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The Seventh Art is an independently produced video magazine about cinema with three sections: a profile on an interesting group/company/organization in the industry, a video essay and a long-form interview with a filmmaker.
posted by You Should See the Other Guy
on Feb 10, 2012 -
1 comment
Since the late '70s,
Gordon Monahan has been
making a
career of extracting the unheard from pretty much anything he can get his hands on.
Monahan's works for
piano, loudspeakers, video, kinetic sculpture, and computer-controlled sound environments span various genres from avant-garde concert music to multi-media installation and sound art.
Such pieces include
long string installations activated by wind (Long Aeolian Piano, 1984-88), by
water vortices (Aquaeolian Whirlpool, 1990) and by
indoor air draughts (Spontaneously Harmonious in Certain Kinds of Weather, 1996). His work for
electronic tone generators and
human speaker swingers (Speaker Swinging, 1982), is a hybrid of science, music, and
performance art, where
minimalistic trance music based on the Doppler Effect contrasts with issues central to
performance art such as physical struggle and '
implied threat'.
John Cage once said, "
At the piano, Gordon Monahan produces sounds we haven't heard before."
[more inside]
posted by wcfields
on Apr 29, 2011 -
4 comments
The Group of Seven. Arguably Canada's most important artists, the Group of Seven "
popularized the concept of an art founded on the Canadian landscape, gave many Canadians a sense of national identity and enabled them to discover the beauty of their own country." Peruse an
art gallery and marvel at the beauty they portrayed.
(Mangled quote from the Tom Thomson Memorial Art Gallery)
Equally important was
Emily Carr. While her style was similar to that of the Group of Seven, her interest in First Nations became her trademark. Some of her
paintings.
posted by ashbury
on Jun 30, 2003 -
9 comments
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