We can’t close gender gaps when we spend endless hours counting calories instead of cracking glass ceilings. We can’t gain self-assurance when body dysmorphia is so abundant.
11 years on, Vanessa Garcia tells her 24-year-old eating-disordered self “Your time is precious. Get help. Do it now. You have too many important things to do
.” [more inside]
posted by drlith
on Sep 6, 2014 -
Roxane Gay on The Biggest Loser:
"My body is wildly undisciplined and I deny myself nearly everything I desire. I deny myself the right to space when I am public, trying to fold in on myself, to make my body invisible even though it is, in fact, grandly visible. I deny myself the right to a shared armrest because how dare I impose? I deny myself entry into certain spaces I have deemed inappropriate for a body like mine—most spaces inhabited by other people. "
posted by ambrosia
on Apr 19, 2014 -
Grand Unified Theory of Female Pain.
"The pain of women turns them into kittens and rabbits and sunsets and sordid red satin goddesses, pales them and bloodies them and starves them, delivers them to death camps and sends locks of their hair to the stars. Men put them on trains and under them. Violence turns them celestial. Age turns them old. We can’t look away. We can’t stop imagining new ways for them to hurt." [more inside]
posted by homunculus
on Apr 14, 2014 -
"After two to three hours, the body is transformed into a sterile coffee-colored liquid the consistency of motor oil that can be safely poured down the drain, alongside a dry bone residue similar in appearance to cremated remains."
GOOD magazine: The emergence of the sustainable death industry.
posted by The Whelk
on Dec 17, 2013 -
Ruby by Emma Allen -
The short film depicts the transition from living, to death, to eternity and reincarnation with some very impressive face painting make-up, which took Emma five days to apply. This is one of the most creative pieces of art I've seen in a long time.
posted by GrooveJedi
on Nov 26, 2013 -
To The Great God Pan
There is only one piece of film that shows Isadora Duncan dancing. It is four seconds long, the very end of a performance, and it is followed by eight seconds in which Duncan accepts applause. This small celluloid footprint – light-struck in the manner of Eugène Atget – contains quite a bit of information. It is an afternoon recital, early in the 20th century, and it takes place en plein air, trees in the background, like so much of the painting of the day. Duncan enters the frame turning, her arms positioned in an upward reach not unlike ballet’s codified fourth position, but more naturally placed. ... Because of her thrown back upper body it seems as if she is running, but she is actually slow and steady, offering herself to something so large she doesn’t need to move fast. The dance over, she stands simply and acknowledges her audience with a Christ-like proffering of her palms. In fact, her classical garb is as much that of the sandalled shepherd of men as it is a barefoot goddess of Greek mythology. ‘I have come,’ she once said, ‘to bring about a great renaissance of religion through the dance, to bring the knowledge of the beauty and holiness of the human body through its expression of movements.’ Thus spake Isadora. [more inside]
posted by the man of twists and turns
on Nov 11, 2013 -
The Course of Their Lives.
While much in medicine has changed over the last century, the defining course of a first year medical student's education is still 'Gross Anatomy.' This is their hands-on tour of a donated cadaver -- an actual human body -- and is an experience which cannot be replicated by computer models. When Milwaukee Journal Sentinel reporter Mark Johnson came up with the idea of following a med school gross anatomy class for a feature story, his editor challenged him to make it different. So he chose to intertwine the students' stories with that of Geraldine 'Nana' Fotsch, a living future donor, as sort of a stand-in for the cadaver. (Via
. This four-part series contains descriptions of a human dissection. Some may find it disturbing.
) [more inside]
posted by zarq
on Oct 19, 2013 -
"As a climber goes up even higher in altitude, into the so-called death zone, the dangerously thin air above 26,000 feet, there is so little oxygen available that the body makes a desperate decision: it cuts off the digestive system. The body can no longer afford to direct oxygen to the stomach to help digest food because that would divert what precious little oxygen is available away from the brain. The body will retch back up anything the climber tries to eat, even if it’s as small as an M&M."
from To the Last Breath: A Journey of Going to Extremes
posted by Brandon Blatcher
on Aug 7, 2012 -
Biomedical Ephemera, or, a Frog for your Boils
is "A blog for all biological and medical ephemera, from the age of Abraham through the era of medical quackery and cure-all nostrums. Sometimes featuring illustrations of diseases and conditions of the times, sometimes fascinating ephemeral medical equipment, and sometimes clippings and information about the theories themselves." The archive page
is also a useful starting point. via Things Magazine.
posted by Rumple
on Aug 29, 2011 -
"All of which is a long way of saying that, to construct a new church of anatomical horror and to do so out of stone, as Al-Mehdari seems to be suggesting, is a fascinating idea. " - Body Baroque
posted by Artw
on Sep 23, 2009 -
What happens when we leave behind cosmetics and societal norms to modify our bodies and minds to enhance who we are and what we can do? In this talk
, journalist Quinn Norton
explores how technology and flesh are coming together.
posted by Hypocrites
on Aug 23, 2008 -
From a short distance the male figure almost appeared to be napping among the hummingbirds and squirrels, draped as he was over the pebbled ground. But something about his peculiar pose evoked a sense of grim finality– the body language of the deceased
posted by punkfloyd
on Nov 2, 2007 -