47 posts tagged with BobDylan and Music.
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Bob Dylan Plays Concert for One Insanely Lucky Superfan

Ongoing Swedish film series Experiment Ensam (Experiment Alone) films people experiencing things completely alone that are usually reserved for large crowds. Past films focused on lone people at comedy clubs or karaoke bars. The filmmakers thought a lot bigger for this one and made arrangements with Bob Dylan and his touring band to perform a private show for 41-year-old Bob Dylan superfan Fredrik Wikingsson at Philadelphia's Academy of Music.
posted by paleyellowwithorange on Nov 25, 2014 - 37 comments

Greil Marcus and Don DeLillo discuss Bob Dylan and Bucky Wunderlick

The following conversation took place in 2005 in front of an audience at the Telluride film festival in Colorado, after a screening of Martin Scorsese’s documentary, Bob Dylan: No Direction Home.
posted by Lorin on Nov 19, 2014 - 6 comments

Three Articles about Bob Dylan and Fandom

The Halloween Concert That Reinvented Bob Dylan by Sean Wilentz (an excerpt from his Bob Dylan in America) is an article about Dylan's concert in New York's Philharmonic Hall fifty years ago yesterday, which was released ten years ago in Bob Dylan's Bootlegs series. Music critic Sasha Frere-Jones, not the super-fan Wilentz is, wrote about another defining event in Dylan's career, his life in Woodstock, playing music along with The Band. Why did Dylan go to Woodstock? To flee his fans, who have been the subject of a recent book, The Dylanologists by David Kinney, which was reviewed at length by Ian Crouch in The New Yorker.
posted by Kattullus on Nov 1, 2014 - 4 comments

"I once loved a girl..." - Suze and The Twerp

Tomorrow is a long time
Suze and The Twerp
Ballad In Plain D – Bob and Suze
We were both overly sensitive and needed shelter from the storm
Previously: I gave her my heart, but she wanted my soul
posted by joseph conrad is fully awesome on Aug 24, 2014 - 2 comments

"Can you deal with the fact that I'm not in love with you?"

Without You I'm Nothing: The Believer looks at the memoirs of the wives and girlfriends of rock stars.
posted by The Whelk on Jul 4, 2014 - 20 comments

JB and Bobby D, together at last

My head just exploded because the the two epic spiraling vortexes of iconic American pop have met and merged and made my head explode and it's exploded. Like a Rolling Sex Machine.
posted by flapjax at midnite on Apr 9, 2014 - 17 comments

So it's come to this: The canonization of Bob Dylan's 1980s albums.

"Dylan was bad in the '80s because to be anything else would've been dishonest." Steven Hyden (who else?) has found a way to appreciate '80s Dylan: "It's about appreciating the subtext of records that are more fun to think about than to listen to."
posted by paleyellowwithorange on Apr 1, 2014 - 60 comments

The Greatest Music Producer You’ve Never Heard of

Texas Monthly profiles Tom Wilson, a Harvard-educated Republican from Waco who helped launch the careers of Bob Dylan, Simon and Garfunkel, Lou Reed, and a few other musicians you might have heard of. Previously.
posted by aka burlap on Jan 10, 2014 - 5 comments

but I'll dream of pretty Saro wherever I go...

Bob Dylan ran through the 18th century English folk song "Pretty Saro" six consecutive times during the Self Portrait sessions in March 1970, but none of those versions made the final cut for the album and the song remained in Columbia's vault for the past 43 years, until now. Bob Dylan's Lost 1970 Gem 'Pretty Saro' - Premiere
posted by flapjax at midnite on Aug 7, 2013 - 14 comments

Scenes from Renaldo and Somebody or Other

Nearly one hundred and ten out of at least two hundred and ninety two minutes of Renaldo and Somebody or Other... [more inside]
posted by y2karl on Mar 29, 2013 - 11 comments

