One Third of Parents Avoid Reading Children Scary Stories, Study Finds [The Guardian] “A survey of 1,003 UK parents by online bookseller The Book People found that 33% would steer clear of books for their children containing frightening characters. Asked about the fictional creations they found scariest as children, a fifth of parents cited the Wicked Witch of the West from L Frank Baum’s The Wonderful Wizard of Oz, with the Child Catcher from Ian Fleming’s Chitty-Chitty-Bang-Bang in second place. Third was the Big Bad Wolf, in his grandmother-swallowing Little Red Riding Hood incarnation, fourth the Grand High Witch from Roald Dahl’s The Witches, and fifth Cruella de Vil, from Dodie Smith’s The Hundred and One Dalmatians.”
We are the killers. We stink of death. We carry it with us. It sticks to us like frost. We cannot tear it away. [...]
The Aztecs in the shock of the conquest, of utter destruction, tried to regain their speech, and they tried to describe simple things. A cave. A cave is a place of darkness. It is full of fear. It is dark, yes, very dark. And fear looms there. And do we dare to enter? Because the cave is big and it is dark.A 70-minute conversation with Werner Herzog, loosely structured by one of his favorite books, J. A. Baker's The Peregrine. [more inside]
The gals at Anglo-Filles have an entertaining (and epicly long) talk about the history of Dracula and vampires as characters and symbols throughout the ages and throughout fiction - topics discussed include Varney The Vampire, The Vienna Vampire Scare, Where Does Sunlight Killing Vampires Come From, The Secret Spanish Dracula, and Jonathan Harker As An Abuse Survivor.
Late in 2013, Guillermo del Toro released a voluminous book, entitled Cabinet of Curiosities: My Notebooks, Collections, and Other Obsessions. As he explains in the video, the 256-page hardcover is a selection from his notebooks, where the director developed many of the monstrosities we’ve seen on screen. The Guardian notes that there’s something of da Vinci’s notebooks in del Toro’s records: the small, neat script, mixed in with the wonderfully detailed sketches, combine to give the impression of del Toro doing his best to record the torrent of his imagination before the thoughts disappear. In this post, we include a number of these images.Previously [more inside]
In celebration of Halloween, The Dissolve has devoted three long posts to The Shining: a keynote examining the film and King's relationship to it, a staff discussion, and a critical comparison of the film with the 1997 TV miniseries written by King. (Scrubbed the show from your brain? Let this episode of Nostalgia Critic refresh your memory.)
Nearly three decades ago, folklorist Alvin Schwartz published Scary Stories to Tell in the Dark, the first of three horror anthologies that would go on to become the single most challenged book series of the 1990s. But most of the backlash was against not the stories themselves (which were fairly tame), but rather the illustrations of artist Stephen Gammell. His bizarre, grotesque, nightmarish black-and-white inkscapes suffused every page with an eerie, unsettling menace. Sadly, the series has since been re-issued with new illustrations by Brett Helquist, of A Series of Unfortunate Events fame. Luckily for fans of Gammell's dark vision, copies of the old artwork abound online, including in these three image galleries: Scary Stories to Tell in the Dark, More Scary Stories to Tell in the Dark, Scary Stories 3: More Tales to Chill Your Bones. Interested in revisiting the stories themselves? Then don't miss the virtual re-enactments of YouTube user MoonRaven09, or the dramatic readings of fellow YouTuber daMeatHook.
Long out of print, Maitland McDonagh's Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento, is finally being republished by the University of Minnesota Press in a new edition that incorporates studies on the director's work from 1995's The Stendhal Syndrome to last year's Giallo. [more inside]
..and when Pickman suddenly unveiled a huge canvas on the side away from the light I could not for my life keep back a loud scream
"It is here, however -- perhaps 50 pages into this 800-plus page anthology -- that something begins to shift, and what was supposed to be sublime (but is actually ridiculous) becomes something that was supposed to be ridiculous, but is actually sublime."
Why H.P. Lovecraft is scary after all.
Why H.P. Lovecraft is scary after all.