Film acting is built from the very stuff of social life: norms of behavior, standards of interaction and communication, communally legible gestures, and personality tropes and dynamics. But if this poses a challenge for the critic, it’s also the reason acting styles, taken in the aggregate, are such unusually good barometers of cultural modes, themes, and ideas, whether they respond to prevalent motifs or are generated themselves.
How did they get those dogs to do that? "Hundreds of dogs rise up against their oppressors in this visually stunning, one-metaphor-fits-all Hungarian drama... a film featuring 274 dogs, no CGI, and a pair of canine protagonists who consistently out-emote their human co-stars."
Jack Lemmon and Walter Matthau speaking at UCLA 12/1/1971 (audio with rotating pictures, 45 min 25 sec) [SLYT]
Nobody Hates Twlight As Much As Robert Pattinson Hates Twilight related Robert Pattinson Hates His Life
The Room: The Movie. Triple-threat (actor/writer/director) Tommy Wiseau made his cinematic debut in 2003 with the The Room (see trailer and various scenes), "a blend between a softcore porn flick and a Tennessee Williams stageplay." Wiseau ("who's not just one of the most unusual looking and sounding-with an unidentifiable Eastern European accent-leading men ever to grace the screen, but a narcissist nonpareil whose movie makes Vincent Gallo's "The Brown Bunny" seem the apotheosis of cinematic self-restraint...may be something of a first: A movie that prompts most of its viewers to ask for their money back-before even 30 minutes have passed." - Variety), allegedly raised $6 million outside Hollywood to cover production and marketing costs of the self-described "black comedy about love, passion, betrayal and lies" (see various rough dress rehersals). Audience members, including comedian David Cross, have been "marveling at the bizarre editing, bad bluescreen, uncomfortably explicit sex scenes and, of course, the enigma of Wiseau himself" as the film played monthly for years in Los Angeles. Available on DVD, diehard "roomies" swear by the theatrical experience, shout out their own commentary, hurl spoons at the screen and singalong to the soundtrack. Some call it "The Rocky Horror of the New Millenium" and stage "Room" parties. If you look at the marketing campaign or survived a screening you might see The Room as "a seminar on how NOT to make a movie." [Inspired by Boing Boing]
Tom Hanks = the Jimmy Stewart of our day? one of Salon's useful popular media pieces, but nothing you couldn't read on Sunday Arts section of the Times, such pieces being the Holy Ghost of Salon's Trinity (see inside for the Father and the Son)...