Songs for the Apocalypse

Rock Cellar Magazine has come up with a list of eleven songs to listen to in case the world comes to an end on December 21 2010. [more inside]
posted by Sailormom on Dec 19, 2012 - 44 comments

Farewell Angelina by Joan Baez, Bob Dylan and Nana Mouskouri, among others

Audio only, Newport 1966: Joan Baez - Farewell Angelina
Recorded Jan. 13, 1965, released 1991: Bob Dylan - Farewell Angelina
B/W Video 1966 Joan Baez - Farewell Angelina
Tablature and lyrics following those of the Dylan recording: dylanchords: Farewell Angelina
French TV 1967: Nana Mouskouri - Adieu Angélina
Bratislava 1989, avant de la Révolution de velours: Joan Baez - Farewell Angelina
From the 90s, or so I believe: Nickle Creek - Farewell Angelina
June 19, 2010 at Kidzstock: Joan Baez and Jasmine Harris - Farewell Angelina [more inside]
posted by y2karl on Dec 7, 2012 - 33 comments

Great White Wonder: Bob Dylan and the birth of Rock Bootlegs and Album Leaks

In the summer of 1969, two guys pressed a few thousand records with white label stickers, and packaged them in nondescript white sleeves. They didn't have their own cars to deliver the records so they borrowed friends' cars, and the record ended up throughout California, with copies getting airplay at 5 southern California radio stations. The music wasn't their own recordings, but unreleased material from Bob Dylan. The recording became known as the Great White Wonder, "the entertainment industry's first truly hip situation comedy" (in other words, the first bootleg ever to be produced in the rock-and-roll era). [more inside]
posted by filthy light thief on Oct 3, 2012 - 24 comments

He Said, She Said, Starring Bob Dylan and a $1 Million Guitar.

Bob Dylan famously "went electric" at the Newport Folk Festival in 1965. 47 years later, experts believe a woman in New Jersey has the guitar the Dylan played on stage that day. [more inside]
posted by COD on Jul 13, 2012 - 46 comments

Take Me Back to Tulsa

A remarkably diverse group of legendary musicians have graced the stage of Tulsa's Cain's Ballroom over the years: Jerry Lee Lewis, Little Richard, the Sex Pistols (one of seven stops on their one and only 1978 U.S. tour…the hole in the drywall left by Sid Vicious’ fist is still backstage), the Ramones, Bob Dylan, Willie Nelson, Blondie, The Talking Heads, U2, Ani DiFranco, Elvis Costello, Snoop Dogg, Morrissey, Beck, Wilco, to name a few. A documentary featuring Costello and several other artists who’ve played there is in the works, with proceeds supporting music education in Oklahoma and the upcoming Cain’s Ballroom Museum. Cain’s was recently named one of the top 10 live music venues in the U.S. From 1935 to 1942, Cain’s was home to Bob Wills and The Texas Playboys, who popularized western swing music with weekly dances and a national radio show.
posted by Kelly Tulsa on May 9, 2012 - 12 comments

You shall Hear things, Wonderful to tell

A decade on, the Coen brothers' woefully underrated O Brother, Where Art Thou? [alt] is remembered for a lot of things: its sun-drenched, sepia-rich cinematography (a pioneer of digital color grading), its whimsical humor, fluid vernacular, and many subtle references to Homer's Odyssey. But one part of its legacy truly stands out: the music. Assembled by T-Bone Burnett, the soundtrack is a cornucopia of American folk music, exhibiting everything from cheery ballads and angelic hymns to wistful blues and chain-gang anthems. Woven into the plot of the film through radio and live performances, the songs lent the story a heartfelt, homespun feel that echoed its cultural heritage, a paean and uchronia of the Old South. Though the multiplatinum album was recently reissued, the movie's medley is best heard via famed documentarian D. A. Pennebaker's Down from the Mountain, an extraordinary yet intimate concert film focused on a night of live music by the soundtrack's stars (among them Gillian Welch, Emmylou Harris, Chris Thomas King, bluegrass legend Dr. Ralph Stanley) and wryly hosted by John Hartford, an accomplished fiddler, riverboat captain, and raconteur whose struggle with terminal cancer made this his last major performance. The film is free in its entirety on Hulu and YouTube -- click inside for individual clips, song links, and breakdowns of the set list's fascinating history. [more inside]
posted by Rhaomi on Dec 22, 2011 - 107 comments

