"New Pal" - the latest comic in a series that Lauren Monger has been cartooning for Vice. More Lauren Monger comics and drawings (most of which involve the same cast of beautifully-watercolored animal friends) at her tumblr and her twitter.
25 years after first seeing light as a 6-page story in RAW(Prev), Richard McGuire expanded his time and space-spanning Here to a 300-page novel. In Five Dials Magazine's 35th issue, Richard McGuire Makes a Book, "sketches, notes, phrases, inspirations, paintings, lists and photo collages used to create the essential Here," are presented for your enjoyment and edification. [more inside]
David Wasting Paper queries 200+ illustrators, comic book, strip, gag, and editorial cartoonists on their trade, tools, favorite things, and more in his compulsively readable Cartoonist Survey(s) [more inside]
Cartoonist Mike Holmes draws himself (and his cat) in the style of other famous cartoonists/illustrators/animators. Examples: Maurice Sendak. Chris Ware. Rob Liefeld. Dr. Seuss's How The Grinch Stole Christmas.
For three days in May of 2012, seventeen cartoonists gathered at the University of Chicago to discuss the philosophy and practice of comics. [more inside]
James Killian Spratt is a sculptor and Edgar Rice Burroughs fan who, in addition to sculpting pieces for the Barsoomian board game Jetan, has created an illustrated adaptation of the first book in the Barsoom series, A Princess of Mars: "The characters are highly underclad, yet oblivious to it; it's their normal way, and they don't see much naughty or titillating about it. The men are men and the women are women and blood is red and scary. I set out to be honest with the nudity and violence, and the devil take Pollyanna, she needs to grow up anyway." The on-going graphic interpretation, begun in 2000, is presently on chapter 21 of the 28 chapter book. [more inside]
Du Tac au Tac was a 1970s French television programme which brought cartoonists together to create improvised jam drawings based on specific themes, building upon one another's illustrations. Some highlights: Neal Adams (Batman), Joe Kubert (Sgt. Rock), and Jean Giraud (Blueberry) open Pandora's Box and in another segment, create a bestiary and draw their favorite comic-book heroes. Jean Giraud and Hugo Pratt (Corto Maltese) create a 3-panel strip using four onomatopoeia provided by Jean Claude Forest (Barbarella) and Jije (Spirou and Fantasio). Goscinny and Uderzo (Asterix) play a game of equisite corpse with Greg (Achille Talon) and Davy (Olivier Rameau). [more inside]
In 1992, comic book titan Stan Lee produced and hosted an interview/chalk talk-type video series featuring some of the biggest names of the day and all-time greats: Todd McFarlane! Rob Liefeld! Sergio Aragones! Harvey Kurtzman and Jack Davis! John Romita and John Romita! Will Eisner! Bob Kane! Whilce Portacio! Jim Lee! Be amazed as Todd, Rob, Whilce, and Jim create a comic book! Be astounded as Rob and Todd, ably assisted by Smilin' Stan, create a comic book character right before your eyes!
Chester Brown's autobiographical works such as I Never Liked You (1.3 MB PDF) placed #38 on The Comics Journal's list of the 100 Best Comics of the 20th Century. In his new graphic novel, Paying For It, he "calmly lays out the facts of how he became not only a willing participant in but also a vocal proponent of one of the world's most hot-button topics--prostitution".
Pizza Island is a cartoonist collective in Brooklyn. Each cartoonist has a workspace unique to their style and workflow: Kate Beaton, Domitille Collardey, Sarah Glidden, Meredith Gran, Lisa Hanawalt, and Julia Wertz.
What Is to Be Done? Tim Kreider of The Pain muses about the future of cartooning as a payable profession
Powerful Panels. Kirby Panels. 50 Monday Panels. Art of Archie Panels. Panels Repaneled. [more inside]
"There was a night, maybe sometime around 1993, when I [Joe Matt] was working on an issue of my comic book, Peepshow and I was using some xeroxes of Peanuts strips from the collection, “You Can Do It, Charlie Brown” as blotter-paper. Anyway, there came a moment when I was using white-out and to remove some excess white-out from my brush, I wiped it on the blotter paper beneath my hand. And that’s how I came to idly white-out the words balloons on a few Peanuts strips. Once I saw the balloons whited-out and forgot what they originally said, I began filling them with the first perverted thing my brain thought they might say. It was so much fun and I was so happy with the results that I brought the pages out to show to Seth and Chester [Brown] the next day. Seth was eager to try it and immediately suggested we each go home and produce a set number of pages for a mini comic. Less than a week later, Chester brought out his original take on the concept and put Seth and I to shame." [more inside]
Arron Diaz of Dresden Codak (previously previously previously) shows us how he makes his colorful comic pages at Indistinguishable From Magic, an art/instruction blog about Character Design, Hands In Storytelling, and Batman.
The Annotated Weekender. Fun, whimsical doodles all over The Guardian's weekend magazine by Joe List, an illustrator/cartoonist from the uk, who also does Freak Leap and I Dream of a World Without You.
"Almost all American satire today follows a formula that Harvey Kurtzman thought up." - Richard Corliss [Via Tom Spurgeon's TCR]
December, 2007 marks the 10-year anniversary of my "cartoons drawn on the back of business cards" format. Here's some random notes on the subject, in no particular order. Thoughts on cartooning from How to Be Creative author Hugh Macleod
Get lost in the fabulous labyrinth of Coconino World, a mammoth French site with thousands of images from illustrators, graphic artists, and cartoonists ranging from the classics to the contemporary. Some personal favorites: the generous selection of graphics from Simplicissimus, the celebrated German satire magazine published weekly from 1896-1944. James Swinerton's Canyon Kiddies. George Herriman's Krazy Kat. -more-
Sad Sack George Baker's subtly subversive WWII strip.
Comic Strip Artist's Kit Carson Van Osten's tips for cartoonists and animators, scanned huge for easy printout.
Enduring Outrage: Editorial Cartoons by Herblock, an LOC exhibition. From 1950s plutocrats to 1970s ethics scandals, and up to the ideal American Flag of the religious Right, Block captured complex issues in just one frame. His drawings about government limitations of civil liberties seem particularly prescient.
MacArthur Award winning novelist Jonathan Lethem chats with cartoon art and graphic genius Gary Panter about lots of stuff , then blogs about music, ducks and chickens.
The Center for Cartoon Studies, nestled in the historic village of White River Junction, Vermont, will learn you up good on how to be a comic artist/graphic novelist. They operate under the charter of the National Association of Comics Art Educators; Charles Schulz's widow Jean hooked them up with funding for a library in town. When you apply for admission, don't forget to include that story about you, the snowman, and the robot. A photo tour of the Center and its surroundings can be seen here.
Now Then! What did professional comic artists draw like when they were 12 years old, you ask? The Museum of Comic and Cartoon Art takes a look at 25 artists... now and then.
The Lysergic Art of Anthony Ausgang. Cartoon characters painted in technicolor.
An Editorial Cartoon published in the University of Maryland 's Student run independent newspaper, The Diamondback, incites controversy. The cartoon, depicting the death of American pro-Palestinian activist Rachel Corrie, is being called offensive; protestors and university officials are calling for a retraction and an apology from the paper. The newspaper on the other hand is crying free speech and first amendment protection; as well they see the backlash by the campus community as hypocritical.