Between Peter Jackson’s penchant for cartoonish unserious gore and Bob McCarron’s off-screen makeup effects manipulations, Braindead
achieves something that approaches inspired genius in the heretofore unknown artform of human carnage. The film is filled with moments of joyous slapstick tableaux... And then there is that moment where Braindead
finally breaks through to achieve a transcendentally surreal glory of excess where Tim Balme wades into battle against the zombies armed with a lawnmower, drenching an entire room in showers of blood. (Braindead
holds the record for the greatest amount of artificial blood ever used in a film). The film is a work of perverse genius. -
Richard Scheib
posted by Egg Shen
on Dec 8, 2012 -
41 comments
... it’s no exaggeration to say that LIFEFORCE tosses everything in but the kitchen in an attempt to entertain you. Actually, scratch that, it tosses everything including the kitchen sink. By the time the movie is complete, you may have to watch it again just to verify that you actually saw what you just saw. The movie is a mess of enormous proportions which I absolutely loved.* (previously) [more inside]
posted by Trurl
on Feb 6, 2012 -
59 comments
Here's to
Ray Dennis Steckler, the independent filmmaker who
wrote, starred (as Cash Flagg) and directed influential films including
The Thrill Killers,
Rat Pfink a Boo Boo, and his masterpice
The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies. A visionary artist whose influnce is clearly seen in contemporary cinema, Steckler was prolific (producing movies from 1963 until last year), economical (his films were self-produced, shot on 16mm film and later Hi-8 video), and brilliant (as clearly evidenced in this
dance sequence from Creatures, "The First Monster Musical"). It hasn't been widely reported yet, but fans are mourning his passing. He died in his sleep yesterday, January 7th, aged 70.
[more inside]
posted by Chinese Jet Pilot
on Jan 8, 2009 -
26 comments
"He was someone who acted out our psyches ... He somehow got into the shadows inside our bodies; he was able to nail down some of our secret fears and put them on-screen... the history of Lon Chaney is the history of unrequited loves. He brings that part of you out into the open, because you fear that you are not loved, you fear that you never will be loved, you fear there is some part of you that's grotesque, that the world will turn away from."
A Valentine for Lon Chaney, the
Man of a
Thousand Faces.
(BugMeNot for the first link; more inside)
posted by matteo
on Feb 18, 2006 -
14 comments