mama put my guns in the ground -- I can't use them anymore

...after enrolling in public school and moving to Montana — a predominantly white state, albeit one with a decidedly hippie-ish vibe — Lamb and Lynx decided they simply no longer believed what they’d been taught. Prussian Blue, five years later. Previously, previously.
posted by gerryblog on Jul 17, 2011 - 105 comments

Mr. Leonard Bernstein Explains It All For You

Inside Pop - The Rock Revolution is a CBS News special, broadcast in April 1967. The show was hosted by Leonard Bernstein and is probably one of the first examples of pop music being examined as a 'serious' art form. The film features many scenes shot in Los Angeles in late 1966, including interviews with Frank Zappa and Graham Nash, as well as the now legendary Brian Wilson solo performance of "Surf's Up." (MLYT) [more inside]
posted by overeducated_alligator on Apr 29, 2011 - 15 comments

"I just don't know what the limit is!" - Earl Scruggs

In 1969 banjo virtuoso and bluegrass innovator Earl Scruggs parted ways with his longtime musical partner Lester Flatt and the band they led to great popularity and acclaim, The Foggy Mountain Boys. Scruggs wanted to push his musical gifts as far as they could go. In 1970 he was the subject of a PBS documentary where he played with artists such as Bob Dylan, Doc Watson, The Morris Brothers, The Byrds, Charlie Daniels, Bill Monroe, Joan Baez, various friends and family members, and even records a track accompanying a Moog. You can watch the whole thing online: Earl Scruggs, His Family and Friends.
posted by Kattullus on Jan 28, 2011 - 17 comments

Ry Cooder – Talking Country Blues and Gospel & The Jas Obrecht Music Archive

Originally published in Guitar Player magazine in 1990, here is Jas Obrect's interview: Ry Cooder – Talking Country Blues and Gospel -- I only wish it was online when I made my Dark was the Night post. Now is it is part of the Jas Obrect Music Archive, where you can also find ''Rollin’ and Tumblin' '': The Story of a Song (See also Hambone Wille Newbern - Roll and Tumble Blues for the first recording of those lyrics) -- not to mention Jerry Garcia: The Complete 1985 Interview and Bob Dylan’s ''Highway 61 Revisited'': Mike Bloomfield v. Johnny Winter and Blues Origins: Spanish Fandango and Sebastopol among many, many others. There is quite the cornucopia of interesting, informative music articles there. Check it out--you will dig it.
posted by y2karl on Dec 24, 2010 - 8 comments

Must Be Santa, over the years (now with more Dylan)

Must Be Santa was originally recorded (song on YT) in 1969 by Mitch Miller, with simple call-and-response lyrics that were a hit (song on YT) for Lorne Greene in 1966. The catchy song is amusing for small children, and cute when sung by groups of kids. With minor lyrical tweaks and a rowdy polka style (live clip), Brave Combo liven up the Christmas classic. Leave it to Bob Dylan to take it further. [more inside]
posted by filthy light thief on Dec 20, 2010 - 15 comments

Dylanology

How to listen to Bob Dylan, a guide. [more inside]
posted by gman on Jul 14, 2010 - 171 comments

. . .& I'll Go Mine

Most Likely You Will Go Your Way A remixed version of the Bob Dylan song from Bob Dylan TV on youtube (of course) [more inside]
posted by nola on Jan 7, 2008 - 13 comments

No Reason To Get Excited

Written in 1967 by Bob Dylan, it was originally quiet, lowkey... and vaguely menacing. But when Jimi Hendrix redefined it the following year, even Dylan knew that the song had changed forever.

