The 1991 CBs made-for-TV movie adaptation of Shadow Of A Doubt and the 1943 Alfred Hitchcock version are based on the same source material and contain many of the same lines, beats, and scenes. So why is one considered a classic film noir and the other a flop? The Dissolve puts the two movies next to each other and tries to find out.
Michael Mann's "Thief" is a film of style, substance, and violently felt emotion, all wrapped up in one of the most intelligent thrillers I've seen. - Roger Ebert [more inside]
Both an ingeniously choreographed crime film and a moral drama influenced by Dostoyevsky’s Crime and Punishment, Pickpocket marks the apotheosis of Bresson's stripped-down style. There’s little or no psychological realism or conventional drama at work in Martin La Salle’s portrayal of a master thief who plies his trade at the Gare de Lyon and easily outwits the cops who seek to ensnare him. See it once to appreciate the spare elegance of the pickpocketing scenes, and then a second time to appreciate how subtly Bresson accomplishes the story of a man’s self-willed corruption, his liberation through imprisonment and his redemption through love, all in less than 80 minutes.
After 25 years I revisited To Live and Die In L.A. (1985), William Friedkin's cynical, fatalistic, hardboiled and high-energy crime noir about corruption and survival in the city of no angels. The script is literate, the characters are believable, the performances are brutally honest, the unpredictable twists keep coming, the action never stops, and the car chase is shot for real without any fake process. (spoilers)
Film director Roman Polanski, who won numerous awards for films like Chinatown and The Pianist, has been detained for extradition to the US, whilst travelling to Switzerland to collect a lifetime achievement award at the Zürich Film Festival. [more inside]
Truman Capote's Blood Work Two soon-to-be released films on Truman Capote's life, Capote and Have You Heard? begin as the novelist drops into rural Kansas to begin work on what became "In Cold Blood". More inside.
"It has always been as if I carry chaos with me the way others carry typhoid. My purpose in writing is to transcend my existence by illuminating it." Crime novelist Edward Bunker, who died last Tuesday at age 71 (LATimes obit), became at 17 the youngest inmate at San Quentin after he stabbed a prison guard at a youth detention facility. It was during his 18 years of incarceration for robbery, check forgery and other crimes that Bunker learned to write. In 1973, while still in prison, he made his literary debut with "No Beast So Fierce", a novel about a paroled thief James Ellroy called "quite simply one of the great crime novels of the past 30 years" and that was made into the movie "Straight Time" starring Dustin Hoffman. Also a screenwriter ("Runaway Train"), Bunker appeared as an actor in nearly two dozen roles, most notably as Mr. Blue in "Reservoir Dogs." (more inside)