After he is diagnosed with cancer, Walter Blanco teams up with José Miguel Rosas to sell crystal meth. Metastasis: Breaking Bad, Colombia. [more inside]
The Last Hurrah of Difficult Men, commentary on a tv show, a book and an essay in Esquire. "I'll just say it: The first few episodes that I saw are better than Breaking Bad. They are smarter. They are sharper. I have never seen a prequel handled so cleverly." [more inside]
The Death of Adulthood in American Culture (SLNYTimes Magazine), by A.O. Scott: Comic-book movies, family-friendly animated adventures, tales of adolescent heroism and comedies of arrested development do not only make up the commercial center of 21st-century Hollywood. They are its artistic heart.
A tribute to Breaking Bad, or rather to WW's implosion, by Alexandre Gasulla, part of his Tribute Series
"Everything is fine and the world is beautiful. It's raining, it's dark, I woke up at 5:30AM, I'm commuting in traffic. I would have had a headache, I would have been miserable, I would have wondered how my life took me to this point. This point I'm at right now. But no, no, everything is fine. Life is beautiful. The rain drops are just falling and in each one I see the reflection of every persons life around me. Humanity is beautiful. In this still frame shot of traffic on this crowded bus I just found love and peace. Heroin is a wonder drug. Heroin is better than everything else. Heroin makes me who I wish I was. Heroin makes life worth living. Heroin is better than everything else." [more inside]
Weird Al Yankovic's ridiculous 11-minute epic musical saga ALBUQUERQUE:
Animated in Flash
Mashed up with scenes from Breaking Bad
Bonus: Everything You Know Is Wrong [more inside]
Animated in Flash
Mashed up with scenes from Breaking Bad
Bonus: Everything You Know Is Wrong [more inside]
Aaron Paul and Bryan Cranston read through the final scripted moments of Breaking Bad for the first time. SLYT
Breaking Bad - the alternative ending. The Bob Newhart ending - Breaking Bad / Malcom in the Middle version.
The flagship franchise of Los Pollos Hermanos in Albuquerque may be completely fictional, but that doesn't mean it doesn't have its own Yelp page.
With the momentous series finale of Breaking Bad just hours away, fans of the show are hungry for something, anything to wile away the time before the epic conclusion tonight. So why not kick back and chew the fat with your fellow MeFites with the help of a little tool I like to call "The Periodic Table of Breaking Bad." [more inside]
Francesco Francavilla is an artist who has been producing minimalist posters for each of the last 8 episodes of Breaking Bad.
Now Showing | 234 episodes, 16 seasons, 95 hours, 1 epic marathon #hellyeah #nosleeptilsouthpark [more inside]
In an unusually enlightening ninety-minute panel, the cast of Breaking Bad – including show creator Vince Gilligan – discuss the process of making the show, of bringing it to an end, and of coping with its aftermath. Towards the end, Gilligan spoke fondly of show director Rian Johnson, known for his work on films like Brick and Looper. Johnson had previously directed Breaking Bad's most controversial episode, Fly, which critic Alan Sepinwall called the best bottle episode in TV history. Gilligan took his praise a step further: "[Rian directed] what may be the best episode we've ever done." [approx 1:27:30] He was referring, not to Fly, but to Ozymandias, the show's third-to-last episode, and the inspiration for this previous post. Ozymandias, which aired tonight, was accompanied by [SPOILER LINKS FROM THIS POINT FURTHER] livetweets from Aaron Paul, who plays Jesse Pinkman, and provoked immediate visceral reactions from critics and fans alike.
How To End It All - Vince Gilligan (Breaking Bad), Alan Ball (Six Feet Under and True Blood) and Damon Lindelof and Carlton Cuse (Lost) talk about making television in this goldening age, wrestling with expectations, and the very difficult, quasi-existential task of ending it all. Explaining The Sopranos' final scene
A full hour-long musical based on Breaking Bad and inspired by Andrew Lloyd Webber, as performed last month at the Upright Citizens Brigade theater in Los Angeles: Walter White And The Amazing Blue Crytal Meth.
Dr. Donna Nelson is the science advisor for Breaking Bad. After reading an interview where show creator Vince Gilligan said no one on the show's staff had a scientific background, she reached out to the Breaking Bad creator. The rest is history.
As soon as it was announced that Ben Affleck would play Batman in the sequel to the Superman reboot, twitter-ers were a-flutter with jokes and bemoaning the choice, and YouTube user started putting together a Man of Steel 2 Comic Con Teaser Trailer, in the style of the original Comic Con MOS audience recording. YouTube user soylentbrak1, aka "Steve," recently released a slightly longer, cleaner version of his fan-made trailer, pulling from 20 different video sources, including features of the rumored role of Bryan Cranston as Lex Luthor . If you like that sort of thing, soylentbrak1 also made a Mad Max: Fury Road trailer and over 100 other short clips in tribute to films, franchises, and dreams of what could be.
In our past midnight conversation, Steve Albini discussed his interesting history with Kurt Cobain, his abandoned work with Fugazi, the stories behind making In Utero, the mostly good but surprisingly sad and surreal professional aftermath of making In Utero, how it might have changed his life, how the new Shellac LP’s test pressings are on route to the band, and why he doesn’t care about Breaking Bad but can tolerate The Newsroom.
