Diagnosed with terminal cancer two years ago, and given only months to live, Sam Simon is still alive and still racing to spend the fortune he made as co-creator of The Simpsons on causes he loves, whether he is rescuing grizzly bears (and chinchillas and elephants) or funding vegan food banks. Sam Simon and philanthropy previously on Metafilter
Designer/Artist Phil Jones decided to do something to both honor and play with those ubiquitous real estate ads on bus benches seen in cities by recreating every photo of a realtor with a picture of himself, then pasting it over the originals. It's odd, amazing and Buzzfeed of all people has some followup with the artist.
About a year after her participation in the groundbreaking Comedy Central documentary series the Comedians of Comedy, Maria Bamford was on stage at the Friars Club in LA when a heckler began shouting at her. What happened after that isn’t entirely clear, other than Bamford had a breakdown, walked off stage, and disappeared. She was found three months later selling clock radios on the sidewalks of Detroit. A fellow homeless person, who was also a Comedy Central fan, recognized Bamford and eventually her parents were contacted. They brought her back home to Deluth, Minnesota and began to get her help. Maria decided to document her recovery in a series of short videos called The Maria Bamford Show, which were first posted to the TBS networks' now abandoned Super Deluxe Web site. [more inside]
Raising Arizona is notable among the Coen Brothers’ filmography for seamlessly fusing the ravishing grimness of their drama with the slapstick antics of their comedy. ... [It] is an intensely bittersweet film. That it is admittedly hilarious distracts from this sorrow, but it doesn’t dampen it. If not the absolute best by the Coens, it’s certainly their most charming. - Michael Nordine [more inside]
Between Peter Jackson’s penchant for cartoonish unserious gore and Bob McCarron’s off-screen makeup effects manipulations, Braindead achieves something that approaches inspired genius in the heretofore unknown artform of human carnage. The film is filled with moments of joyous slapstick tableaux... And then there is that moment where Braindead finally breaks through to achieve a transcendentally surreal glory of excess where Tim Balme wades into battle against the zombies armed with a lawnmower, drenching an entire room in showers of blood. (Braindead holds the record for the greatest amount of artificial blood ever used in a film). The film is a work of perverse genius. - Richard Scheib
Return of the Living Dead (NSFW) is one of the greatest zombie movies ever made. Not only does it have loads of great looking zombies in it, it's one of the few zombie movies, besides its sequel, that has a perfect blend of humor and horror.
Patton Oswalt’s Letters to Both Sides - Oswalt addresses "all of the comedians in the room" and "all of the gatekeepers" at Montreal’s Just For Laughs 2012 about living in a living in a "post-Louie world".
Comedian Myq Kaplan starts a Kickstarter to Figure Out What Kickstarter Considers Art. [more inside]
Louis C.K. on eating pressure and providing an alternative to The Man - "I ask him to think about what he really needs; when he tells me, I give him a little more. It buys me goodwill with this person; I feel good about what I'm paying them. I like to give people a little more than they want, and I like to ask people for a little less than they're willing to give." [more inside]
In all seriousness, although Bobby Bittman (né Herschel Slansky) is famous as a funnyman and singer, he has also done heavy acting in On The Waterfront Again, Caesar, and The Poor Slob.
Winner of the first Emmy Award for Lead Actress in a Comedy Series, winner of a Tony Award in 1959, a pioneer for women as writers and producers in radio and television, and the inventor of the situation comedy, Gertrude Berg is - in the words of her film biographer Aviva Kempner - "the most important woman in America you never heard of". [more inside]
What you see here is a prime example of what happens to film that is neglected and improperly stored. This is an original reel from It's a Mad, Mad, Mad, Mad World that is now untouchable. The film has turned acidic, sporting the strongest and most foul vinegar-like odor I have ever smelled. In fact, Robert Harris told me a story of how his contact lenses were singed by the fumes the film produced, causing temporary retinal damage to his eye. [more inside]
...this symmetric aperture is called the "fenetre de breeze", roughly translated meaning the "zephyr window".
The Great Crepitation Contest of 1946 [mp3 at bottom] lingers on in the memories of record collectors, radio historians, and a generation of post-war vulgarians from Dr. Demento to Howard Stern. The Canadian Broadcasting Corporation's vivid recording of the contest (conceived at a company stag party) inspired legions of LP cover artists: an early public airing was encased in a sleeve designed by one of the earliest proponents of the illustrated album cover. Later editions were adorned with shockingly detailed renditions of the Great Contest, created by a variety of anonymous geniuses. (Speaking of art, it was also a rumored favorite of Salvador Dali). Though it has inspired various lurid myths, we've learned a little bit about the deepest roots of the contest right here on Metafilter. [more inside]
As Fran Lebowitz said, “If you’re going to tell the truth, you better be funny. Otherwise, they will kill you.”
