Who designed the tricorder, the flip-top communicator, the Vulcan lute, the the Romulan Bird-of-Prey? Wah Chang. Who made the Gorn and the salt vampire from M-113? Who commissioned the first 500 tribbles? Wah Chang. Who made Tarantula take to the hills? Who built the prototype for the time machine and created a monster too terrible to show on television? Who animated dinosaurs and adorned Cleopatra? Wah Chang, Wah Chang, Wah Ming Chang. [more inside]
A New Wave of Black Filmmaking: Experimental and Black Speculative Indie Films "A brief survey of the contemporary Black independent film scene yields a long and ever-growing list of experimental and Black speculative (including horror, Afrofuturism, sci-fi, fantasy, fan fiction) short cinema, film trailers, music videos and other projects. (/The Atlanta Black Star) [more inside]
After over a decade in development hell, George Miller's return to the Mad Max franchise, Mad Max: Fury Road, has emerged at San Diego Comic-Con with a teaser trailer. [more inside]
The Man who Fell to Earth was Nicholas Roeg's Sci-fi classic featuring a fragile cocaine addicted David Bowie, between his Thin White Duke days and his Berlin trilogy, as a homesick alien falling into despair. Years later Duncan Jones - AKA Zowie Bowie, subject of a sentimental song on Hunky Dory - would make a Sci-Fi film of his own with similar themes of isolation.
The mash-up clip music group Electic Method re-mix and paste together sounds from Sci-Fi movies to create THE FUTURE
His official title is continuity database administrator for the Lucas Licensing arm of Lucasfilm — which means Chee keeps meticulous track of not just the six live-action [Star Wars] movies but also cartoons, TV specials, scores of videogames and reference books, and hundreds of novels and comics.
... Buckaroo Banzai is paradoxically decades ahead of its time and yet completely of its time; it’s profoundly a movie by, for, and of geeks and nerds at a time before geek/nerd culture was mainstreamed, and a movie whose pre-CG special effects and pre-Computer Age production design were an essential part of its good-natured enthusiasm. What at the time was a hip, modern take on classic SF is now, almost thirty years later, almost indistinguishable from the SF cinema that inspired it in terms of the appeal to modern viewers: the charmingly old-fashioned special effects, and the comparatively innocent earnestness of its tone. - Danny Bowes [more inside]
Beanplating on The Fifth Element from architecture students at the University of Waterloo. [more inside]
... it’s no exaggeration to say that LIFEFORCE tosses everything in but the kitchen in an attempt to entertain you. Actually, scratch that, it tosses everything including the kitchen sink. By the time the movie is complete, you may have to watch it again just to verify that you actually saw what you just saw. The movie is a mess of enormous proportions which I absolutely loved.
* (previously) [more inside]
To paraphrase a character in the film, The Black Hole walks "a tightrope;" if not between "genius" and "insanity," then certainly between "genius" and "banality". If you're looking at this movie as a Manichean exercise between darkness and light, then you can -- for at least a few hours -- entertain the "genius" part of that equation.
Logan's Run is a 1976 science fiction film... It depicts a dystopian future society in which population and the consumption of resources are managed and maintained in equilibrium by the simple expediency of killing everyone who reaches the age of thirty, preventing overpopulation. (related 2004 post worth clicking through for) [more inside]
Q&A with Duncan Jones, the director of the recent Hugo winner Moon plus Gavin Rothery - concept designer and VFX supervisor, Barrett Heathcote - visual effects editor and Hideki Arichi - art director (MLYT) (1,2,3,4,5)
Road to the Stars (Doroga k Zvezdam, 1958) was a remarkable Soviet documentary about the future of space exploration, directed by the "Godfather of Star Wars" and still admired for its impressive miniature effects. Watch the entire film.
He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."Inside: 57 films by Georges Méliès, the Grandfather of Visual Effects. [more inside]
"Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright."
In order to promote their upcoming remake of The Wolf Man, Universal has launched Universal Monster Legacy (Flash with auto-playing audio), featuring music, posters, video clips and still galleries from the classic Universal Monster films. (via)
Bebe Barron, 82, Pioneer of Electronic Scores, Is Dead. Best known for the soundtrack to the 1956 sci-fi classic Forbidden Planet -- the first full-length feature to use only electronic music -- she and her husband Louis Barron recorded the film's pre-synthesizer "electronic tonalities" with electronic circuits of their own invention. She never scored another feature film, but remained active in the avant-garde music scene.
High-Tech Noon. What makes a classic Western even more classic? Blasters and force-fields, that's what. (SLYT)
Trailers From Hell. Cult directors (and other industry types) introduce and comment on trailers for cult films. For instance, Allison Anders on Peeping Tom, Rick Baker on The Man Of A Thousand Faces, Joe Dante on Attack Of The 50 Foot Woman, Jack Hill on White Heat, Dan Ireland on The Haunting, Mary Lambert on The Masque Of The Red Death and Edgar Wright on Carnage. (Flash menu and intro unfortunately)
Kerwin Mathews, 1926-2007. The genre actor may be best remembered as the title character in one of my favorite movies, the classic The 7th Voyage of Sinbad.