Since then, it's been covered (over and over again), praised almost as often, analyzed, referenced, and, of course, found to be encoded in the minds of Cylons.

Originally released 40 years ago, erm, yesterday: All Along the Watchtower.
posted by John Kenneth Fisher on Dec 28, 2007 - 41 comments

Multiple personalities.

Well, someone's gone and made a feature-length biopic on Bob Dylan. It was bound to happen, right? Didn't necessarily expect Cate Blanchett (along with 5 others) to be cast in the role of Bob, but, hey, she looks great with the flyaway hair and the cigarette. Here's a clip, wherein Cate as Bob meets Ginsberg in a golfcart. Here's a trailer and an IMDB page. Here director Todd Haynes talks about the film. He discusses his casting of Blanchett, and offers observations on other aspects of the movie here and here. And if you want to read reviews, there's plenty of 'em.
posted by flapjax at midnite on Nov 21, 2007 - 27 comments

'Because something is happening here - But you don't know what it is - Do you, Mister Jones?' '...He's dead, Jim'

You walk into the room
With your pencil in your hand
You see somebody naked
And you say, "Who is that man?"
You try so hard
But you don't understand...
Jeffrey Owen Jones, a film professor at the Rochester Institute of Technology and, inadvertently, the featured metaphor in Bob Dylan's Ballad of a Thin Man, has died.
posted by y2karl on Nov 15, 2007 - 29 comments

Protest Songs

So are you ready to march on Washington to protest in song? Here are some lyrics. Some examples from the 60's. Something sweet from Bob Dylan. Speaking of Zimmermans, here's Roy's take on Iraq. [more inside]
posted by snsranch on Oct 14, 2007 - 33 comments

With A Little Help From Their Friends

In 1971, George HarrisonRIP and Ravi Shankar organized, promoted, and put on The Concert for Bangladesh – the first high-profile rock concert to raise money (administered by UNICEF) for humanitarian causes – at NYC's Madison Square Garden.

Performances: Ravi Shankar { Bangla Dhun } George Harrison and band { Wah Wah, My Sweet Lord, Awaiting On You All, That's The Way God Planned (composed/performed by Billy Preston), It Don't Come Easy (composed/performed by Ringo Starr), Beware of Darkness (featuring Leon Russell on guest vocals), While My Guitar Gently Weeps (featuring Eric Clapton on lead guitar), Jumping Jack Flash/Young Blood Medley (performed by Leon Russell), Here Comes The Sun (featuring Pete Ham) } Bob Dylan { A Hard Rain's A-Gonna Fall/It Takes A Lot To Laugh, It Takes A Train To Cry, Blowin' In The Wind, Just Like A Woman, Love Minus Zero/No Limit, If Not For You (soundcheck duet with George Harrison) } [Encore!, Encore!]
posted by Poolio on Aug 30, 2007 - 37 comments

Seuss via Zimmerman

Dylan Hears a Who! Bob, that is. Caution: autoplaying audio. (Via)
posted by staggernation on Feb 27, 2007 - 43 comments

That bad man, Stack O' Lee.

One Christmas night in a bar in the Third Ward in St. Louis, Missouri, "Stag" Lee Shelton shot Billy Lyon (cache) in a argument over a hat. This simple crime went on to inspire a song that lives on after more than one hundred years. (more inside)
posted by 1f2frfbf on Dec 19, 2006 - 45 comments

Bob Dylan Annnotated and Tablaturated

Artur J's Annotated Lyrics of Bob Dylans Love and Theft has expanded and now features Annotated lyrics for Street Legal, Knocked Out Loaded, Oh, Mercy and Modern Times. And he is already on top of Dylan's quotes of Henry Timrod on the new album. On a related tip, someone waved a lawyer at Eyolf Østrem, so he removed all his tabs from his Dylan tablature site, My Back Pages. But, fortunately there are some mirrors and the blog of this one has a tab page for Modern Times already.
posted by y2karl on Sep 14, 2006 - 13 comments

That wild mercury sound.

