In February 1963
, a new publication
took advantage of the New York City printers strike and launched with a daring editorial
: It does not, however, seek merely to fill the gap created by the printers’ strike in New York City but to take the opportunity which the strike has presented to publish the sort of literary journal which the editors and contributors feel is needed in America.
The New York Review of Books
is now 50
. [more inside]
posted by mattbucher
on Oct 21, 2013 -
"One day I dreamed that my parents, my brothers and I went to visit three islands and I jumped into the water without protection,
" she wrote in her diary. "I felt like I could be in the water and not drown. I was curious and I swam into the deep water and then I saw my skeleton with my name written on it.
" Roger Omar collects children's dreams
, and asks artists to illustrate them
. [more inside]
posted by taz
on Jun 9, 2013 -
"I guess it started for me when, as a young sci-fi movie fan, I did a fanzine at age 12 to 15... that’s when I learned how relatively cheap and easy it was to self-publish, at least for a small circle of weirdos. Later, after comics went up to 50¢, I started collecting stuff equally weird but much cheaper than comic books: kook literature." - Rev. Ivan Stang
You may know of the Church of the SubGenius, that parody religion that worships the almighty "Bob" and was a fixture of MTV
and Night Flights
back in the day. But do you know of its SECRET ORIGINS? Co-founder Ivan Stang corresponded with hundreds of "mad prophets, crackpots, kooks & true visionaries," from sincere cults to winking charlatans to utter nutjobs to hate groups to independent artists and musicians, with some respected names thrown in, and synthesized them into a half-joking, half-serious celebration of the kook spirit. These days of course the forward-thinking crackpot looking for sheep goes directly to the internet. But while it lasted Stang and co-authors Mike Gunderloy, Waver Forest and Mark Johnston collaborated to document this vanished scene in the legendary book HIGH WEIRDNESS BY MAIL
. (All links within may quickly lead someplace NSFW by the nature of the beast.) [more inside]
posted by JHarris
on Aug 27, 2012 -
is a veteran American cartoonist best known for his delightful comic-book guides to science and history, many of which have previews online. Chief among them is his long-running Cartoon History of the Universe
(later The Cartoon History of the Modern World
), a sprawling multi-volume opus documenting everything from the Big Bang to the Bush administration. Published over the course of three decades, it takes a truly global view -- its time-traveling Professor thoroughly explores not only familiar topics like Rome and World War II but the oft-neglected stories of Asia and Africa, blending caricature and myth with careful scholarship (cited by fun illustrated bibliographies
) and tackling even the most obscure events with intelligence and wit
. This savvy satire carried over to Gonick's Zinn
chronicle The Cartoon History of the United States
, along with a bevy of Cartoon Guides
to other topics, including Genetics, Computer Science, Chemistry, Physics, Statistics, The Environment
, and (yes!) Sex
. Gonick has also maintained a few sideprojects, such as a webcomic look at Chinese invention
, assorted math comics
), the Muse magazine
mainstay Kokopelli & Co.
(featuring the shenanigans of his "New Muses"
), and more
. See also these lengthy interview snippets
, linked previously
. Want more? Amazon links to the complete oeuvre inside! [more inside]
posted by Rhaomi
on Jun 6, 2011 -
The book “Traumgedanken
” (“Thoughts about dreams”) contains a collection of literary, philosophical, psychological and scientifical texts which provide an insight into different dream theories. To ease the access to the elusive topic, the book is designed as a model of a dream about dreaming. Analogue to a dream, where pieces of reality are assembled to build a story, it brings different text excerpts together. They are connected by threads which tie in with certain key words.
posted by chavenet
on Dec 29, 2010 -
Nearly three decades ago, folklorist Alvin Schwartz
published Scary Stories to Tell in the Dark
, the first of three horror anthologies that would go on to become the single most challenged book series of the 1990s
. But most of the backlash
was against not the stories themselves (which were fairly tame), but rather the illustrations of artist Stephen Gammell
. His bizarre, grotesque, nightmarish black-and-white inkscapes suffused every page with an eerie, unsettling menace. Sadly, the series has since been re-issued
with new illustrations by Brett Helquist
, of A Series of Unfortunate Events
fame. Luckily for fans of Gammell's dark vision, copies of the old artwork abound online, including in these three image galleries: Scary Stories to Tell in the Dark, More Scary Stories to Tell in the Dark, Scary Stories 3: More Tales to Chill Your Bones
. Interested in revisiting the stories themselves? Then don't miss the virtual re-enactments of YouTube user MoonRaven09
, or the dramatic readings of fellow YouTuber daMeatHook
posted by Rhaomi
on Oct 29, 2010 -
It's like a concert tour but with sketchbooks.
Get a sketchbook, fill it based on a theme (you can pick one or have one assigned randomly) by a certain date, then let it go on tour and eventually be a barcoded, checkout-able book in the Brooklyn Art Library that you can track. I love this idea.
posted by jragon
on Jul 10, 2010 -
There are Real Fake Buildings
, Real Fake Watches
, real fake books
, and of course, "The Internet's LARGEST Selection of Real Fake Rocks!
But for truly high-end fakes -- the "realest" of the fakes -- there's the Museum of Fakes
in Southern Italy
, or even better, the Museum of Art Fakes
in Vienna, which includes etchings from "last living master forger from Germany."
"The Museum of Art Fakes, almost directly opposite the Hundertwasserhaus, is unique in Europe. It is filled with paintings from not only world famous forgers (such as van Meegeren, Tom Keating, David Stein, Konrad Kujau, Edgar Mrugalla, Lothar Malskat), but also so-called ‘identical-forgeries’ of Schiele, Klimt, Monet, Raffael and many more."
posted by not_the_water
on Jun 4, 2010 -
is an account of the battle of Adrianopolis (Turkey) in 1912 in which the author volunteered as a Futurist-soldier.
(1909-1944) was perhaps the first movement in the history of art to be engineered and managed like a business.
posted by Meatbomb
on Aug 2, 2007 -
For thirty-six weeks, a sketchbook was sent in random order between four artists: two in Brooklyn, two in Belfast. Every Wednesday, one participant would receive book. In order to maintain schedule, it was sent out the following Monday, giving each artist five days to complete a spread in response to the one that preceded it. A small portion of each entry extends on to the following page. Beyond this, there was no communication between the artists concerning the content of book during its making. Book's first trip across the Atlantic was on 2 June, 2003. Its final trip was on 2 February, 2004. By the time it was completed, book had travelled over sixty thousand miles.
posted by amro
on Aug 24, 2006 -
At least one commander told him, "Follow the soldiers' instructions, because they'll put their lives at risk to save you." But no one tried to censor his drawings or discourage him from going out on missions.
-- Steve Mumford is a New York painter who was embedded as a "combat artist" in Iraq. The archives of his Baghdad Journal
make for fascinating reading. He has recently published a large book
of the art he created on this voyage.
posted by Gator
on Dec 18, 2005 -
Snap to Grid: A User's Guide to Digital Arts, Media, and Cultures
is one of the best readings on the interactions between artists, technology, and culture I've found so far.
I found a quote here by Sir Isaiah Berlin which is very appropriate to my experience and perhaps those who search for sites like Metafilter:
posted by Taken Outtacontext
on Jul 3, 2000 -
Loneliness is not just the absence of others but far more living among people who do not understand what you are saying.