Within that small and very specific sub-genre of musical Americana identifiable as the
train imitation, there is one amazing performance, from 1926, that set the standard:
Pan-American Blues. The man who recorded it did a fine and fanciful job of evoking the sounds of a
fox chase as well, and his rhythmically compelling solo rendition of
John Henry stands as testament to the potential for musical greatness achievable by one man and a humble harmonica. He was an African-American who was a founding member of the Grand Ole Opry, a musical institution that we rarely (as in,
never) today associate with black people, and his touching and tragic story, documented
here, is one that will be of interest to those concerned with the racial, economic and socio-cultural history of American popular music. He stands at one of its more unexpected intersections: his name is
DeFord Bailey.
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posted by flapjax at midnite
on Dec 30, 2010 -
15 comments
I lost my little [noun]
I lost my [adjective] girl too
I [verb] just everything
So [adjective] I messed with you
Create your own song of sadness and regret with the
Blues Maker.
posted by gottabefunky
on Dec 9, 2010 -
25 comments
Little Walter ushered into Rock and Roll Hall of Fame As I heard about the entry of Madonna, Leonard Cohen, the Ventures and the Dave Clark 5 into the Rock and Roll Hall of Fame yesterday, one name way at the end of the list brought music to my ears. Little Walter Jacobs was only the best blues harmonica player ever to come out of Chicago from the Delta. Ever. Period. He has influenced everyone you every thought was a good blues harmonica player.
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posted by fellene
on Mar 11, 2008 -
11 comments
Well respected as a player, instructor and scholar, Adam Gussow teaches blues harmonica online at
Modern Blues Harmonica. For a fee.
On YouTube, as
KudzuRunner, he also gives lessons. For free. He's put up around 145 videos now--145 videos with like about a million hits in return...
via Tom Muck's Blog
posted by y2karl
on Mar 7, 2008 -
12 comments