Who designed the tricorder, the flip-top communicator, the Vulcan lute, the the Romulan Bird-of-Prey? Wah Chang. Who made the Gorn and the salt vampire from M-113? Who commissioned the first 500 tribbles? Wah Chang. Who made Tarantula take to the hills? Who built the prototype for the time machine and created a monster too terrible to show on television? Who animated dinosaurs and adorned Cleopatra? Wah Chang, Wah Chang, Wah Ming Chang. [more inside]
Today saw the release of the first trailer for The LEGO Movie, and there are some interesting things to note about it. [more inside]
The British Film Institute's YouTube channels offer a staggering amount (previously) of content on historical cinema, shorts, and discussion. Some short selections from the early and silent period of note - The Sick Kitten (1903) - How Percy Won The Beauty Competition (1909) - Tilly The Tomboy Visits The Poor (1910) - Suffragette Riot In Trafalgar Square (1913) - The Fugitive Futurist, in which a man on the run shows a device that can see far into the future (1924) - Vaudevillian legend Billy Merson Singing 'Desdemona'. Widely considered Britain's first sound film - (1927) Charley In New Town - part of an animated series from the Central Office, this one explaining the need for "New Towns." (1948) - Growing Girls, a filmstrip guide to puberty for young women (1951).
Here is a little collection of crude but oddly charming Spanish and French animation, originally created for children's hand-cranked film projectors, from 1932 to 1952. [more inside]
The Onion AV club looks at 13 movie opening title sequences that are far better than the movies they're attached to.
In 2003 and again in 2009, Director Andy Glynne, with Mosaic Films and BBC4 created Animated Minds, a series of animated documentaries to express the subjective experiences of various kinds of mental health disorders. [more inside]
"These giant monsters of the past are seen to breathe, to live again, to move and battle as they did at the dawn of life!" The Ghost of Slumber Mountain (1918), by Willis O'Brien. Previously.
The Academy of Motion Picture Arts and Sciences’ Margaret Herrick Library today launched its latest online research tool, the Production Art Database. The database contains records for more than 5,300 items from the library’s collection, including motion picture costume and production design drawings, animation art, storyboards and paintings. Nearly half of the records include images, making this an invaluable online resource for researchers interested in motion picture design.
It was bound to happen eventually. After a quarter-century, 26 Academy Awards, and an unparalleled streak of eleven artistic and commercial triumphs, Pixar's latest project, Cars 2, is Certified Rotten. Critics have assailed the film as a slick but hollow vehicle for Disney's $10 billion-dollar Cars
merchandising industry "lifestyle brand," replacing the original's serviceable tale of small-town redemption with zany spy games, hyperactive chase sequences, and even more lowbrow aww-shucks potty humor from Larry the Cable Guy. But it's not all bad news! Along with a fun new Toy Story 3 short, preceding today's (3-D) premiere showings is a first look at next year's Brave -- a darkly magical original story set in ancient Scotland featuring the studio's first female lead (and director). Evocative high-res concept art [mirror] is available at the official website, and character sketches have leaked to the web, with the apparently striking teaser trailer sure to follow. Also, be sure not to miss the sneak peak of Brave's associated short, "La Luna"!
Some early test shots from legendary filmmaker and animator Ray Harryhausen's unfinished film, Evolution. [more inside]
Why watch a movie when you can just watch the titles? Browse title sequences by designer and read interesting backstory and discussion on the art of making a title sequence.
Toy Story 3 hits theaters today, and it's already winning universal acclaim as an enchanting and heartbreaking wonderwork, employing understated 3D and a "real-time" perspective that deftly capitalizes on the nostalgia and can't-go-home-again angst of a generation that grew up with the series. It has a strong pedigree, with 11-year-old predecessor Toy Story 2 the rare sequel to equal its forebear, 1995's Toy Story (itself the first CGI feature in history). And it joins a lofty stable of films: over the last 15 years, Pixar has put out an unbroken chain of ten commercial and critical successes that have grossed over $5 billion worldwide and collected 24 Academy Awards (including the second-ever Best Picture nom for animation with Up), a legacy that rivals some of the greatest franchises in film history. But there's rumbling on the horizon. Although the studio has been hailed for its originality (of the 50 top-grossing movies in history, only nine were original stories -- and five of them were by Pixar), two of their upcoming projects are sequels, both of them based some of their least-acclaimed films (Cars 2 in 2011 and Monsters, Inc. 2 in 2012). And while 2012 will also bring
The Bear and the Bow Brave, the first Pixar flick to feature a female protagonist [previously], fellow newcomer Newt has been canceled. With WALL-E/Up/Toy Story 3 guru Andrew Stanton focusing on his 2012 adaptation of John Carter of Mars and with forays into live-action already in development, does this mark the end of the golden age of Pixar? Or is this latest entry lasting proof that even the toughest case of sequelitis can be raised to the level of masterpiece? [more inside]
The Oscar-nominated "Mysterious Explorations of Jasper Morello" is an "adventurous tale of a navigator’s journey to save his ailing wife set in a beautiful world of Victorian science-fiction" and one the many fine film shorts and videos available to watch at shortof theweek.com - a site dedicated to "finding those few [video] gems amongst the enormous heap of garbage they're buried in..." [more inside]
Norman McLaren's Masterpiece with music by Oscar Peterson. Each frame of this short was scratched directly onto the film in order to be in perfect synch with the pre-recorded soundtrack. This has been discussed before here and more generally here but I haven't seen this online until now. More on Norman McLaren.
Pre-cinema devices & diversions - before film, multimedia amusements ranged from zoetropes and magic lantern shows to praxinoscopes and kinetescopes. Whether you're a film buff or a photographer or simply just prone to nostalgia for a day when the world seemed less jaded, you will love this site - take the time to take the tour.