Now that the Ghostbusters reboot has finally hit the big screen amid generally positive reviews (with a healthy dollop of wailing and teeth gnashing), someone has come forward with her very own personal two cents on the subject: Violet Ramis Stiel, daughter of the late Harold Ramis, writes about her memories of the original films, her feelings about the new film and the nature of reboots for Splitsider.
A list from the BFI: 17 rare times when a director made five or more great films in a row. [more inside]
As part of the fanworks exchange "A Holmesian Solstice", fanvidder sanguinity made "Something Good (Will Come From That)" (video, 3min16sec), covering "One hundred years of moving pictures about Holmes and Watson." The fifty-four video sources used include Sherlock Holmes stories from several countries, including India, Russia, China, South Korea. The vidder's commentary discusses noticeable changes in cinematography over the past century, how those changes make Holmes and Watson more or less "shippy", re-gendered and chromatic retellings, and contemporary settings versus the "It's always 1895" conceit.
After studying Alien in intimate detail, it’s time to look at the typography and design of Ridley Scott’s other classic sci-fi movie, Blade Runner.
Back in January, AV Club started a series called "A History of Violence", which discusses the most groundbreaking action films, year by year, starting with Bullitt in 1968. Last week after ten entries, they have finally circled back to the car chase film and arguably one of the peaks of the genre: Walter Hill's The Driver. [more inside]
Actors have to go through a lot of repetitive interviews when they're out promoting a film. So you would imagine they would welcome something totally unique. At least, that's the theory when Jordan Peele and Keegan-Michael Key stopped by the First We Feast YouTube channel several months ago to promote their movie Keanu, discuss their careers... and consume the spiciest chicken wings known to man.
Cinema Palettes is a Twitter account that takes frames from films old, new and those to come and then breaks down the color palette of that frame.
Every 70s Movie: The Best, The Worst, The Weirdest, and Everything in Between. A new review a day since October 2010.
The Internet's gift to movie geeks that just keeps on giving is out with another video. Tony Zhou (so many previouslies) makes an examination of the editing process in film with some particular examinations of Hanna and Her Sisters, In the Mood for Love and The Empire Strikes Back. And if that isn't enough to wet your editing whistle, have a look at CineFix's Top Ten Most Effective Editing Moments of All Time (Warning: Un Chien Andalou. I learned my lesson from last time).
Batman, remakes, TV spin-offs, comic adaptations — not much has changed in half a century. Here's what the summer movie schedule looked like in 1966. [more inside]
100 Years/100 Shots - Starting with Birth of a Nation in 1915 and ending with Mad Max: Fury Road in 2015, a series of iconic shots in film with one shot per year.
the DIY action film studio from the slums of Uganda that took over the Internet and made it plausible for anyone in the world to become an East African kung fu movie commando. [more inside]
RIP Barry Hines, author of A Kestrel for a Knave that was adapted into the British film classic Kes. He also wrote the screenplay for Threads. [more inside]
The British Film Institute has compiled a list of 30 best LGBT films of all time in celebration of the 30th anniversary of their Flare festival. BFI has placed Todd Haynes's Carol at the top spot, forcing Slate to ask, is it really the best LGBT film of all time? [more inside]
Last year, it was 120 years since the Lumière brothers [previously: 1, 2] filmed workers leaving their factory. Here are various tributes to cinema. [more inside]
Much like Steven Spielberg and his longtime collaboration with John Williams, it’s incredibly difficult to imagine a Coen Brothers film without the indispensable work of Carter Burwell: [more inside]
With the highly-anticipated release of two King Hu masterpieces on home video by the Masters of Cinema organization, as well as the critical success of Hou Hsiao-hsien’s The Assassin last year, it seems like the wuxia film is making some inroads into the Western critical consciousness. So I thought I’d put together a guide to some of the essential films of the genre. - 30 Essential Wuxia Films
How Video Games Are Changing The Action Movie - "It’s evidence in the case that videogames have started showing a strong influence on cinematography beyond goofier incarnations such as CGI, tie-ins, or critically derided adaptations. Instead, the movies leading this charge across mediums are rooted in physicality and often adored by cineastes."
Having fallen down the rabbit hole of British colonial cinema history, I thought to share some of the wonderful discoveries with you.
Key and Peele may have said their goodbyes to television, but they will soon return to the big screen in their first feature film "Keanu", whose red band NSFW trailer dropped today.
The Luttrell Psalter is a mid-14th century English illuminated manuscript containing a large number of illustrations of everyday life in medieval England. In 2008 the Psalter was adapted into a 20 minute short film for The Collection Museum in Lincoln, drawing on 35 scenes from the manuscript. There is also a blog describing the making of the film. [more inside]
"In order to recover a bit from a recent feeling of exhaustion, I spent a significant amount of this past weekend diligently sitting on my ass, in front of the television. On Saturday night, I popped in my copy of Woody Allen’s 'Manhattan,' which, among other things, is as stunningly designed a movie as I’ve ever seen. This is largely thanks to the work of Gordon Willis, a master cinematographer who, apart from his incredible work on this film, was also responsible for photographing an alarmingly high share of my favorite movies of all time: 'The Godfather,' 'The Godfather Part II,' 'All the President’s Men,' and 'The Parallax View,' among others." [more inside]
ESPN uses the "30 for 30" series to tackle the most important sporting event of the Cold War. [more inside]
Atlas Obscura (?!) presents an inventory of cinematic worms by size, smallest to largest (SLYT)
One year ago, the Saturday Night Live family lost one of its greatest talents when Jan Hooks passed away at the age of 57. Though there are many SNL players that fade into obscurity once their term at Rockefeller Center is up, most people are surprised that, aside from a recurring role on 30 Rock, Jan Hooks had pretty much disappeared since the turn of the 21st century. Grantland provides a bittersweet look back into her history and into what happened during those years.