"'It's metallic and bright gold, with whatever that conjures up.'" Louis Menand on the mercurial nature of Bob Dylan's interviews.
"Dylan's sound [is] 'very much like a dog with his leg caught in barbed wire.'" Nat Hentoff's profile of Dylan for the New Yorker from 1964.
posted by OmieWise on Aug 30, 2006 - 32 comments

Insert obligatory "The Times They Are A-Changin'" joke at your own leisure.

Modern times... suck? Bob Dylan has heavily criticised the sound of modern music recordings, claiming that, There’s no definition of nothing, no vocal, no nothing, just like — static, and that, CDs are small.

Not to exclude himself, he's included his own new album in this criticism, saying that, Even these songs probably sounded ten times better in the studio when we recorded ‘em. Maybe he's just being a curmudgeon, or maybe he actually has a point about modern music production. It's not like he's opposed to all things modern: after all, he seems OK with file-sharing and iTunes. And, umm, Alicia Keys...
posted by chorltonmeateater on Aug 24, 2006 - 68 comments

Stream early Dylan "bootlegs"

Stream the latest Dylan CD set (audio link), "No Direction Home", reviewed here (NYT). Get more Zimmy at Dylantree.com.
posted by xowie on Aug 31, 2005 - 20 comments

The Minstrel Show 2.2 - On "Love and Theft" and the Minstrel Boy

On "Love and Theft" & On On "Love and Theft" and the Minstrel Boy & The Annotated Love And Theft...    In melody, Bye and Bye comes by way of Billie Holiday's Having Myself A Time and Floater by way of Bing Crosby's (& Eddie Duchin's & Kate Smith's & Isham Jones's...) Snuggled On Your Shoulder--and lyrically, by way, in part, of Junichi Saga's Confessions Of A Yakuza, which was not a crime novel, as StupidSexyFlanders once surmised, but an outright As told to memoir, which makes it four or five degrees from Yakuza to Dr. Saga to translator to Dylan to Plagiarism in Dylan, or a Cultural Collage?

Oh, who's going to throw that minstrel boy a coin ?
posted by y2karl on Apr 14, 2005 - 18 comments

A lonesome death revisited

Bob Dylan's classic song "The Lonesome Death of Hattie Carroll" is a murder ballad protest tune for the annals, but this week a story in the Guardian sheds new light on the real-life subject and the murderer William Zantzinger. via xymphora.
posted by ism on Feb 26, 2005 - 7 comments

A review of Bob Dylan in his own and other people's words

Be careful what you wish for, the cliché goes. Having aspired from early youth to become stars, people who achieve that status suddenly find themselves imprisoned, unable to walk down the street without being importuned by strangers. The higher their name floats, the greater the levy imposed, the less of ordinary life they can enjoy. In his memoir, Bob Dylan never precisely articulates the ambition that brought him to New York City from northern Minnesota in 1961, maybe because it felt improbable even to him at the time. Nominally, he was angling for Leading Young Folksinger, which was a plausible goal then, when every college town had three or four coffeehouses and each one had its Hootenanny night, and when performers who wowed the crowds on that circuit went on to make records that sometimes sold in the thousands. But from the beginning Dylan had his sights set much higher: the world, glory, eternity—ambitions laughably incommensurate with the modest confines of American folk music. He got his wish, in spades... 'I Is Someone Else'
posted by y2karl on Feb 19, 2005 - 34 comments

The Hit we Almost Missed

The Hit we Almost Missed Shaun Considine, an employee of Columbia Records in Sxities, recounts how close Dylan's "Like a Rolling Stone" came to being lost to obscurity. (NY Times)
posted by Tullius on Dec 7, 2004 - 12 comments

Dylan on Dylan, ad. infi.