"I think Louis has hit on some sort of subterranean undercurrent of emotion that I didn’t realize might be swelling until I listened more closely: shame." [via]
The concept of Used Cars originated with writer-director-producer John Milius, who pitched the idea to scribes Zemeckis and Gale while they were still hard at work on what would become 1941. ... Zemeckis shot Cars in a breakneck 28 days at a Chrysler-Plymouth dealership in Mesa, Ariz. ... Despite its low profile, the film received a great deal of critical acclaim, including the notoriously finicky Pauline Kael…who described Cars as “a classic screwball fantasy — a neglected modern comedy that’s like a more restless and visually high-spirited version of the W.C. Fields pictures.”
* [more inside]
Monty Python's Terry Gilliam explains his cutout animation technique. The technique itself doesn't really matter -- whatever works is the thing to use. And that's why I use cutout. It's the quickest and easiest form of animation that I know. (SLYT)
Throughout time immemorial, songs of patriotism, such as Darryl Worley's "Have You Forgotten?" are a staple of countries at war. Our ballads root for our soldiers to come back safe and sound to families and sweethearts, but who sings the tale about the Unmanned Aerial Vehicle, the autonomous drone that pines for the vending machine it left at home? Only the evil ghost of Johnny Cash does. [more inside]
In a two minute-and-forty-two-second advertisment against advertising, Microsoft explains why you should use their product instead of that of their competitor [via]
Two and a half years ago, we explored the early history of Cartoon Network... but it wasn't the only player in the youth television game. As a matter of fact, Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's truly venerable forerunner: Nickelodeon. Founded as Pinwheel, a six-hour block on Warner Cable's innovative QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire. Much has changed since then, from the mascots and game shows to the versatile orange "splat." But starting tonight in response to popular demand, the network is looking back with a summer programming block dedicated to the greatest hits of the 1990s, including Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and All That. To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon. (warning: monster post inside) [more inside]
In commemoration of the 10th Anniversary of the release of Wet Hot American Summer, Gallery 1988 in Los Angeles is presenting an exhibition of artwork inspired by the movie. Gallery (2) [more inside]
Larry Gonick is a veteran American cartoonist best known for his delightful comic-book guides to science and history, many of which have previews online. Chief among them is his long-running Cartoon History of the Universe (later The Cartoon History of the Modern World), a sprawling multi-volume opus documenting everything from the Big Bang to the Bush administration. Published over the course of three decades, it takes a truly global view -- its time-traveling Professor thoroughly explores not only familiar topics like Rome and World War II but the oft-neglected stories of Asia and Africa, blending caricature and myth with careful scholarship (cited by fun illustrated bibliographies) and tackling even the most obscure events with intelligence and wit. This savvy satire carried over to Gonick's Zinn-by-way-of-Pogo chronicle The Cartoon History of the United States, along with a bevy of Cartoon Guides to other topics, including Genetics, Computer Science, Chemistry, Physics, Statistics, The Environment, and (yes!) Sex. Gonick has also maintained a few sideprojects, such as a webcomic look at Chinese invention, assorted math comics (previously), the Muse magazine mainstay Kokopelli & Co. (featuring the shenanigans of his "New Muses"), and more. See also these lengthy interview snippets, linked previously. Want more? Amazon links to the complete oeuvre inside! [more inside]
"Beat the Devil" went straight from box office flop to cult classic and has been called the first camp movie, although Bogart, who sank his own money into it, said, "Only phonies like it." It's a movie that was made up on the spot; Huston tore up the original screenplay on the first day of filming, flew the young Truman Capote to Ravallo, Italy, to crank out new scenes against a daily deadline and allowed his supporting stars, especially Robert Morley and Peter Lorre, to create dialogue for their own characters. (Capote spoke daily by telephone with his pet raven, and one day when the raven refused to answer he flew to Rome to console it, further delaying the production.) - Roger Ebert's Great Movies
Louis C.K. has what most artists dream of: total creative control over his show.
Find the visual business cliches in this holiday poster from XPLANE. Boil the Ocean. Low-hanging Fruit. Drink the Kool Aid. Find the Strawman. (big PDF you really have to zoom in to appreciate).
Performance artists Corpus do Sheep. They also do Le Grand Peep Show. (links safe for peeps, safe for sheep and safe for work. Via Nutritional Plastic)
"A paper around her neck said she was Ida, but Ida said nothing at all." So tells the story of the saddest, unluckiest girl that ever lived. [more inside]
Marc Horowitz started a company, a trading post, a coffee stand, a national dinner tour, a human video game experiment, a reality TV show, a sprinkler documentary, an errand feasibility study, and much more. Apparently he needs to stop soon.
Straight outta Belgium, it's "The Matrix: The Beginning". This is a see-it-to-believe-it occasion. [20m WMV; Trailer for those with a lower tolerance for this sort of nonsense; Main site]
The Viral Chart tracks British viral marketing videos.