Many of those who went to see Furious 7 earlier this year went because it was, by all accounts, a raucous good time. And there were also a number of us who were extremely curious about how they were able to finish the film after the tragic death of star Paul Walker. Variety currently has an article up on the methods used to replicate Walker for certain scenes and, most intriguingly, an imgur gallery has been posted of all the shots that were completed after Walker died.
A Hitchcock mashup where Kubrick is the villain. / Un mashup hitchcockien dont Kubrick est le méchant.
This Friday, people will be able to go to the theater and see yet another interpretation of J.M. Barrie's "Peter Pan". Such news does not necessarily excite Barrie fans, given the middling results of some past interpretations (and Pan isn't being received much better). But the AV Club's Ryan Vlastelica argues they can take heart that the best "Peter Pan" movie was already made... in 2003.
Filmmaker Pablo Fernandez Eyre recently made a discovery: Director Alfred Hitchcock and editor George Tomasini judged that a sequence which worked once would work twice, such as these two famous scenes from Psycho and The Birds. If you liked that, Eyre is fond of the side-by-side comparisons, such as these similar videos of The Good, The Bad and the Ugly and the Star Wars saga.
Pre-Code.com is an incredibly detailed exploration of the Hollywood cinema that fell between the advent of sound motion pictures in 1927 and the Motion Picture Production Code of 1930 (Which wasn't enforced until 1934. Huh? Here's a timeline). This includes a number of familiar titles such as All Quiet on the Western Front, Dracula, Duck Soup, It Happened One Night and The Public Enemy. But we also get a peek at the more obscure and daring titles such as Baby Face, I’m no Angel, Smarty, Safe in Hell and Night Nurse.
[Warning - flashing lights in some links] Bradley Eros & Tim Geraghty have collaborated on some interesting de/re/constructive film making, with the blockbuster buster TransTrans (TransformersTransformed) (11:58) - "a radical remix of the recent Transformers film, via synthetic collapse and critical revenge on its old & new fascist tropes," blending film imagery with text from the Futurist Cinema/Manifesto and soundtrack by Einstürzende Neubauten | Eros C'est Lamour, a wedding gift (7:57) - "The missing link between Rose Hobart and Maria Montez via Rrose Selavy's bride stripped bare by the song of the sarong" | FOOLS! (30:11) - "Remember, fortuna favet fatuis [fortune favors fools], but fortuna caeca est [fortune is blind]."
Tony Zhou is back with a love letter / lament for his cinematically ubiquitous hometown: "Vancouver Never Plays Itself".
Top Ten Best Lesbian Movies: 10 Queer Movies That Don’t Suck. | Top Ten Queer Girl Movies That Don’t Suck: Best Lesbian Movies Part #2 (Autostraddle). Previously: "I bind you, Hollywood, from doing harm", Maybe not the warmest color.
Hollywood's reboot-a-palooza continues with the recent release of "The Man From U.N.C.L.E.", based on the classic 1960's television series starring Robert Vaughn and David McCallum. However, this is far from the first time the property has been in theaters. [more inside]
After some recent intriguing revelations concerning Quentin Tarantino's "Hateful Eight" (such as it's wide 70mm release this Christmas and that it will feature the first Ennio Morricone Western score in over four decades), the full trailer has finally arrived.
How did they get those dogs to do that? "Hundreds of dogs rise up against their oppressors in this visually stunning, one-metaphor-fits-all Hungarian drama... a film featuring 274 dogs, no CGI, and a pair of canine protagonists who consistently out-emote their human co-stars."
It starts with one of cinema's most famous paintings (you may have seen it before), but it doesn't end there. Guardian contributor Alex Godfrey does a little investigating into a famous movie prop and discovers the life of its subject, John Weaving.
What was once a series content to celebrate simple boy-racer pleasures, the seventh Fast & Furious fell prey to a recent tentpole-film affliction: ridiculously over-complicated plotting. Iron Man 3 and Mission: Impossible – Rogue Nation writer Drew Pearce draws an analogy for this blockbuster bloat, responsible for routinely pushing run times over the two-hour mark: “Much as I love a prog-rock album, if it’s a pop song I like it to be short and sweet, and I think it has more impact that way. And summer blockbusters are very proggy right now.” Mission impenetrable: are Hollywood blockbusters losing the plot?
The recent reboot "Vacation" is packed with call backs to the original 1983 film, but one thing that is conspicuously missing is the name "National Lampoon" preceding the title. Vulture recently published a short history of the National Lampoon and how it has gone from it's peak in the 70's and 80's way down to the unfortunate straight-to-DVD output of the last fifteen years. Bonus: The trailer for the upcoming documentary: "Drunk Stoned Brilliant Dead: The Story of National Lampoon".
Shot between 1962 and 1986, Tarkovsky’s seven feature films often grapple with metaphysical and spiritual themes, using a distinctive cinematic style. Long takes, slow pacing and metaphorical imagery – they all figure into the archetypical Tarkovsky film (Note: free versions of these films have been here before, links have sadly died in the old posts). [more inside]
Adam Frost and Melanie Patrick of the British Film Institute take a look at film noir and what makes a film noir-ish.