Who needs to wait a week for the Final Eight when instead one can just watch Breaking Bad: The Middle School Musical? [more inside]
Two nightmarish visions of Albuquerque collide in this Breaking Bad/Weird Al mashup [spoilers for Breaking Bad through the most recent half-season]
Credits mashups or remixes are a Youtube meme with a simple concept: create a intro sequence for one show using the music and style of another show's credits. Some drastically change the story or tone of a series, some play up similarities between two shows, some provide a more glossy intro for shows that originally relied on a title card or an unpopular credits sequence, and some just seem to happen because people really like "Ballad of Serenity." [more inside]
Perhaps the most dangerous effect of the Big Crunch mentality has been to make television creators think of themselves as auteurs, to convince them that in spite of the massive interference with their work, they can somehow create a work of aesthetic integrity and sociological insight even if they don’t know where it’s going. Well, sometimes you get lucky, but more often, the result is disaster, and the effort spent toward that failure is redirected from where it would be better put: creating great trash. An essay on the challenges and pitfalls of writing serialized TV plots from The American Reader. [more inside]
Titles sequences for all five series of Breaking Bad in the style of The Wire (SLYT)
We Are Never Ever Gonna Cook Together - A Breaking Bad Taylor Swift parody. (SLYT / Spoilers)
Breaking Bad dialogue via the jarring yet oddly fitting medium of Calvin & Hobbes strips. Clayton Hanson takes dialogue from Breaking Bad episodes and inserts them into Calvin & Hobbes strips. He's done all the seasons to date. In a recent interview with the Washington City Paper, he talked more about his inspiration, his process, and his lawyer. (Calvin & Hobbes & Copyright previously on the grey.)
The Breaking Bad Art Project is on exhibit at Gallery 1988 in Los Angeles through August 26. [more inside]
"[T]he only real way to do it is to tell an honest human story, but to do it in a way that people feel like they haven’t seen before."
A fascinating interview with Vince Gilligan, showrunner of Breaking Bad. The questions are as excellent as the answers.
This points to that quality of improvisation with the work you’re doing. In a traditional crime show, like “CSI,” if it were a big band, it’s a big band working off charts. The arrangements are very tightly controlled. And what I sense with “Breaking Bad” is a sense of, I don’t know, “John Coltrane on acid.” You have this sense of improvisation where you go with things you know, where you tell the story the length it needs to be told. You’re inspired collectively by a moment and you decide to go deeper into that moment. You’re in essence leading a parallel life with your characters and letting those characters take you where they want to go — not necessarily where the dictates of commercial convention say they have to go.Meanwhile, Alan Sepinwall asks actors Bryan Cranston (2) and Aaron Paul about some of their most iconic moments on the show. [more inside]
"The more ghoulish and extreme the show becomes, ...the more accurately it captures the reality of the cartels and their business."
"In Breaking Bad the villain is not sociology, but a human being; what destroys the mortals is not a system, but a fellow mortal."
All Star Celebrity Bowling: Over the last two months, Chris Hardwick and the folks over at The Nerdist have hosted a charity bowling tournament with some of their famous friends. The series has been hugely addictive and very entertaining. [more inside]
"TV is where writers get to tell interesting stories right now, because writers, for the most part, run television." Matthew Weiner of Mad Men, Vince Gilligan of Breaking Bad and David Milch of Deadwood talk to GQ about writing for television. Also: The New Rules of TV everything you need to know about the Golden Age of Television. Want to hear even more about the world of writing rooms, showrunners and screenwriting? Check out the Nerdist Writer's Panel Podcast.
Weak Interactions is a blog that looks at the science in Breaking Bad and the non-science in Fringe.
"If you strung all of the opening scenes from the various seasons [of Breaking Bad] together in chronological order, would the show's basic narrative make sense?" [more inside]
Hipster girl? Hipster boy? Superhero? Mii? A modern Mucha? Regency hero or heroine? Tudors? Steampunk (one, two)? Here's more. How about pop culture? True Blood. Mad Men (Joan S1, S2, S3). Marty McFly (by Derek Eads). Jonathan Coulton. Lady GaGa. Kyle Hilton (previously: Arrested Development) also has Parks and Recreation, Breaking Bad, It's Always Sunny in Philadelphia, and various films. (previously: a blog - manly - PONIES)
Giancarlo Esposito, the actor currently known best as Gus Fring on Breaking Bad (and, of course, the veteran of many, many other roles), is doing an AMA on Reddit, and responding to some of the questions via his YouTube channel. [Presumably, spoilers for BB ahead.] He also explains this.
Here's why Breaking Bad beats Mad Men, The Sopranos, and The Wire (Grantland). Here's an interview with Bryan Cranston on The AV Club. Here's Bryan Cranston singing about Rolling Stone.
"This family album isn't all-encompassing. 'The Sopranos' had many parents and grandparents, and it spawned many more offspring than can be covered in one slide show. We've just focused on some of the more colorful ancestors and descendants in the family tree."
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