On October 4 you will have the cinematic opportunity of a lifetime to see David Lean's Lawrence of Arabia on the big screen in a new 4K digital restoration.
... it’s no exaggeration to say that LIFEFORCE tosses everything in but the kitchen in an attempt to entertain you. Actually, scratch that, it tosses everything including the kitchen sink. By the time the movie is complete, you may have to watch it again just to verify that you actually saw what you just saw. The movie is a mess of enormous proportions which I absolutely loved.
* (previously) [more inside]
[Absolute Beginners] has a glossy immediacy, and you can feel the flash and determination that went into it. What you don't feel is the tormented romanticism that made English adolescents in the 70s swear by the novel the way American kids had earlier sworn by The Catcher in the Rye. - Pauline Kael [more inside]
Peter Greenaway's "Prospero's Books" (NSFW) is not a movie in the sense that we usually employ the word. It's an experiment in form and content. ... The books, their typography, calligraphy and illustrations, are photographed in voluptuous detail. ... "Prospero's Books" really exists outside criticism. ... It is simply a work of original art, which Greenaway asks us to accept or reject on his own terms. - Roger Ebert
Lawrence of Arabia is a 1962 British film based on the life of T. E. Lawrence. It was directed by David Lean... with the screenplay by Robert Bolt and Michael Wilson. The film stars Peter O'Toole in the title role. It is widely considered one of the greatest and most influential films in the history of cinema. The dramatic score by Maurice Jarre and the Super Panavision 70 cinematography by Freddie Young are also highly acclaimed.
Hidden away in vaults and out of distribution for over forty years, Herostratus was in its own time largely misunderstood. After only a handful of initial screenings it virtually disappeared from public view altogether, remaining all but forgotten to this day. Yet while admittedly flawed, the film does offer a compelling critique of the failure of 1960s postwar idealism in Britain, an ideal portrayed as having degenerated into neurotic self-gratification. It is also of note as Dame Commander Helen Mirren's first credited screen role. (not safe for those sexually aroused by Helen Mirren) [more inside]