The Smiling Madame Beudet
made in 1922 is generally regarded by scholars and theorists as history's premier "feminist film
Germaine Dulac (wiki
) was a central figure in 1920's French avant-garde cinema, and its only woman director. A filmmaker with her own production company who worked in narrative, avant-garde, and documentary genres, Dulac was also an active feminist, critic, and a prolific writer who wrote some of the earliest treatises on avant-garde film.
Later she made what was considerered one of the first surrealist films: The Seashell and the Clergyman
(1928) from an original scenario by Antonin Artaud who later denounced it.
This resulted in a letter to La Nouvelle Revue Française, because the journal had omitted to mention her as the “author” stating that
the intellectuals and the filmmakers should develop a closer kinship to one another, for it is only nuances between words that irremediably keep them apart.
posted by adamvasco
on May 11, 2012 -