghetto. (Elvis and Johnny Cash are strong influences in Cave’s music, along with John Lee Hooker, the Stooges and Nina Simone.) They followed this with The Firstborn Is Dead (1985), with a more laid back, bluesy edge (although Cave dislikes this being referred to as bluesy) [ Tupelo | Wanted Man]. 1986 saw two LP releases: Kicking Against the Pricks (an LP of cover versions, including Hey, Joe) and Your Funeral, My Trial (a really dark LP with a dense sound) [The Carny, featured in Wim Wenders “Wings of Desire”, and also Scum, for the journos] [Interview] 1988 saw Tender Prey released (selfIndulganceFilter: my personal favourite, along with Henry’s Dream). The album has a fantastic Elvis-esque sleeve and contains The Mercy Seat (widely regarded as Cave’s signature tune and played at most of his shows since 1988, and covered by Johnny Cash) [Deanna | Mercy]. Cave, Bargeld and Harvey scored the soundtrack to Ghosts… Of the Civil Dead, in which Cave acted as well as co-writing the screenplay. The Good Son [1990] was Cave's first release after kicking his heroin addiction, and he produced his most accessible music to date. Songs such as the Weeping Song saw Cave attract a new audience with a mellower sound [Jack the Ripper]. In 1991 a road movie filmed in B/W on Cine 8 called The Road To God Knows Where was released. Henry’s Dream (1992) is an intense LP [Straight to You | I Had a Dream, Joe] which is captured vividly in their Live at the Paradiso video. 1994 saw Let Love In [Red Right Hand], and in 1995 Cave dueted with Kylie Minogue on Where the Wild Roses Grow. [Written interview]. This single was included on Murder Ballads (1996) [Stagger Lee], which also included Henry Lee (with PJ Harvey). He also rejected his MTV Award. 1998 saw the release of The Boatman’s Call - a really beautiful, chilled piano led LP [Into My Arms | Lime Tree Arbour | Far From Me | People Ain’t No Good ]. Cave’s debut novel, And the Ass Saw the Angel was released in 1999. In 2000 he released Secret Life of the Love Song & The Flesh Made Word – two philosophical lectures [transcript]. 2001 saw the mellow No More Shall We Part released [God is in the House | Fifteen Feet of Pure White Snow], followed in 2003 by Nocturama (not their finest, best left alone) The double LP Abbatoir Blues/The Lyre of Orpheus was released in 2004. A truly beautiful LP, characterised by a lush production (and featuring members of The London Community Gospel Choir) [Nature Boy | Breathless | Abbatoir Blues | Oh My Lord]. The film The Proposition was released in 2005 (a gritty Western, set in Australia) and as well as writing the screenplay, he and Warren Ellis also recorded the soundtrack. 2006 saw Cave form Grinderman, a raw, stripped down four piece recording and mixing their debut (Grinderman, 2007) in 12 days [Grinderman | Electric Alice | interview]. Cave is joined by Martyn P. Casey, Warren Ellis and Jim Sclavunos – all from the Bad Seeds. Even at 49 Cave was kicking against the pricks. Their debut live performance was at the All Tomorrows Parties festival (2007) and... (selfIndulganceFilter:) I was there! [And finally... Other Cave YouTube Interviews, and other performances: John the Revelator, I feel so Good, Mack the Knife]

Ain't It Time We Mellowed Out?

sluglicker — Tue, 14 Aug 2007 08:48:05 -0800

Tasty
6/4 blues: Carlos Santana/Buddy Guy duo. Jeff Beck "Goodbye Pork Pie Hat/Brush With the Blues" at the Udo Music Festival '06. Roy Buchanan "Sweet Dreams" at the Rockpalast and here trying out a Fritz Bros. custom guitar.