"It was surprising how thick the smoke had become. It seems like the world has always needed a scapegoat --someone to lead the charge against the Roman Empire. But America wasn't the Roman Empire and someone else would have to step up and volunteer. I really was never any more than what I was -- a folk musician who gazed into the gray mist with tear-blinded eyes and made up songs that floated in a luminous haze. Now it had blown up in my face and was hanging over me." -- from Bob Dylan's new autobiography, Chronicles, with a brief interview, via Newsweek
posted by digaman on Sep 26, 2004 - 14 comments

No Article of Mr. Dylan's Clothing Was Removed During The Filming Of This Commercial

No Article of Mr. Dylan's Clothing Was Removed During The Filming Of This Commercial
posted by y2karl on Apr 8, 2004 - 36 comments

The Annotated Blonde On Blonde

The closest I ever got to the sound I hear in my mind was on individual bands in the 'Blonde on Blonde' album. It's that thin, that wild mercury sound. It's metallic and bright gold, with whatever that conjures up.

Bob Dylan 1978

Blonde On Blonde--Seven mixes, four or five covers, four or five women, some missing photographs and one leather coat... (story within)
posted by y2karl on Nov 19, 2003 - 26 comments

The Mysterious Norman Raeben

The Mysterious Norman Raeben, the son of Shalom Aleichem, the man behind Bob Dylan's Blood On The Tracks.

Norman Raeben was one of the most influential people in Bob Dylan’s life. It was Norman Raeben, Dylan said, who, in the mid ‘70s, renewed his ability to compose songs. Dylan also suggested that Norman’s teaching and influence so altered his outlook upon life that Sara, his wife, could no longer understand him, and this was a contributory factor in the breakdown of the Dylans’ marriage. (More inside)
posted by y2karl on Jan 11, 2003 - 16 comments

bob dylan covers don henley.

bob dylan covers don henley. bob dylan has been doing great covers on his latest tour. also 'brown sugar' by the stones and 'old man' by neil young. and lots of warren zevon who has untreatable lung cancer.
posted by alfredogarcia on Oct 13, 2002 - 25 comments

Bob Dylan Live at Newport, 1965: Maggie’s Farm.

Bob Dylan Live at Newport, 1965: Maggie’s Farm. 10 MB Quicktime mp3 A notorious and historic moment, that began a legendary year of touring , stolen moments of which are available in several sometimes bootlegged formats .Sometimes, perhaps revised , stories differ at what happened, and, now, post-ironically enough, He appears at Newport again this Saturday.
posted by y2karl on Aug 2, 2002 - 35 comments

Harry Smith and The Anthology of American Folk Music

American Magus
Without Harry Smith I wouldn’t have existed!
Bob Dylan
… I put Harry Smith with the three most dear to me GRAND INTELLIGENCE!! Allen Ginsberg, William Burroughs, Harry Smith…These were sharp motherfuckers… and heavy… talk about heavy!!
Gregory Corso
Harry Smith, a central figure in the mid-20th-century avant-garde, was a complex artistic figure who made major contributions to the fields of sound recording, independent filmmaking, the visual arts, and ethnographic collecting. Along with Kenneth Anger, Jordan Belson, and Oskar Fischinger, Smith is considered one of America’s leading experimental filmmakers. He would often hand-paint directly on film creating unique, complex compositions that have been interpreted as investigations of conscious and unconscious mental processes. Smith began as a teenager to record Native American songs and rituals. He is best known for his Anthology of American Folk Music, a music collection widely credited with launching the urban folk revival.
The Anthology is the focus here, but Harry Smith, the artist, avant garde film maker, polymath, musicologist and quintessential hipster must be mentioned, too. Details Within
posted by y2karl on Jul 10, 2002 - 32 comments

Is This The Best Bob Dylan Site Or What?

Is This The Best Bob Dylan Site Or What? Every single song of his reminds us how deeply in debt we are.
posted by MiguelCardoso on Mar 21, 2002 - 52 comments

Boy are the times a changin'. Kids and Parents disagree about music.

Nothing special about that.

But when your Dad is Bob Dylan, it makes the newspapers .
posted by BentPenguin on Sep 10, 2001 - 15 comments


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