The Seventh Art is an independently produced video magazine about cinema with three sections: a profile on an interesting group/company/organization in the industry, a video essay and a long-form interview with a filmmaker.
posted by You Should See the Other Guy
on Feb 10, 2012 -
1 comment
in 1976, surrealist icon Salvador Dali starred and directed in the fake documentary/travelogue Impressions de la haute Mongolie - Impressions of Upper Mongolia - about his quest to find a rare hallucinogenic mushroom. It was intended as a tribute to the late
Raymond Roussel. It is available on Youtube in 5 parts.
1 -
2 -
3 -
4 -
5 (70 min)
posted by The Whelk
on Sep 3, 2011 -
25 comments
It was bound to happen eventually. After
a quarter-century,
26 Academy Awards, and an unparalleled streak of
eleven artistic and commercial triumphs, Pixar's latest project,
Cars 2, is
Certified Rotten. Critics have
assailed the film as a slick but hollow vehicle for Disney's
$10 billion-dollar Cars merchandising industry "lifestyle brand," replacing the original's serviceable tale of small-town redemption with
zany spy games,
hyperactive chase sequences, and even more
lowbrow aww-shucks potty humor from
Larry the Cable Guy. But it's not all bad news! Along with
a fun new Toy Story 3 short, preceding today's (3-D) premiere showings is a first look at next year's
Brave --
a darkly magical original story set in ancient Scotland featuring the studio's first female lead (and
director).
Evocative high-res concept art [mirror] is available at the official website, and
character sketches have leaked to the web, with the apparently striking teaser trailer sure to follow. Also, be sure not to miss the sneak peak of
Brave's associated short,
"La Luna"!
posted by Rhaomi
on Jun 24, 2011 -
263 comments
He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."
Inside: 57 films by Georges Méliès, the
Grandfather of Visual Effects.
[more inside]
posted by Paragon
on Feb 3, 2010 -
31 comments
"Because the camera is so close to the character(s) being followed, we feel that we're physically attached to those characters, as if by an invisible guide wire, being towed through their world, sometimes keeping pace, other times losing them as they weave through hallways, down staircases or through smoke or fog." A video montage and essay by Matt Zoller Seitz. All shots are identified at the end; you may know more of them than you think. (
via)
posted by maudlin
on Jun 3, 2009 -
15 comments