A variety of talent both well known and forgotten.

andihazelwood — Sat, 16 Jun 2007 16:50:20 -0800

Harlem Variety Revue. Pre-rock & roll TV show featuring swing from Duke Ellington, Count Basie, Lionel Hampton, Cab Calloway, and Sarah Vaughan. Rhythm & blues from Amos Milburn, Ruth Brown, Joe Turner, Martha Davis and Larry Darnell. Jazz & calypso from Nat Cole. Ballad by Dinah Washington. Doo wop from The Clovers. Harmony from the Larks and the Delta Rhythm Boys (complete with exciting choreography). Comedy provided by Nipsey Russell & Mantan Moreland, tapdancing by Coles & Atkins and Bill Bailey (check out that 1955 Moonwalk at the end!) Hosted by Willie Bryant.

y2karl's 78 RPM jukebox-o-rama

y2karl — Fri, 25 Aug 2006 14:20:55 -0800

For murder ballads, here's your Mississippi John Hurt's Louis Collins and your Grayson & Whitter's Ommie Wise. Then, for some early white blues bottleneck guitar, here's your Frank Hutchison's K. C. Blues. Not to mention Charley Patton's Screamin' And Hollerin' The Blues. All courtesy the Internet Archives 78 RPM tag. where there is way more--like Bix Beiderbecke's first record, Davenport Blues, Louis Armstrong's Ain't Misbehavin' and Geeshie Wiley's Last Kind Words, among many others. Then, for more, Nugrape Records has an mp3 page. The standout there, at least for me, is Gus Cannon's Poor Boy Long Ways From Home. As for their namesake, the Nugrape Twins, well, the Archive has the mp3 of I've Got Your Ice Cold Nugrape. And don't let me omit mentioning PublicDomain4U. They have Mississippi John Hurt's Frankie, for one. Tyrone's Record and Phonograph Links will lead you to more 78 RPM goodness. And don't forget the inestimable and erudite vacapinta first directed us to Dismuke's Virtual Talking Machine.

Clarence Gatemouth Brown - dead at 81

madamjujujive — Sun, 11 Sep 2005 10:52:05 -0800

Things ain't what they used to be. Blues, jazz, Cajun and country music great Clarence Gatemouth Brown dies at 81. Brown safely evacuated his home in Slidell, but was said to be broken hearted by the devastation wreaked by Katrina on his beloved Louisiana. Alligator bio (sound alert).

The Show Must Go On

Miko — Sat, 10 Sep 2005 08:24:53 -0800

After the Storm Sometime this weekend, you may be able to hear one of the best expressions of New Orleans’ role in music and culture available in any mass media. It's American Routes, a weekly show carried on many US public radio affiliates. Programmed and hosted by folklorist and UNO professor of folklore and culture Nick Spitzer, the show normally broadcasts from a studio in the heart of the French Quarter, but has found a temporary home on a Creole/Cajun French/English public radio station in Lafayette. Spitzer told the NYT that he began planning the music for this week’s show as he was fleeing the flooding city in his car, playing Fats Domino’s “Walking to New Orleans." This week’s show highlights New Orleans’ recovery from disasters past, emphasizing the city’s role as the greatest single wellspring of American music. The Crescent City, after all, has either birthed or nurtured everything from jazz, R & B, cajun and the related black-influenced zydeco, soul, blues, gospel, and rock and roll.) With an encyclopedic knowledge of American vernacular music, an utterly democratic spirit, and an unmistakeable respect and love for American musical forms and the people who create them, Spitzer has stepped forward several times this week to serve as a compassionate and optimistic spokesman for the irrepressible creative spirit of a suffering city and a culture in diaspora.

looka! surviving New Orleans musicians

madamjujujive — Fri, 02 Sep 2005 07:19:01 -0800

Longtime Mefi member chuq offers a tiny respite from the misery with his report on the survival of many of Louisiana's beloved musicians, including the good news that Fats Domino was rescued from his roof. More coverage here and here. (more)

Featuring some of the greatest musical artists of our generation

LinusMines — Wed, 15 Jun 2005 21:26:57 -0800

Gallery 41 A jazz photography collection covering the past quarter-century and over 150 artists. Hear musical excerpts and highlights of recorded conversations as you explore.